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Sie sparen EUR 23,14 gegenüber dem Kauf der Einzeltitel
- Ursprüngliches Erscheinungsdatum : 11. Januar 2010
- Format - Musik: MP3
- Kompatibel mit allen MP3-Playern (inklusive iPod®), iTunes und Windows Media Player
- Auch als CD verfügbar
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Format:Audio CD
Dieses, 1973 erschienenes Album war gerade einmal die 2. Platte unter seinem eigenen Namen - nach der grandiosen Case History - und sogar gleich ein Doppelalbum. So tolle Songs, alles so kompakt und wie aus einem Guss, und dann natürlich seine eigenwillige Stimme, die mich manchmal, aber wirklich nur manchmal sogar an Captain Beefheart erinnert, machen dieses Hörerlebnis zu einem einzigartigen Genuß. Ein fulminater Einstieg für jeden Coyne-Interessierten und zudem auch noch für einen sehr guten Preis zu haben!
Format:Audio CD
Coyne's masterpiece has been enhanced by extra tracks. This obscure musician made some unforgettable albums, like Case History and this harrowing work. His themes are often very dark (fellow Brit Nick Drake's "Black Eyed Dog" comes to mind when I listen to Coyne), dealing with stuff like insanity, despair, alienation, abuse and all sorts of deviancies.
He was also a sharp satirist, as demonstrated by Dog Latin, This Is Spain and Good Boy, in which he respectively mocks organized religion, holidays in Spain and the public school system. Eastbourne Ladies also falls into this category. Everybody Says is a beautiful acoustic ballad and Mummy a sweeping wall-of-sound rocker. His voice is not unlike that of Van Morrison in its timbre and expressive range, but while Van's is affected by spiritual ecstasy, Coyne's tend to be twisted with rage, disdain or anguish as on the title track.
Marlene is a melodious number with gorgeous organ and guitar, a pulsating beat and sinister undertone. Talking To No One and House On The Hill are anguished ballads portraying alienation and insanity. Lonesome Valley is more of the same, but over an uptempo beat and complex vocal arrangement where his voice really soars. Other great songs include I Want My Crown, Nasty and Chairman's Ball.
With his chosen subject matter, it's no surprise that Coyne never gained a wide audience during his lifetime. Still, I think that fans of Nico, Leonard Cohen, Marianne Faithfull, the aforementioned Nick Drake, World of Skin, Lydia Lunch, Michael Gira and especially Swans, will find much here to appreciate.
He was also a sharp satirist, as demonstrated by Dog Latin, This Is Spain and Good Boy, in which he respectively mocks organized religion, holidays in Spain and the public school system. Eastbourne Ladies also falls into this category. Everybody Says is a beautiful acoustic ballad and Mummy a sweeping wall-of-sound rocker. His voice is not unlike that of Van Morrison in its timbre and expressive range, but while Van's is affected by spiritual ecstasy, Coyne's tend to be twisted with rage, disdain or anguish as on the title track.
Marlene is a melodious number with gorgeous organ and guitar, a pulsating beat and sinister undertone. Talking To No One and House On The Hill are anguished ballads portraying alienation and insanity. Lonesome Valley is more of the same, but over an uptempo beat and complex vocal arrangement where his voice really soars. Other great songs include I Want My Crown, Nasty and Chairman's Ball.
With his chosen subject matter, it's no surprise that Coyne never gained a wide audience during his lifetime. Still, I think that fans of Nico, Leonard Cohen, Marianne Faithfull, the aforementioned Nick Drake, World of Skin, Lydia Lunch, Michael Gira and especially Swans, will find much here to appreciate.
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