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Produktbeschreibungen
Kurzbeschreibung
A new translation by Andy Gaus of these classic popular satirical Wilhelm Busch cartoons, with original illustrations, in black and white, throughout. This volume includes Max & Moritz a Bad-Boy Story in Seven Tricks; Ice Peter, A Funny Picture Story; Diogenes and the Bad Boys of Corinth; four poems from Critique of the Heart; and a biographical note on Wilhelm Busch.
Synopsis
A new translation by Andy Gaus of these classic popular satirical Wilhelm Busch cartoons, with original illustrations, in black and white, throughout. This volume includes Max & Moritz a Bad-Boy Story in Seven Tricks; Ice Peter, A Funny Picture Story; Diogenes and the Bad Boys of Corinth; four poems from Critique of the Heart; and a biographical note on Wilhelm Busch.
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4 von 4 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
Dem Übersetzer ist es sehr gut gelungen, den typischen Styl von Wilhelm Busch ins Englische zu übertragen. Die ausgewählte Original Schwarz-Weiß-Darstellung der Bilder bringt die Atmosphäre der damaligen Zeit besonders gut nahe - im heutigen Zeitalter der neuen Manga- und Animetechniken. Leider ist Max und Moritz sowie Wilhelm Busch nicht weltweit so bekannt wie bei uns. Durch die kurze Information über Wilhelm Busch und seiner Werke trägt das Buch zur Popularisierung auch über unsere Landesgrenzen hinaus bei. Ich habe es nach Korea verschenkt, wo es jetzt einen neuen, interessierten Freundeskreis gefunden hat.
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A German Classic
24. Januar 2005
Format:Taschenbuch
Wilhelm Busch (1832-1908) is known as the author of "Max and Moritz," but the scope of his works is much broader. He is not an author of children's books in the first place. He wrote many stories of satire and slapstick humor not primarily aimed at children, illustrated by his own drawings - for which he is justly famous. Some people even regard him as the father of the modern comic strip. Had he worked in our time, his equals would be the likes of F. K. Waechter, Tomi Ungerer, Jean-Jacques Sempé, and Ronald Searle.
Although the two cannot be compared, Busch's "Max and Moritz" ranks in Germany on the same level as Lewis Carroll's "Alice in Wonderland" in the English speaking world. Wherever an Englishman would quote Lewis Carroll's "Alice", a German is likely to quote Busch.
Children won't catch Busch's gentle satire in "Max and Moritz." The whole concept of satire is not familiar to them, of course. But while the little ones breathlessly follow the naughty pranks, Dad smiles at the fun Busch makes of the adults in "Max and Moritz." Widow Tibbets is a good example. While professing tender feelings for her chicks, she's really rather practical minded. So when Max and Moritz manage to kill her chickens - and the rooster, for that matter - she grieves, but not too deeply:
When the worthy Widow Tibbets
(Whom the cut below exhibits)
Had recovered, on the morrow,
From the dreadful shock of sorrow,
She (as soon as grief would let her
Think) began to think 'twere better
Just to take the dead, the dear ones
(Who in life were walking here once),
And in a still noonday hour
Them, well roasted, to devour.
Finally, a word of warning to trusting parents. Busch shares the mischievous streak in Max and Moritz, and while his two young protagonists play rather violent tricks on the townspeople - a taylor almost drowns and a teacher gets his face burned from an exploding pipe - Busch himself plays the most violent trick on Max and Moritz. In their last prank they cut open the grain sacks of a farmer who finds the two boys in their hiding place, drags them to a mill and has them ground to pieces, which - Gary Larson would have loved that part - are being eaten by two of the Miller's geese:
"In with 'em!" Each wretched flopper
Headlong goes into the hopper.
As the farmer turns his back, he
Hears the mill go "creaky! cracky!"
Here you see the bits post mortem,
Just as Fate was pleased to sort 'em.
Master Miller's ducks with speed
Gobbled up the coarse-grained feed.
The good and upright people of the village are so relieved. Good riddance to Max and Moritz, they think. But of course they put that more politically correct:
Through the place in short there went
One wide murmur of content:
"God be praised! the town is free
From this great rascality!"
In short: this is great stuff for the kids if you manage to explain the fine points. As a starting point I recommend to brand the pranks of Max and Moritz as "very naughty" and take it from there.
[this review refers to the Dover Publications edition translated by Walter Arndt, ISBN 0486201813]
Although the two cannot be compared, Busch's "Max and Moritz" ranks in Germany on the same level as Lewis Carroll's "Alice in Wonderland" in the English speaking world. Wherever an Englishman would quote Lewis Carroll's "Alice", a German is likely to quote Busch.
Children won't catch Busch's gentle satire in "Max and Moritz." The whole concept of satire is not familiar to them, of course. But while the little ones breathlessly follow the naughty pranks, Dad smiles at the fun Busch makes of the adults in "Max and Moritz." Widow Tibbets is a good example. While professing tender feelings for her chicks, she's really rather practical minded. So when Max and Moritz manage to kill her chickens - and the rooster, for that matter - she grieves, but not too deeply:
When the worthy Widow Tibbets
(Whom the cut below exhibits)
Had recovered, on the morrow,
From the dreadful shock of sorrow,
She (as soon as grief would let her
Think) began to think 'twere better
Just to take the dead, the dear ones
(Who in life were walking here once),
And in a still noonday hour
Them, well roasted, to devour.
Finally, a word of warning to trusting parents. Busch shares the mischievous streak in Max and Moritz, and while his two young protagonists play rather violent tricks on the townspeople - a taylor almost drowns and a teacher gets his face burned from an exploding pipe - Busch himself plays the most violent trick on Max and Moritz. In their last prank they cut open the grain sacks of a farmer who finds the two boys in their hiding place, drags them to a mill and has them ground to pieces, which - Gary Larson would have loved that part - are being eaten by two of the Miller's geese:
"In with 'em!" Each wretched flopper
Headlong goes into the hopper.
As the farmer turns his back, he
Hears the mill go "creaky! cracky!"
Here you see the bits post mortem,
Just as Fate was pleased to sort 'em.
Master Miller's ducks with speed
Gobbled up the coarse-grained feed.
The good and upright people of the village are so relieved. Good riddance to Max and Moritz, they think. But of course they put that more politically correct:
Through the place in short there went
One wide murmur of content:
"God be praised! the town is free
From this great rascality!"
In short: this is great stuff for the kids if you manage to explain the fine points. As a starting point I recommend to brand the pranks of Max and Moritz as "very naughty" and take it from there.
[this review refers to the Dover Publications edition translated by Walter Arndt, ISBN 0486201813]
1 von 2 Kunden fanden die folgende Rezension hilfreich
Classic humor...
9. November 2010
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
My family grew up on these Old German comic strips. My father and Uncles laughed at them, I laughed at them and my younger relatives will laugh at them. These stories are awesome. I will buy three more of these for my nephews.
1 von 2 Kunden fanden die folgende Rezension hilfreich
Icky fun
10. September 2008
Format:Taschenbuch|Von Amazon bestätigter Kauf
This book is a stitch! Small children will scratch their heads but adults will enjoy the irony. The illustrations stay with you.
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