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Master Shots Vol 3

Master Shots Vol 3 [Kindle Edition]

Christopher Kenworhty
5.0 von 5 Sternen  Alle Rezensionen anzeigen (2 Kundenrezensionen)

Kindle-Preis: EUR 14,63 Inkl. MwSt. und kostenloser drahtloser Lieferung über Amazon Whispernet

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Kindle Edition EUR 14,63  
Taschenbuch EUR 21,00  



A highly visual exploration of the best shots, moves, and set-ups in the industry. This books reveals the secrets behind each shot’s success, so it can be adapted to the director’s individual scenes.


  • Format: Kindle Edition
  • Dateigröße: 5860 KB
  • Seitenzahl der Print-Ausgabe: 242 Seiten
  • ISBN-Quelle für Seitenzahl: B00GSCOWYO
  • Verlag: Michael Wiese Productions (30. November 2013)
  • Verkauf durch: Amazon Media EU S.à r.l.
  • Sprache: Englisch
  • ASIN: B00H03VGUI
  • Text-to-Speech (Vorlesemodus): Aktiviert
  • X-Ray:
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (2 Kundenrezensionen)
  • Amazon Bestseller-Rang: #139.429 Bezahlt in Kindle-Shop (Siehe Top 100 Bezahlt in Kindle-Shop)

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5.0 von 5 Sternen Master Shots Volume 3 2. Mai 2014
Von Hec
Format:Taschenbuch|Verifizierter Kauf
Besitze bereits Volume 1 und habe mich daher entschieden Volume 3 zu erwerben. Habe den Kauf nicht bereut, es überschneidet sich kaum mit Volume 1 und hat wieder viele schöne Einstellungen auf Lager, welche zum Inspieren einladen. Wie immer gilt, die gezeigten Szenen werden bestmöglich durch BIlder erklärt, für ein besseres Verständnis empfehle ich dennoch die Filme gesehen zu haben. (Inception, Leon der Profi, Karate Kid etc)
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5.0 von 5 Sternen Excellent. 12. Dezember 2013
Format:Taschenbuch|Verifizierter Kauf
Being The third Book of The Series, The practical approach to the individual shots is great and is a great help to both pros and ams. A Big up for this Book and The entire series.
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Die hilfreichsten Kundenrezensionen auf (beta) 4.7 von 5 Sternen  21 Rezensionen
4 von 4 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Picture This! 9. Dezember 2013
Von Christina Hamlett - Veröffentlicht auf
Back when I was 10 and forced to endure a week of Girl Scout camp in the Pacific Northwest (for parental reasons that, frankly, still escape me), I recall a gaggle of us trekking into the woods on a quest for blackberries. “Do you think we’ll get lost?” one of my friends nervously asked. “No way!” I replied, proudly informing them that, “I have a compass!” It was new. It was shiny. It even had the official Girl Scout trefoil stamped on the back as testament to its authenticity.

The fact I had absolutely no clue how it was supposed to work – never having read the instructions which came in the box – was a moot point. Somehow, I thought, if (1) darkness fell in the forest, (2) bears started chasing us or (3) we came upon a strange village where no one spoke English, all I had to do was flip open the lid and it would magically tell me what turns to take in order to get us safely back to camp.

Technology, of course, has given us tools far more advanced than the humble compass. Movie cameras, for instance. Yet how often do the uninitiated fall into the trap of thinking that if they just point it at something, it will always yield picture-perfect results worthy of the finest cinematography? For aspiring filmmakers of any age, "Master Shots, Volume 3" by Christopher Kenworthy is a must-have title for their resource library.

The book isn't just a treasure trove of black and white images from a diverse range of films but also offers detailed explanations on how specific framing, distance, lighting and angle work in concert to deliver symbolism, rich textures and move the story forward. Many of the frame grabs are accompanied by diagrams with black arrows indicating the movement of the actor(s) and white arrows corresponding to the movement of the camera. As the reader moves through the chapters, the diagrams taper off - a clever device for the readers to figure out the respective movements on their own and, thus, be able to apply them to their own projects.

I especially like the author's quote, "If you shoot a great actor in an average way, the result is disappointing. If you shoot an exquisite set without innovation, the money's been thrown away. If you shoot a wonderful story with traditional setups, the result will be boring." While "Master Shots" is targeted to filmmakers, there are a number of concepts that can have just as significant impact on readers whose medium of expression is a basic digital camera coupled with photo editing software. Kenworthy's passion for his craft is evident on every page and the takeaway value for future movie directors is a better understanding of the look, energy and emotion they want their scenes to achieve before the cameras ever start rolling.
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4.0 von 5 Sternen Setting scenes. 4. November 2013
Von Geoff the SFCrowsnest guru - Veröffentlicht auf
One of the books I was interested in having a look at from Michael Wiese Productions was this one, ‘Master Shots Vol. 3’. I did wonder when it arrived whether I should have seen the earlier two volumes first, but each book is very much a standalone, dealing with how to get the best use of a scene in the film camera. This volume points out how to get the most out of a scene. Christopher Kenworthy obviously targets the film director but the techniques shown can also be useful for the comicbook artist and even has a knock-on effect for the prose writer because it helps visualise the scene you want to describe.
The biggest surprise was seeing so many SF sourced films being used, including ‘Blade Runner’, ‘The Adjustment Bureau’ and ‘Star Wars’, although there are others like ‘War Horse’ and ‘Leon: The Professional’ as well. All of these are used to highlight the 100 examples that Kenworthy uses to make various points varying from actor or camera movement within a scene and to make the action interesting.
I found it very much an eye-opener and have already begun to wonder how it will affect my film watching for this kind of detail, especially as the pros themselves have these books for reference in their own collections.
It would have been interesting to see examples of where it doesn’t work as well as a contrast but then I’ve frequently said that of such books because you become mindful of what mistakes not to make.
In some respects, I found this book a fast read, however it isn’t really designed to bog you down with words because what you really want from this book is how to set up your scenes and even get the best performance from the cast involved. I suspect if you found this book useful, you’ll also pick up the earlier two volumes as well.
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5.0 von 5 Sternen A great reference book 23. Oktober 2013
Von Tragic matt - Veröffentlicht auf
A great reference book for the film making enthusiast. Whilst I'm not a professional film maker I do enjoy making short movies and promo videos for my business. These books really do make a difference and tell you not just how but why certain shots work better.
I'm posting a review because I think the books deserve one but I don't want too many people getting their hands on it or my secrets out. ;)
A useful and interesting look at how films are made.
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5.0 von 5 Sternen Another Sucessfull Addition 7. September 2013
Von Gabriel D. Davis - Veröffentlicht auf
Format:Taschenbuch|Verifizierter Kauf
Great Book, Kenworthy is the only Author who's teaching the techniques that the professionals use to distinguish themselves from amateurs.
1 von 1 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Great Tool Set 22. August 2013
Von Dave Watson, Editor, Movies Matter - Veröffentlicht auf
You know a book has an impact on you when you see a movie or read a book, and you see things differently. As in, a deeper appreciation for choices the artists make on many levels. "Master Shots Vol. 3," which diagnoses shot selections from noteworthy films, namely "The Professional" (Or "Leon"), "Black Swan," and "Hard Candy," gives meaning to the shots and how they look, what we notice, what lenses and lighting are used, all shedding light on what the filmmaker is trying to achieve. For page-turning, it can appear slow and tedious. For all sets, however, this is an essential bag of tools for everyone lining up shots, aligning decisions to the script, right down to a story's core ideas.
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