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Morton Gould: American Salute
 
 
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Morton Gould: American Salute [Englisch] [Gebundene Ausgabe]

Peter W. Goodman , Tim Page

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Goodman, a journalist at Long Island Newsday, has written a welcome profile of American composer/conductor Gould (1913-96) that includes interviews with Gould, Gould's family and colleagues, and excerpts from the musician's recorded diaries. (Two earlier attempts at biography were abandoned, and the only other extended documentation on Gould appears to be in unpublished theses.) Weaving together analyses of compositions with (some unnecessarily vulgar) quotes evidencing Gould's family dynamics and self-effacing manner, Goodman traces Gould's artistic and personal development in minute detail, from his years as a radio pianist and bandleader in New York through his presidency of ASCAP to his winning the Pulitzer Prize for the composition "Stringmusic" in 1995. The misconception of Gould as merely a purveyor of light classicsDwhich Goodman succeeds in dispelling contributed to his resentment of and resulting depression over the recognition accorded more charismatic contemporaries such as Leonard Bernstein. Goodman's thoroughly researched volume is recommended for academic and public music collections to fill a gap in 20th-century American music scholarship. Barry Zaslow, Miami Univ. Libs., Oxford, OH
Copyright 2000 Reed Business Information, Inc.

Synopsis

Armed with composer Morton Gould's cooperation before his death and the assistance of his family and friends, journalist Peter Goodman has assembled a fascinating account of the man and musician. Beginning with Gould's prodigious childhood with a difficult father, to his role as an elder statesman of music, Goodman examines Gould's struggles with t

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Morton Gould/American Salute by Peter W. Goodman 29. Oktober 2000
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
"Morton Gould/American Salute," by Peter W. Goodman, should appeal to anybody with even a passing interest in modern American music. Goodman, who had extensive access not only to the subject himself, but to the efforts of previous, would-be biographers, breezily moves the story of Gould's life along. The central theme of the book is the composer's unfulfilled, life-long yearning for acceptance in his field. At every turn, Goodman explains, from his early success in radio, to his widespread play by "secondary" orchestras, Gould snatched despair from the jaws of professional satisfaction. Gould's continuous battle with depression weaves through the narrative.

The author goes to great lenghts to vividly protray on the written page what, one imagines, really must be heard to be fully appreciated in Gould's work:

"'Dance Variations' is in four movements, most of which fly by at breakneck speed. Gould's harmonic language and organization are tonal and conventional, yet the music is passionate and unsettling. . . . [I]ts 'Can-Can' is pounding and raucous. And the concluding 'Tarantalla' is frighteningly angry. Far from being a simple-minded crowd-pleaser, 'Dance Variations' is a score of depth and complexity, the work of a mind that is hiding in plain sight." (P. 211.)

Goodman also delves into Gould's many and varied sexual conquests. Unlike many of his peers (Copland and Bernstein, among others), Gould was, most decidedly, heterosexual. The detailed dissection of his two marriages (curiously, to two women with the same name (Shirley)), is a vital part of Gould's life story.

Perhaps the best compliment for this book is that the reader is left with the strong urge to round out his or her personal musical collection with anything Gould! It is highly recommended.


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