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Modest Gifts: Poems and Drawings
 
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Modest Gifts: Poems and Drawings [Englisch] [Taschenbuch]

Norman Mailer

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Norman Mailer
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Kurzbeschreibung

An unexpected collection from Norman Mailer—a book of his selected poems and more than one hundred of his drawings, most of them never before published. Modest Gifts is full of what the author calls “casual pleasures”—witty, naughty, and surprisingly tender verse and art. Lust, seduction, betrayal, jealousy, and even the banality of cocktail party chatter are depicted with humor, affection, and, above all, honesty. Here is an aspect of Norman Mailer unknown to many: lighthearted, prankish, whimsical, and often gentle, playfully sketching the intimate urban world that surrounds us. Modest, funny, and true, each poem and drawing shows a new side of one of the greatest writers of our time.

Über den Autor

Norman Mailer was born in 1923 and published his first book, The Naked and the Dead, in 1948. The Armies of the Night won the National Book Award and the Pulitzer Prize in 1969; Mailer received another Pulitzer in 1980 for The Executioner’s Song. His most recent books, both published by Random House, are The Spooky Art and Why Are We at War? He lives in Provincetown with his wife, Norris Church Mailer.

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6 von 8 Kunden fanden die folgende Rezension hilfreich
God Bless Norman Mailer 5. Januar 2004
Von S. Simpson - Veröffentlicht auf Amazon.com
Format:Taschenbuch
After all these years some humble pie. Some of this is yet still too sour for our friends in Haters Review Row. Too bad. Norman Mailer is one of the greatest writers of our time, whether you like him or not. If you don't like him, don't waste your time "reviewing" his work, just go away and leave us alone, we don't need any more of your whining. This book gave me a lot of little laughs, and some "modest gifts" of insightful and not-so-great "poems" or "prose-snippets", whatever you would like to call them. It was a fun release from the more arduous "Of a Fire On the Moon" which I am currently reading. I just finished The Prisoner of Sex, written by Mailer in 1970-- quite an interesting take on the "Women's Lib" movement at that time-- a bit heady, but with other equipment as well (!) God Bless Norman Mailer, one of the last great American authors.
8 von 11 Kunden fanden die folgende Rezension hilfreich
Mailer's Genius is Not On Display with Poetry Re-Issue 30. November 2003
Von Ted Burke - Veröffentlicht auf Amazon.com
Format:Taschenbuch
I, like many, think that Mailer ought to win the Nobel Prize for literature for the sheer genius of his published over his fifty plus years as a writer. Few of his generation, or in generations following, have have the kind of profound successes in fiction, reportage, cultural criticism, and political essay.

Mailer has dared what other literary writers only feigned and actively engaged the world in ways and manners that he thought would make reality surrender some of its secrets. The hope, of course, would be that he might be able to change the way men and women viewed themselves in a political reality that had stripped the individual of all creative drive, and hence empower them to change the substance of their world. Grand ambition, yes, and a failed enterprise,but in the attempt are left a string of brilliant books -- "The Naked and the Dead", "The Executioner's Song", "Why are We In Viet Nam", "Armies of the Night", "An American Dream", "Harlot's Ghost",-- that, among others, form a body of work at once daring,daunting, vain and arrogant, preening, breathtakingly on target, raunchy , clipped, rich and rolling and lyrical like the grandest music. An infuriating writer, yes, but even so one who's work stands tall in the era in which he wrote.

This, though, isn't one of those books," Modest Gifts" being, at best, a gussied up reissue of a lone book of verse he produced in the early Sixties,"Deaths for the Ladies (and Other Diasters)".

Now, as then, the pieces are slight, skeletal, un-propelled by anything resembling a notion that the reader cares about. For a writer who's composed some of the richest prose and lyric flights this side of Faulkner and DeLillo, these efforts are so minimal that even a verbal skinflint like Hemingway would call these gifts not modest ,but cheap. Mailer explains interestingly that these were put together at a bad time in his life when he could not compose--stabbing your wife will tend to
dampen your willingness to wax--and that he found something therapeutic in their existence, but there never has been a compelling reason for these things to be put between covers and sold. Unlike some, I think that a great writer's less great work, the unformed work, the jottings, the juvenilia,the notebooks, the scraps and orts, need to remain in the drawer, and not committed to the judgment of history. This poetry is so minimal that it can't even raise a stink.

0 von 1 Kunden fanden die folgende Rezension hilfreich
It's nice to see that Mailer can be modest 16. Mai 2005
Von Shalom Freedman - Veröffentlicht auf Amazon.com
Format:Taschenbuch
I remember reading many of these poems years ago and wondering how Mailer dared call them poetry. They were slight little remarks, and sketches and did not have anything of the penetrating depth, the moving power of real poetry. They are a kind of light verse and have at times a certain humor. I remember Mailer writing then that he wrote these poems only because he was going through a time when he could write nothing of real importance.

I do not think it is a disaster or harms his reputation or his important books in any way. Most writers who are known are known for one or two of their works, and the rest go largely unread. These poems the 'promo material ' says show another side of Mailer, light, whimsical tender, etc etc. Perhaps.

But as he himself says he has always taken it to be the writer's task to deepen the reader's understanding and consciousness of life. These poems do not do this.

A smile here and a smile there may be found especially from the drawings.

The great advantage of the work is that you can read it fast, and forget it faster.

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