I generally like these anthologies, and the majority of the stories in here did not disappoint. Several of them actually used characters from previous short stories in previous anthologies, which gave the whole thing a nice sense of continuity (like The Cheat, A Dream Deferred, and Heart, Home, and Hearth).
Some of the stories deal with the issues of faith in Karse, namedly An Unexpected Guest and What Fire Is, and show some interesting facets of that land. Others, like The Power of Three, Dreams of Mountain Clover, and Broken Bones, show the immense strength of character that can be found through adversity (whether to push into new frontiers or know when to stay behind).
Some of my favorites include the very poignant Live On and Heart, Home, and Hearth, which is about family and its healing power. Widdershins showcases a seemingly ubiquitous talents of Heralds in a very unusual way, and was very engaging.
Passage At Arms was a look at the uncertainties of a very young Trainee, which might have been excellent if the author hadn't insisted on writing the Trainee's point of view in near stream-of-consciousness form. It contained more run-on sentences and parentheses than I've ever seen. As it was, the style of the writing distracted from an otherwise good tale.
The Cheat, which takes places in Mornedealth, was somewhat interesting, but I was never terribly interested in the dueling nobles of Richard Lee Byers' version of Valdemar, so I could either take that story or leave it.
Other stories ranged from blah to seemingly random. A Dream Deferred picked up the tale of a minor character from The Oathbound, but despite rescues and sword fights, it left me curiously bored. Haven's Own seemed to end abruptly and with nothing particularly resolved. I felt no real sense of completion with that story. And The Sworddancer, which took place as far as I could tell in a place I'd never heard of in any of the Valdemar books, seemed utterly disconnected from the series, aside from a few brief mentions of Heralds.
Then there was the crowning obscenity. The title story, Moving Targets, was a ham-handed attempt to put the Heralds of Valdemar in an episode of Scooby-Doo. The Valdemar series made up the core of my reading experience as a teenager, and I have many fond and glowing memories of discovering it. This story just seemed like it was blatantly destroying it. Is this what Valdemar has come to, ripping off 80s Saturday morning cartoons?
I know Lackey has had many internal canon issues with the series (events, history, places, and even characters laid down one way in one book are modified, rearranged, or completely changed in another, particularly the more recent ones) but this story violates all established canon to make it fit the Scooby-Doo pattern. And I didn't like it. Once I realized what was going on, I read the story with deepening horror and revulsion as the poor Heralds and Scooby-substitute Ryu (a kyree forced by the story to talk like Scooby instead of communicate telepathically like every single other kyree every mentioned in the series) were made to go through every cliché ever penned in a Scooby-Doo gang.
Dear sweet alligators and onions, Lackey even managed to force a Mystery Machine in the plot. And a cranky old man, and all of the Scooby-Doo lines ("I would have gotten away with it too if I weren't for you meddling Heralds!"). I have never been so disappointed with a Lackey story in my life. If this was some attempt at a parody or being cute, it utterly failed on every single level.
Though "Moving Targets" is terrible to get through, the majority of the other stories are interesting, help flesh out the world of the Heralds of Valdemar, and are in general a pleasure to read. I would recommend buying this book, but just ignore the first story as to preserve your sanity.