Modernism Rediscovered is not just another book of gorgeous Julius Shulman photographs, but a serious and scholarly attempt to right a wrong done to each of the worthy edifices featured in this book.
To secure an enduring place in the public consciousness a new building must be photographed, and those photographs printed in a variety of publications, both professional and popular. Why do photographs of some buildings get wide exposure and others not? A history-altering book, Modernism Rediscovered explores that conundrum and, at the same time, attempts to redress the omission of these buildings from the public forum.
A fascinating convergence of elements determines which buildings are deemed editorially appealing and which fall through the cracks. Prevailing trends, editorial policy, financial considerations, the photographer's interpretation, and even personal editorial taste all contribute to the selection process and resulting exposure of a building project. Ideally, all these elements coalesce to lend the building and the architect validation and prestige, establishing recognition of the work within the profession and to the general public. As Modernism Rediscovered shows, this has often not been the case.
Now nearly ninety years of age, Julius Shulman granted access to his archives for the first and only time ever to architect Pierluigi Serraino. From this treasure trove of architectural history Serraino selected such underexposed projects as the breathtaking Spencer Residence, a steel cage cantilevered out over the Malibu coastline; the Upton Residence, an Arizona winter retreat combining the lightness of an open glass box anchored by desert stone and concrete; and the C.Y. Stephens Auditorium at Iowa State University featuring steeply cascading balconies jutting out of folded concrete side walls.