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Kurzbeschreibung
Natural Born Killers is a disturbing and brilliant indictment of violence in the media and American celebrity culture. Mickey and Mallory Knox, outlaw lovers on the run, go on a killing spree of startling viciousness -- and find themselves transformed into cult celebrities by the tabloid media. The film, directed by Oliver Stone, departed significantly from Tarantino's original screenplay, so much so that Tarantino removed his name from the screenplay credits. Now available in America for the first time, the original screenplay offers fans and film buffs of all stripes the opportunity to compare Tarantino's original vision with Stone's version of the story of Mickey and Mallory.
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A coffee shop somewhere in New Mexico. Lesen Sie die erste Seite
Buchdeckel | Copyright | Auszug | Rückseite
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Format:Taschenbuch
This was a great book! Tarantino did a great job of depicting the 90's. The way he made the media justify the acts of Mikey and Mallory was incredible! You know an author is good at what he does when he can make readers glorify two mass murderers such as these.
RICK BARNETT
RICK BARNETT
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Vastly Superior to Stone's Film
5. Juni 2001
Format:Taschenbuch
Quentin Tarantino took his name off the Oliver Stone film version of "Natural Born Killers." Read this fine screenplay, the one Stone virtually scrapped, and you will understand why. It's tightly focused, where Stone is distractingly all over the map; witty, where Stone is merely crude; deeply shocking and thought-provoking, where Stone is mindlessly sensational. Tarantino reveals himself to be a genuine moralist, of all things. As glamorous as the media finds Mickey and Mallory, Tarantino never lets you forget they are monsters. (Stone caved into the temptation to try to make them "likable" by presenting unbelievable, '60's-induced apologies for them.) Nobody gets off the hook in this version. One hopes that someday Tarantino can get the backing to remake the film his way. It should be a classic.
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"Natural Born Killers" Original Screenplay Review
18. Juli 2005
Format:Taschenbuch
There are people who seem to either enjoy Stone's movie and hate Quentin's screenplay or vice versa. Fact is I enjoyed both. Quentin Tarantino's original screenplay for "Natural Born Killers" is far different from the nightmarish acid trap that it became once Oliver Stone got his hands on it. Stone's film is far more epic and sadistic though Quentin's version isn't exactly a day at Disney World either. Much of Quentin's work is used in the film version though the way the story is told is so completely different than it was clearly conceived. The opening diner sequence is nearly the exact same as presented in the film though this is really the only one of Mickey and Mallory's murder spree sequences that Quentin intended to include (aside from the court room murder which was "deleted" from Stone's cut). Following that, the script takes a much different approach with it being told almost entirely in a documentary style with Wayne Gale (played in the film by Robert Downey) acting as the central character. Jack Scagnetti, who was a sadistic crooked cop in Stone's "NBK", is far less brutal in this one and is not positioned as a longtime rival of the murderous couple but more as a veteran cop being sold into hauling the two killers to the asylum. While the character of Dewight McClusky (played by Tommy Lee Jones in the movie) was a character in this script as well, his role is decreased and most of his action was written for a character named Wurlitzer, who didn't make Stone's version. The majority of the first half of the filmed "Killers" was not a part of the original Tarantino story and most of the social commentary was also absent. If you're a Tarantino fan or someone who would like a different take on the "NBK" story, this is an intruiging read.
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NBK from script to film
18. Dezember 2010
Format:Taschenbuch|Von Amazon bestätigter Kauf
It's hard to say which version is the better one--Oliver Stone's 1994 film version or Tarantino's original script; but it's fair to say that some of the most imaginative segments of the film (like Mallory's tortured home life played in sit-com style) were inspired directly from the script. But some scenes in the movie (like the Indian living in the desert with his rattlesnakes) are original additions made by Oliver Stone for the film.
But the biggest difference between the script and the film is the addition of back-stories to most of the main characters in the movie version; in the script Mallory and Mickey have little to no history (though passing references are made about Mallory killing her parents with Mickey), as does Jack Scagnetti. In the movie Detective Scagnetti has a perverse fascination with Mallory, and his mother was shot dead by Charles Whitman in the Texas tower shootings--which is given as reason to Scagnetti's fascination with serial killers (he kills a hooker in the film too). Plus, Stone also emphasized the point that Mickey Knox was abused constantly by his father as a child, and also witnessed his father's suicide (which is not in the original script as well).
IMO Oliver Stone vastly improved on the original screenplay (in his own perverse, psycho-sexual way); because frankly, the script--even though it has Tarantino's trademark dialog and tense action scenes--falls a little flat due to one-dimensional characters. But if you're fan of the film, it'll be an interesting read, because the basic story is the same.
But the biggest difference between the script and the film is the addition of back-stories to most of the main characters in the movie version; in the script Mallory and Mickey have little to no history (though passing references are made about Mallory killing her parents with Mickey), as does Jack Scagnetti. In the movie Detective Scagnetti has a perverse fascination with Mallory, and his mother was shot dead by Charles Whitman in the Texas tower shootings--which is given as reason to Scagnetti's fascination with serial killers (he kills a hooker in the film too). Plus, Stone also emphasized the point that Mickey Knox was abused constantly by his father as a child, and also witnessed his father's suicide (which is not in the original script as well).
IMO Oliver Stone vastly improved on the original screenplay (in his own perverse, psycho-sexual way); because frankly, the script--even though it has Tarantino's trademark dialog and tense action scenes--falls a little flat due to one-dimensional characters. But if you're fan of the film, it'll be an interesting read, because the basic story is the same.
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