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Native Son [Gekürzte Ausgabe] [Englisch] [Taschenbuch]

Richard Wright , John Reilly
4.2 von 5 Sternen  Alle Rezensionen anzeigen (76 Kundenrezensionen)

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Amazon-Preis Neu ab Gebraucht ab
Kindle Edition EUR 7,69  
Bibliothekseinband EUR 18,99  
Taschenbuch EUR 10,00  
Taschenbuch, Gekürzte Ausgabe, Januar 1987 --  
Audio CD, Audiobook, Ungekürzte Ausgabe EUR 35,99  
Unbekannter Einband --  

Kurzbeschreibung

Januar 1987

Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic. Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.

-- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .


Produktinformation

  • Taschenbuch: 432 Seiten
  • Verlag: HarperCollins Publishers Ltd; Auflage: Abridged (Januar 1987)
  • Sprache: Englisch
  • ISBN-10: 0060809779
  • ISBN-13: 978-0060809775
  • Größe und/oder Gewicht: 17,5 x 10,9 x 3,6 cm
  • Durchschnittliche Kundenbewertung: 4.2 von 5 Sternen  Alle Rezensionen anzeigen (76 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 341.661 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Produktbeschreibungen

Amazon.de

Bigger Thomas is doomed, trapped in a downward spiral that will lead to arrest, prison, or death, driven by despair, frustration, poverty, and incomprehension. As a young black man in the Chicago of the '30s, he has no way out of the walls of poverty and racism that surround him, and after he murders a young white woman in a moment of panic, these walls begin to close in. There is no help for him--not from his hapless family; not from liberal do-gooders or from his well-meaning yet naive friend Jan; certainly not from the police, prosecutors, or judges. Bigger is debased, aggressive, dangerous, and a violent criminal. As such, he has no claim upon our compassion or sympathy. And yet...

A more compelling story than Native Son has not been written in the 20th century by an American writer. That is not to say that Richard Wright created a novel free of flaws, but that he wrote the first novel that successfully told the most painful and unvarnished truth about American social and class relations. As Irving Howe asserted in 1963, "The day Native Son appeared, American culture was changed forever. It made impossible a repetition of the old lies [and] brought out into the open, as no one ever had before, the hatred, fear and violence that have crippled and may yet destroy our culture."

Other books had focused on the experience of growing up black in America--including Wright's own highly successful Uncle Tom's Children, a collection of five stories that focused on the victimization of blacks who transgressed the code of racial segregation. But they suffered from what he saw as a kind of lyrical idealism, setting up sympathetic black characters in oppressive situations and evoking the reader's pity. In Native Son, Wright was aiming at something more. In Bigger, he created a character so damaged by racism and poverty, with dreams so perverted, and with human sensibilities so eroded, that he has no claim on the reader's compassion:

"I didn't want to kill," Bigger shouted. "But what I killed for, I am! It must've been pretty deep in me to make me kill! I must have felt it awful hard to murder.... What I killed for must've been good!" Bigger's voice was full of frenzied anguish. "It must have been good! When a man kills, it's for something... I didn't know I was really alive in this world until I felt things hard enough to kill for 'em. It's the truth..."
Wright's genius was that, in preventing us from feeling pity for Bigger, he forced us to confront the hopelessness, misery, and injustice of the society that gave birth to him. --Andrew Himes

Pressestimmen

"Before he was 40, Wright dominated literary America, publishing four books in seven years, each a triumph in its genre. His first novel, Native Son (1940), sold at the rate of 2,000 copies a day, making Wright the first best-selling black writer in the country's history. Black Boy (1945), his memoir of his Southern childhood, was a bigger success, selling more than a half-million copies." (New York Times )

"Richard Wright's Native Son is, in addition to being a masterpiece, a Great American Novel" (David Mamet Guardian )

"Unsettling urban violence from the man who was Mosley's inspiration" (The Times )

"Native Son is the story of a young black man who kills two white women; and it was the first book - published in 1940 - to suggest that black Americans could actually get angry. When it came out, it beat The Grapes of Wrath in the best-seller lists" (Independent ) -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

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Kundenrezensionen

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2 von 2 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen A Really Good Read 14. Juli 2000
Format:Taschenbuch
Native Son is an excellent book that is quite deep on many levels. Richard Wright does an incredibly nice job of developing his main character, Bigger Thomas.

Bigger is a twenty year-old poor black man hired by a wealthy white family, and then accidentally kills the prominent young daughter out of fear. In covering up her death, he allows his emotions to get the better of him, and he rapes and kills another girl.

The first two sections of the book are loaded with intrigue, suspense, and drama, as the reader is right there with Bigger as he tries to mislead the murder investigation, and then runs from the large angry masses once his cover-up is foiled. The third section allows you to get into Bigger's mind and feel his confused emotions. Here, the reader is treated to Wright's views on society mainly through the voice of Bigger's trial attorney.

The language in the book is easy-flowing, and not terribly descriptive, which was done intentionally, so the reader could read between the lines and make clear assumptions. All in all, the novel was quite entertaining and rather eye-opening.

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5.0 von 5 Sternen Excellent 2. Juli 2000
Von Ein Kunde
Format:Taschenbuch
Reading this book for high school English last year, I was struck immediately by the raw immediacy of Wright's style. There is no superfluous detail, no interruption in the taut suspense that he maintains from almost the first page. Some criticize the book for being too simplistic and say the characters are poorly drawn, but this is intentional-Wright forces you to read between the lines and actively search for meaning in the senseless violence and hate that pervades the story. The tripartite structure of the story (Fear, Flight, Fate) is strikingly parallel to Orwell's 1984, with the same basic plot and three divisions. Native Son is definitely the best work of American 20th-century fiction I have read.
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5.0 von 5 Sternen In Response to a Poor Review 15. Juni 2000
Format:Taschenbuch
I typically would not bother to respond or offer criticism to another's review on any given book, but in this instance I feel the need to do so as a matter of setting the record straight. In his review on May 17, 2000, Rspellman asks why it takes 430 pages to tell a story of rape and murder. He goes on to say that, "Honestly, that's the whole plot itself." Whether or not this is true, it is more important to understand, I think, that a book's degree of quality should be based on more than just a plot. A book has characters that develop and unfold; it has a setting that one may never but through literature see; and, to make matters even better, the characters and setting and even plot are based upon an author's choice of language. Often, as in the case of Baldwin's Native Son, the language itself might be so beautiful that it breaks our hearts.

Rspellman states that the emphasis is on the white man in Native Son. The book presents an altogether larger social matter that plagued Chicago in the 1930s and still continues with remarkable similiarity today. Native Son is about the social circumstances of that period--a crucial one, in fact, as it is when the Great Black Migration had begun and Chicago was attempting to find a way to respond to it--and therefore has placed emphasis not on the white or black man, but on both, and how they respond to one another.

Finally, Rspellman states that he understands things were not easy for blacks, "back then," and that in order for America to correct itself from racist attitudes it should simply stop thinking about how difficult it really was. The truth is, the education of America's tangled past with racism is the only sure way to prevent further racism. When you understand others, you have a much better chance of leaving behind marks on the world that will help make it better. Literature such as Native Son can be a force which moves us in that direction.

Rspellman states that he is from another country, and while I hesitate to point out the importance of this, I must do so. To truly understand the American experience, it often takes years of exposure. You find it through the schools of childhood, the colleges, the neighborhoods, travels, arts, and so on. In the experience itself, the one issue that you can never escape from, no matter how much you might try, is race. Any American who has a true sense of its history knows this to be, as sad as it is, the truth.

Further suggested readings on race in America: Nicholas Lemann's The Promised Land; Ralph Ellison's Invisible Man; Lillian Smith's Killers of the Dream

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Die neuesten Kundenrezensionen
5.0 von 5 Sternen alles gut
alles gut, hAT ALLES SEHR SCHNELL GEKLAPP und die Sachen waren alle völlig in ordnung un dein wand frei und sauber
Vor 2 Monaten von Eicker veröffentlicht
5.0 von 5 Sternen A Book to learn from
I recently read Native Son,by Richard Wright, in my 8th grade English class while my class was reading To Kill a Mockingbird. Lesen Sie weiter...
Veröffentlicht am 19. Mai 2000 von KT8candy@aol.com
4.0 von 5 Sternen Every day life and more to come
This book was very good but emotional. In the beginning the book catches your attention quickly and gets you wondering what is going to happen next. Lesen Sie weiter...
Veröffentlicht am 18. Mai 2000 von Blossom
1.0 von 5 Sternen Only if you choose to
Although this book's setting takes place in Chicago, it really didn't appeal to me. Richard Wright's style of writing is prolonged and boring. He can be suspenseful (at times! Lesen Sie weiter...
Veröffentlicht am 17. Mai 2000 von "rspellman"
5.0 von 5 Sternen Native Son is a book worth reading
The novel, Native Son, is a great story that illustrates racism in America. The main character, Bigger Thomas is continually treated unfairly because he is black. Lesen Sie weiter...
Veröffentlicht am 17. Mai 2000 von Meagan thompson
4.0 von 5 Sternen The Definitive Review of Native Son
Native Son is a very deep book that explores the race relations (or lack of them) in Chicago in the 1940s. Lesen Sie weiter...
Veröffentlicht am 16. Mai 2000 von jacob
5.0 von 5 Sternen Inspiring Novel
> NATIVE SON > > I am an 8th grader from San Francisco and I selected Native Son, Richard Wright, off of an independent reading list. Lesen Sie weiter...
Am 16. Mai 2000 veröffentlicht
5.0 von 5 Sternen Inspiring Novel
> NATIVE SON > > Native Son was written in the 1940's by Richard Wright, a black author. I am an 8th grader from San Francisco and I selected Native Son off of an... Lesen Sie weiter...
Veröffentlicht am 16. Mai 2000 von beny
5.0 von 5 Sternen Native Son
I recently read Native Son,by Richard Wright, in my 8th grade English class while my class was reading To Kill a Mockingbird. Lesen Sie weiter...
Veröffentlicht am 16. Mai 2000 von Kate
5.0 von 5 Sternen Native hypocrisy
The book I read was called Native Son. The author is Richard Wright. The year the book was published was 1940. This book is available in Valley High School's library. Lesen Sie weiter...
Veröffentlicht am 15. Mai 2000 von Matt Nelson
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