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Synopsis
From 1906 to 1934, Eugene de Salignac shot over twenty thousand 8-by-10-inch glass-plate negatives of New York City. As sole photographer at the Department of Bridges/Plant and Structures during that period of dizzying growth, he documented the creation of the city's modern infrastructure bridges, major municipal buildings, roads, and subways. For years these remarkably lyrical photographs have been used in books and films, but never credited to de Salignac. "New York Rises" is the first monograph to present them as an aesthetically coherent oeuvre by a photographer with a unique vision. As meticulous in his record keeping as he was creative in his photography, de Salignac left five handwritten logs that identify each negative by place and exact date.This information is complemented throughout this book by narrative captions expanding on themes such as accidents, bridges, workers, and the Depression. Michael Lorenzini has unearthed primary sources to reconstruct de Salignac's biography. Kevin Moore explores his work in the context of other photographers of the period, including Eugene Atget and Berenice Abbott.
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13 Rezensionen
8 von 8 Kunden fanden die folgende Rezension hilfreich
Beautiful Pictures of Old New York
8. April 2007
Format:Gebundene Ausgabe
This book is a beautiful set of photographs of New York during the early eays of the twentieth century. The photographs are dated from about 1908 to 1933. They show (mostly) a working environment. Here are people building bridges, paving streets. Because he worked for the department of bridges, it also seems like he was charged with recording accidents with pictures, possibly for legal reasons.
Along with the pictures are essays written by Michael Lorenzini, who is now a senior photographer at the NYC Department of Records/Municipal Archives, and by Kevin Moore, an accomplished writer in the history of photography.
I have seen some of these photographs before in various publications but never realized that these were only the tip of the iceberg, and that all of these pictures had been taken by the same individual.
Quite a number of the pictures show things that would be surprising to today's viewer. The Williamsburg Bridge for instance was equipped (in 1910) with a pair of electrically operated gates that worked to stop runaway horses on the bridge. Previously, the book says, there were an average of three runaways a month, usually fatal to the horses.
Along with the pictures are essays written by Michael Lorenzini, who is now a senior photographer at the NYC Department of Records/Municipal Archives, and by Kevin Moore, an accomplished writer in the history of photography.
I have seen some of these photographs before in various publications but never realized that these were only the tip of the iceberg, and that all of these pictures had been taken by the same individual.
Quite a number of the pictures show things that would be surprising to today's viewer. The Williamsburg Bridge for instance was equipped (in 1910) with a pair of electrically operated gates that worked to stop runaway horses on the bridge. Previously, the book says, there were an average of three runaways a month, usually fatal to the horses.
5 von 5 Kunden fanden die folgende Rezension hilfreich
Notes of a Jazz Riff Playing Above the Skyline
11. März 2008
Format:Gebundene Ausgabe
If I endorse this book as a monograph showcasing the photos of a man who worked for New York's Department of Bridges/Plant and Structures for 28 years, I'll be lucky to get a polite, uninterested smile.
But if I could share one of photographer Eugene de Salignac's extraordinary shots with you, you'd be hooked. Just look at the book's cover, showcasing painters nonchalantly draped on the rigging of the Brooklyn Bridge. (They are described in THE NEW YORKER as looking like "the notes of a jazz riff playing above the skyline.")
Thanks and kudos to Michael Lorenzini, who scoured New York's Municipal Archives and looked over about twenty thousand glass negatives to compile this retrospective of de Salignac's work. The photographer had the opportunity to record the astounding construction in New York that took place in the first third of the 20th century. That means much of this material has to do with transportation, and so we are treated to vintage shot after shot of subway tunnels, ferries, bridges, and trolley lines, as well as landmarks like the Municipal Building.
An extraordinary career is retrieved from anonymity here, and Kevin Moore's notes do a good job of putting the images into context. Highly recommended.
But if I could share one of photographer Eugene de Salignac's extraordinary shots with you, you'd be hooked. Just look at the book's cover, showcasing painters nonchalantly draped on the rigging of the Brooklyn Bridge. (They are described in THE NEW YORKER as looking like "the notes of a jazz riff playing above the skyline.")
Thanks and kudos to Michael Lorenzini, who scoured New York's Municipal Archives and looked over about twenty thousand glass negatives to compile this retrospective of de Salignac's work. The photographer had the opportunity to record the astounding construction in New York that took place in the first third of the 20th century. That means much of this material has to do with transportation, and so we are treated to vintage shot after shot of subway tunnels, ferries, bridges, and trolley lines, as well as landmarks like the Municipal Building.
An extraordinary career is retrieved from anonymity here, and Kevin Moore's notes do a good job of putting the images into context. Highly recommended.
3 von 3 Kunden fanden die folgende Rezension hilfreich
Pretty good, not great
26. August 2007
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
I agree that this book is relatively workmanlike and not in the same league as the really great books of photography. The photos are usually more intriguing than gripping in showing how buildings and bridges were actually built in those days. Prospective purchasers should leaf through it before buying, if possible.
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