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Mona Lisa Overdrive (Bantam Spectra Book) [Englisch] [Taschenbuch]

William Gibson
4.2 von 5 Sternen  Alle Rezensionen anzeigen (19 Kundenrezensionen)
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6. Februar 1997 Bantam Spectra Book
William Gibson, author of the extraordinary multiaward-winning novel Neuromancer, has written his most brilliant and thrilling work to date . . .The Mona Lisa Overdrive.  Enter Gibson's unique world--lyric and mechanical, erotic and violent, sobering and exciting--where multinational corporations and high tech outlaws vie for power, traveling into the computer-generated universe known as cyberspace.  Into this world comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell.  Since childhood, Angie has been able to tap into cyberspace without a computer.  Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled . . . or even known.  And behind the intrigue lurks the shadowy Yazuka, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes . . . or so they think.

Wird oft zusammen gekauft

Mona Lisa Overdrive (Bantam Spectra Book) + Count Zero + Neuromancer (Remembering Tomorrow)
Preis für alle drei: EUR 22,17

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  • Count Zero EUR 10,57
  • Neuromancer (Remembering Tomorrow) EUR 5,80

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  • Taschenbuch: 320 Seiten
  • Verlag: Spectra; Auflage: Reissue (6. Februar 1997)
  • Sprache: Englisch
  • ISBN-10: 0553281747
  • ISBN-13: 978-0553281743
  • Größe und/oder Gewicht: 2,2 x 10 x 16,9 cm
  • Durchschnittliche Kundenbewertung: 4.2 von 5 Sternen  Alle Rezensionen anzeigen (19 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 13.214 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

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Into the cyber-hip world of William Gibson comes Mona, a young girl with a murky past and an uncertain future whose life is on a collision course with internationally famous Sense/Net star Angie Mitchell. Since childhood, Angie has been able to tap into cyberspace without a computer. Now, from inside cyberspace, a kidnapping plot is masterminded by a phantom entity who has plans for Mona, Angie, and all humanity, plans that cannot be controlled...or even known. And behind the intrigue lurks the shadowy Yakuza, the powerful Japanese underworld, whose leaders ruthlessly manipulate people and events to suit their own purposes.

An over-the-top thrill ride sequel to Neuromancer and Count Zero.


'Brilliant... a delight to read. No one can ever hope to out-Gibson Gibson... A true original' Sunday Times 'Gibson's most accomplished book to date, a futurist hybrid of Fleming and Deighton and Bester' Time Out 'Gibson can spin a gripping yarn. He builds up a great head of steam within the first few pages and doesn't relax until the end' Times Literary Supplement 'A chillingly plausible blueprint of the near-future' Evening Standard -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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Die hilfreichsten Kundenrezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Gibson does it again. 14. Oktober 1998
Von Ein Kunde
This was the first Gibson book I ever read. After browsing through a local Sci-Fi bookstore, and having heard good things about Gibson from a friend, I spotted this in the used book section, and picked it up. Immediately thereafter, I was enthralled.
Gibson has taken the probable, the possible, and the fantastic, and woven them into a single, believable entity. Mona Lisa Overdrive is a worthy successor to Neuromancer, in every aspect. Such favorites as Sally (AKA Molly), and the Finn tie this into Neuromancer quite well, as do the references to Case and the union of the Rio and Berne AIs.
Gibson's style is such that it takes several readings to truly understand a book; even then, you're left wondering "what did he mean by that?" Mona Lisa Overdrive is no exception. Never having read Neuromancer previous to Overdrive, I was mystified by the events described in the book; once I read Neuromancer, many things were revealed.
The technology, the political intrigue, and the societies of Gibson's future are projections of current trends, plus the mystical dimension of "cyberspace;" the medium through which the majority of the world communicates. There is nothing new under the sun, and Gibson proves this with Mona Lisa.
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3.0 von 5 Sternen Picture this... 10. März 2000
Von Ein Kunde
I had never seen Count Zero in the stores, so I thought this one was the sequel to Neuromancer instead of the 3rd. I followed it okay, and enjoyed it too, but definitely felt like I was on the outside looking in, always playing catch up. So, read the first two first, then this one, and enjoy! Much more of this one takes place in the real world than Neuromancer, so I found it much easier to "see" what was going on. And since it's not so caught up in the gadgetry, the characters come through more fully.
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4.0 von 5 Sternen Typical Gibson attitude-laden action 5. Juni 1998
I would have appreciated being told that without reading Neuromancer and/or count zero , I would have struggled my way through this book only to be left feeling a little lost and confused at it's conclusion . So I read the other two books and even though some aspects were confusing , that's a minor fault of an otherwise 'cool' book . I enjoyed being caught up in the angst and frustration of Slick Henry in his Factory amongst the desolate Dog Solitude . I kept flicking forward to catch the next mention of Sally or Molly . Among the supposed tuffgirls in the genre , I think that she wins it by a mile . How can you go wrong with someone athletic , intelligent , directed and with a kick ass attitude . Mona Lisa became a tad irritating and tiresome after a while . Does everything in her life need comparison to her mentor's advice ? Does she have to be in awe of everything that's new ( imagine how amazed her expression must have been when she was born -wow , air! ) ? Maybe I liked Molly too much . Colin's a nifty concept which reminded me of the days when I played marathon five-setters with my imaginary tennis opponent hidden in the brick wall . I won't forget including the count , Gentry , Cherry , Petal , Swain , Eddy , Prior and the rest of the future-minded cast . For some reason , I was able to picture this world without Gibson having explaining it to the grain patterns of each oak cabinet ( ala Tollkien ) . If you're expecting personal conflict and in -depth character development , forget about reading this book . It's all about action and the mechanics and politics of the matrix, the sprawl and whatever new-fangled device Gibson dreamed up .
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3.0 von 5 Sternen Neuromancer Underdrive 26. Oktober 1998
Von Ein Kunde
Gibson has both developed and regressed in this piece, which appears far from the noirish heights of Neuromancer, and yet somehow more mature. Mona Lisa Overdrive is a complex book, which tracks the overlapping stories of five characters, using neat chapter-size sections for each. He develops each character with startling skill, no mean feat for the man who filled Neuromancer's 300 pages with a host of electrifying descriptions, while failing to expand his main character's background beyond several brief paragraphs. The storyline, as per usual, is inane. The book is a cyberspace-Mafia thriller with Gibson's typical conspiratorial edge, and an ending that was meant to be profound - particularly to followers of the trilogy - but misses the spot. But it isn't the storyline which drives a Gibson novel, as any hardened fan will know. Gibson's true talent is growing his nebulous future world into new dimensions - this time into Japanese organized crime and the American 'urban refugee' scenario - and applying to it his extraordinary style; prose that has its roots in 30s detective fiction, yet, in my opinion, far exceeds the questionable efforts of Raymond Chandler and company. And this is where Gibson has failed this time around, inasmuch as he is capable of failing in the stylistic arena. Though in many ways it is a remarkable evolution from his uni-character, monologous works of the past, Overdrive is texturally thin. Unfortunately, Gibson shines mainly in his style, and so while he has stepped forward with this book, he has left many of his readers behind.
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Von Ein Kunde
Don't get me wrong, this is a great book. The book ends a great triligy on this future tale of the Sprawl, Chiba, and the Console Cowboys for hire. However, What made this a great tale was the densley packed Story. Like Blade Runner, the DUNE series, and the Original series of Max Headroom on TV, the novel's visionary feel is gritty and hard edged. OVERDRIVE becomes less detailed like the HEADROOM series after the first seaon on TV.Apparently, too many people found it too complex to follow. Personally, I feel Gibson was softening the edges to be more mass appealing, make the book easier to swallow. The problem is the book wasn't as rich as the first two novels, NEUROMANCER & COUNT ZERO. The show Max Headroom became quite boring. Dumbing down the book a notch shouldn't be the price, those who pay attention closely, should have to pay. I want to get involved with the books I read. Still, the novel gives the reader another peak into this web of Hightech adventure and futuristic age. Perhaps, Gibson was just cooling our processers before dumping the program, with this softer Neuromancer vision.
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Die neuesten Kundenrezensionen
5.0 von 5 Sternen ein Muss für Science-Fiction fans
Als dritter Teil der Trilogie, die mit Neuromancer begann ist dieses Werk ein ungedingtes Muss für jeden Science-Fiction und/oder Cyberpunk fan! Lesen Sie weiter...
Vor 11 Monaten von the_unicorn veröffentlicht
5.0 von 5 Sternen What a way to pull it all together!
The third in the Sprawl trilogy, I'd really recommend reading this but preferably if you've read Neuromancer and Count Zero first. Lesen Sie weiter...
Veröffentlicht am 22. Januar 2000 von M Eager
3.0 von 5 Sternen Ok, but too obscure
While I loved neuromancer, I found this one a bit too obscure and self-indulgent. Still bearable, but not great.
Veröffentlicht am 11. Dezember 1999 von Gregory Dudek
4.0 von 5 Sternen Excellent
This was a great book. I loved Neuromancer and kinda dragged myself through Count Zero and now I know get to MLO. This was just as colorful as Neuromancer. Lesen Sie weiter...
Am 18. November 1999 veröffentlicht
5.0 von 5 Sternen I could not put the book down!
this is the first book by William Gibson I had read, and I could not put it down!
Am 16. September 1999 veröffentlicht
4.0 von 5 Sternen Excellent conclusion to the "Sprawl" series
I enjoyed "Mona Lisa Overdrive" and "Count Zero" more than "Neuromancer" but the reason is that I read "Neuromancer" before "Burning... Lesen Sie weiter...
Am 14. September 1999 veröffentlicht
5.0 von 5 Sternen Amazing book - if you love Gibson.
While Neuromancer was a fast-paced and exciting book that could appeal to a wide variety of fans, I wouldn't recommend Mona Lisa Overdrive to anyone who isn't in love with Gibson's... Lesen Sie weiter...
Am 30. März 1999 veröffentlicht
4.0 von 5 Sternen Classic, but not the best...
This book is definently worth the read if you are a Gibson fan. Not the best of the Sprawl series, but it does tie everything up nicely. Highly reccommended.
Am 23. Februar 1999 veröffentlicht
4.0 von 5 Sternen Takes off slow, then hits hypersonic speeds.
Is this book good? Definitely. Is it worth reading? Absolutely. Is it the best Gibson can put out? Not quite. Lesen Sie weiter...
Am 14. November 1998 veröffentlicht
5.0 von 5 Sternen This book rocks. True Gibson artwork.
I could seriously not put this book down. I read Neuromancer, which I thought was an awesome book, and I read Count Zero, which was good but sort of boring. Lesen Sie weiter...
Am 5. November 1998 veröffentlicht
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