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Motion Graphic Design and Fine Art Animation: Principles and Practice
 
 
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Motion Graphic Design and Fine Art Animation: Principles and Practice [Englisch] [Taschenbuch]

Jon Krasner


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Motion Graphic Design. Applied History and Aesthetics Motion Graphic Design. Applied History and Aesthetics
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Jon S. Krasner
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Produktbeschreibungen

Pressestimmen

"Like all Focal Press books on animated film this new publication is clear, concise and practical, and above all maintains interest...Packed with interesting facts and a wealth of colour illustrations." - Animatoon magazine

Kurzbeschreibung

Motion Graphic Design and Fine Art Animation teaches aesthetic visual concepts and practical techniques used by today’s motion graphics and animation professionals. Its cutting-edge layout and rich visuals provide a comprehensive investigation of how images and type are choreographed over time and space, providing artistic inspiration and establishing a basis for individual creative development.

Since the early 1900s, fine artists have embraced the power of animation in motion pictures. Since the late 1970s, graphic designers have explored motion in the televised medium. More recently, animation has become a powerful force in interactive digital media. Today, fine artists and graphic designers have the opportunity (and are often expected) to be animators, as well.

Inspirational and informative, this book is intended for practicing artists, graphic designers, educators, and students who are new to the incredible world of animation both independently and commercially.

This book offers an historical and critical overview of how animation has evolved as an artistic and commercial practice in film, television, and digital media. It also explores conceptual processes by which fine art animators and motion graphic designers develop creative ideas, and it investigates how aesthetic principles apply to animation.

Jon Krasner offers a thorough investigation of common processes such as frame-by-frame animation, interpolation, and compositing. In addition, he explains how designers can approach progressive phenomena, such as motion and transition, and choreograph them to enhance artistic expression and conceptual impact.

As film, television, and digital media introduce certain standards that must be honored during production, this book provides innovative solutions for overcoming the challenges often presented by these conventions.


In diesem Buch (Mehr dazu)
Einleitungssatz
Since the beginning of our existence, we have endeavored to achieve a sense of motion in art. Lesen Sie die erste Seite
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Buchdeckel | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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Amazon.com:  5 Rezensionen
9 von 9 Kunden fanden die folgende Rezension hilfreich
New Twist On Learning 23. August 2004
Von S. Detrie - Veröffentlicht auf Amazon.com
Format:Taschenbuch
i really enjoyed the approach of this motion graphics book. If you are

familiar with books that come out in this area, they are all generally

geared towards either learning software or recording the latest and greatest designs being done. Nothing wrong with that kind of approach,

but this book takes on some new territory, including a look at the history and roots. Even more importanly it tries to cover the toughest element

of all- having an IDEA. This book does a good job explaining that

motion graphics start with ideas, not knowing which buttons to push.

Of course everyone in the this area needs solid information also,

which a number of writers do well with. Still, a well rounded approach

makes beginners and professional consider the big picture. History, concept and practical information all in one.

I would highly recommend this.
6 von 7 Kunden fanden die folgende Rezension hilfreich
Great book for basics and beyond 27. April 2005
Von A. Harris - Veröffentlicht auf Amazon.com
Format:Taschenbuch
Maybe like me, you remember the days when Desktop Publishing was in its infancy and millions of ugly pages were created by people who had no talent or experience in design, but did own new software that would let them create those ugly pages very quickly.

But not all designs just sit on a page; they move across screens large and small. And again, as hardware and software become ever more powerful, we're in danger of being deluged with video and motion graphics that suffer from a lack of understanding of the fundamentals of good design and production.

But this book just might keep history from repeating itself. The writer offers insights into the history of motion graphics and then shines a spotlight on groundbreaking examples of more recent work. He talks about concept & design (and even how to come up with good ideas) and then takes you through production and distribution of the work. Some of it is pretty basic, but that's what happens when you're trying to create a book that covers ALL the bases. This guy is apparently a teacher and there's definitely a method to his approach.

And BTW, the accompanying DVD alone is worth the price of the book! It's got a great sampling of work and then the creators of that work talk about what they did and why they did it. You might not recognize the names, but you will certainly recognize some of the images.

If you're looking for a how-to book tied to a specific piece of software, I don't think this book is for you. But if you want a clear and complete understanding of the past, present and future of motion graphics you, this is one is a winner.
3 von 3 Kunden fanden die folgende Rezension hilfreich
almost an all-encompassing motion design book 28. August 2005
Von lola - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Von Amazon bestätigter Kauf
I have several other animation books and this book condenses most of the information into a well organized and well printed book. I am alos impressed with the DVD that is included as it gives several examples of motion graphics and fine art animation. I am using this book to teach a tim-based media course at an art school and it is a great resource which combines animation and commercial motion design principles in a way that will be easier for students to understand.

The book unlike other book which should really be printed in colour is beautifully printed and bound-not cheap at all. This perhaps explains the price. I do wish however that the author would have included more about some of the early fine art animators like Norman McLaren and Oskar Fischinger. I guess 'Experimental Animation' by Cecile Starr and Robert Storr cover this but that book is black and white and doesn't provide av examples. Overall however it is a good book that takes a slightly new direction.

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