The first volume of "New Mutants Classic" had five young mutants assembled under the tutelage of Professor Charles Xavier, go on a couple of adventures, and, in the finale, lose one of their number; the resolution to that story would not come for some time, but writer Chris Claremont wastes no time in adding to the cast, and greatly broadening the scope of the series.
The previous volume ended with the remaining four (Dani, Rahne, Sam, Roberto) going on what would become a multi-issue trip to the Amazon, where they make the unlikely find of a lost city of Ancient Romans and Incas living under a Republican government (which is threatened by a monarchist senator); alone, the four must navigate the turbulent politics of the city, find an ally in the daughter of one senator, Amara Aquilla (codenamed Magma), and survive their first encounter with the recurring villainess Selene, a mutant psychic vampire. Coming home, another castmember is added, in the form of Illyana Rasputin/Magik, the younger sister of the X-Man Colossus, a mutant magician, and the New Mutants become acquainted with her concealed, horrible past in the demonic realm of Limbo. Afterwards, the New Mutants and junior X-(Wo)Man Shadowcat (who had earlier condescendingly called the group the "X-babies") must team-up to battle the X-Men's recurring nemeses, the Hellfire Club, and, in particular, the White Queen, Emma Frost. This closing story arc also includes the first appearance in the series of the New Mutants' opposite numbers at Frost's Massachusetts Academy, the Hellions, including future X-Man Warpath (then called Thunderbird). This run of stories ends on something of a cliffhanger, promising big story developments and the arrival of acclaimed artist Bill Sienkiewicz.
Chris Claremont is a widely derided writer these days, having atrophied as a writer over the decades, losing the originality in years of repetitive stories and failing to keep up with changes in writing style. However, here he is at the top of his game, producing enjoyable adventure stories while at the same time expertly juggling his cast, giving insight into their feelings and motivations, and, as best as anyone has ever done, capturing the potential of the mutant allegory: the kids are gifted with incredible powers, which, particularly in the cases of newcomers Illyana and Amara, also come with considerable risks, and they must learn to control their power. Professor Xavier, nowadays often characterized as a manipulator, is perfectly characterized here; "Xavier's Dream" is never more real in the pages of these stories. The artist for this volume is reliable Marvel penciller Sal Buscema, unfortunately sandwiched between McLeod and Sienkiewicz, two more famous artists; nevertheless, his contributions to the New Mutants are worthy.
This series is recommend to fans of Marvel's mutants in arguably their finest era.