This book is the catalogue for the current exhibition at the Art Institute of Chicago, which will then travel to Moma in NYC. It is the first study to have exclusively focused on a crucial timespan in Matisse's career, the years from 1913 to 1917, when the artist experimented with all sorts of styles, techniques and materials, culminating in a major body of works verging on abstraction, such as the Morrocans, French Window at Collioures or Bathers by a River. The aim of the book is to show how and why Matisse came up with such revolutionary works, the influences he was subjected to (from other artists, such as Cézanne or the Cubists, but also from outside events, namely WWI) and how these works relate to each other (especially the back and forth movement of strict or lushful colors, the artist alternately producing ascetic works almost entirely black and gray and others richly colored).
Richly documented (here I would like to point out, on pages 32-37, a very interesting glossary of technical terms that helps the reader delve into Matisse's craft and discover some of his secrets), full of marvelous illustrations and, most of all, replete with magnified details of the works which emphasize Matisse's working process (what he would later call, in a 1952 interview with Tériade, the "methods of modern construction"), this is a high-quality publication, a groundbreaking study which I strongly recommend to anyone interested in the origins and the making of modern art.