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Metagenealogy: Self-Discovery Through Psychomagic and the Family Tree (Englisch) Taschenbuch – 25. September 2014


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Über den Autor und weitere Mitwirkende

Alejandro Jodorowsky is the legendary filmmaker of El Topo and The Holy Mountain. He has been profiled in the New York Times, the Wall Street Journal, the Los Angeles Times, and other major media. His most recent film, The Dance of Reality, debuted at the Cannes Film Festival in 2013. The creator of Metagenealogy, he is the author of more than 20 books, including Psychomagic, The Way of Tarot, and The Dance of Reality. He lives in Paris. Marianne Costa has worked with Jodorowsky since 1997, coteaching workshops on Tarot and metagenealogy. She is the author of No Woman’s Land and the coauthor of The Way of Tarot. Both authors live in Paris.

Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.

Chapter Two

Orientation to the Work
Jodorowskianism: The Basics

The Role of Obstacles


Every individual is the result of two forces: the imitator (directed by a familial group) and the creator (which comes from the universal Consciousness).

This double influence and the levels of the unconscious fit together in a concentric manner.

- in the center is the individual and her personal unconscious
- around this, members of the genealogy tree and the familial unconscious, which is the focus of our study in this book
- in turn, the tree is part of a society that also possesses a collective unconscious, which is the fruit of a culture, which is, in turn, the fruit of mankind
- beyond the borders of Earth, the existence of a cosmic consciousness is imaginable, which reflects the consciousness of the universe and the “divine” or total unconscious, which could be the origin of all Consciousness

We can, therefore, visualize each individual as a center of a series of concentric circles that overlap in the different layers of consciousness. To the planetary level (humanity as it exists today), we are all subjected to the forces of imitation: traditions, habits, rules, beliefs, and so forth. From the level of cosmic or universal consciousness, we enter into pure Consciousness and nothing impedes the future project.

Our genealogy tree, complying also with the pressures of society and culture, shapes us with forces of imitation, repetition, conformity, tradition. The work of the individual Consciousness consists in undoing these limitations that do not correspond to our true personality in order to carry out a new, unknown, original project.

The path of the consciousness goes through the tree, society, and culture in order to integrate with the universal plane. That is to say: if I quit repeating the prescriptions of my tree, of the society in which I live, of the culture in which I have been raised and established in a significant manner, I will contribute a bonus to my tree, my society, my culture. For example, in a family marked by ruin or exile, the individual success of one of its members, who now enjoys a good life, can contribute information on what he can do: prosper, do well in school, and so forth. Or, in another case, when the bonding has been cut, if one of the members rediscovers the meaning of love and of human value, he could become the light that illuminates the rest of them.

Socially, the great artistic, scientific, or cultural revolutions are perceived, from the beginning, as offensive to the established order. Similarly, at the global level, yesterday’s utopian ideas about sustainable development and respect for natural resources are today considered beneficial. The circles of repetition always resist innovation because tradition (the conservation of the familial, cultural, or social identity) demands of the members of the clan the reproduction of its own agenda.

The dynamics between the forces of repetition and that of creation can be interpreted in the following way: we are all children of our parents and, at the same time, the unique creation of the universe that exceeds the individual wills of the parents, who simply serve as intermediaries. Therefore, the tree will be the result of the study of a series of formations and distortions imposed on this essential Being that we all are.

We will study the obstacles as both necessary and fruitful, allowing our project to achieve its goal: the past wants to make the future make sense, but, in reality, it is the future that gives meaning to the past, granting it a new significance. In short, this is the meaning of our work.

The role assigned to the inherited tree can be positive or negative as, for example:

- The son or daughter who is appointed to carry on the family tradition in order to enhance the intellectual or social level of the family, in order to repair a series of deaths within the clan, or to repair the family reputation by having a good marriage or by maintaining a given social position.
- Inversely, the “black sheep” of the family is the carrier of all the stigmas that the genealogy tree needs to expel from itself but which have fallen on one of its members in particular, turning the tree into a negative heir: it is the one who has become an alcoholic or drug addict; the one who has become a “prostitute” having chosen the path that does not conform to the ideology of the clan; the one who has become a compulsive gambler and ruins the family with failures which end in misery.

All of these cases, present in one way or another in all families, are the results of inheritance.

From the moment in which someone intends to incorporate new information into her tree, the resistance will manifest in the form of enormously varied obstacles, and, at first, these obstacles are going to appear insurmountable. As occurs in myths and legends, we must confront them in order to transform them into stages of our liberation. There is an initiatory tale that sums up the essential function of the obstacle:

A peasant receives a visit from his God. He kneels in front of him and thanks him for having granted him the gift of life. “I owe everything to you, however, I need to file my complaints, “I work for my land to make the wheat grow lush, but you send hurricanes, monsoons, hungry birds, mice, torrential rains, and pests. Can you, for once in my life, spare me these troubles?” God satisfies the peasant’s pleading. When he plants the seed, no gale shakes the earth, the climate is mild throughout the year, it rains just enough, no sign of any bird or any harmful insect . . . and for lack of obstacles to overcome, the seed weakens, rots in the good soil, and fails to germinate.

Chapter Five

The Call of the Future
By Alejandro Jodorowsky


The first time I understood the importance of the future on our mental and physical health was in 1972 during the shooting of Holy Mountain. Due to unfounded rumors, the filming of this movie became a real nightmare. Looking to shoot the colonial architecture in Mexico City, I found the venerable Basilica of Our Lady of Guadalupe, in front of which I shot a truckload of naked corpses--gunned-down students. Word spread that I had conducted a black mass inside the temple, defaming the Virgin. There began a campaign of insults and threats in the tabloids. I was summoned and threatened by a minister of government who demanded the removal of said black mass, and I was not given the chance to prove the scene’s non-existence. At dawn, following this disagreeable discussion, a group of police in civilian clothing, the falcons, stood in front of my house, screaming, “Jodorowsky, we are going to kill you!”

The next day, I put all of my negatives in the trunk of my car and, with my wife, my kids, and my cats, drove to New York via Tijuana. There, I began editing my movie. These unjust persecutions, along with the sadness of having lost my territory and my friends, and the legitimate doubts about the quality of what I had shot (I wanted nothing less than to revolutionize cinema), caused a state of anxiety that made me sweat gallons of water each night. I soaked at least seven t-shirts each night. . . . None of the pills prescribed by the doctors ceased this phenomenon.

One day, while buying Taoist treatises in an esoteric bookstore, the clerk recognized me and struck up a conversation. In light of the subject, the clerk mentioned a Chinese sage living in New York who, apart from being a famous Tai Chi Chuan Master and teaching the art of calligraphy, gave free consultations each week to Chinatown’s sick. His name was Cheng Man Ch’ing but his students nicknamed him...

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Five Stars 16. September 2014
Von Temenuga Ivanova - Veröffentlicht auf Amazon.com
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