Produktinformation
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--Masses--
The first mass presented here is Missa Papae Marcelli. Written in the 1550s, it wasn't published until the next decade. Pope Marcellus was only pope for a few weeks, but managed to endear himself to composers and conductors by insisting upon clarity as the highest of virtues for choristers. There is a joy to this, as Palestrina is definitely in the mode of celebrating the life of Pope Marcellus. This is one of Palestrina's most recorded works.
The second mass, Missa Aeterna Christi Munera is likewise a strong composition, although it is much less known than the first. Palestrina wrote over 100 masses in his lifetime (in addition to a wide range of other pieces), so it is not surprising that there might be some relatively overlooked. This particular mass has a more solemn tone to it, but still soars magnificently, and has no real flaws in composition.
--Oxford Camerata and Jeremy Summerly--
The performance of both of these pieces is superb. Perhaps the better performance belongs to the second mass; the Camerata has twelve singers, who double on the six-voice Missa Papae Marcelli, but are able to triple on the four-voice Missa Aeterna Christi Munera. They play with tempo and expression in new ways. The Oxford Camerata was formed in the early 1990s under the direction of Jeremy Summerly - this disc is their second recording. (Legend has it there was a cement mixer just outside the Dorchester Abbey, and that the recording engineers missed the first session for recording due to car trouble.)
Summerly's direction and selection of material and interpretation is such that it bears watching in the future.
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