- Taschenbuch: 190 Seiten
- Verlag: Rizzoli (18. Oktober 2005)
- Sprache: Englisch
- ISBN-10: 0847826589
- ISBN-13: 978-0847826582
- Größe und/oder Gewicht: 25,2 x 20,4 x 1,2 cm
- Amazon Bestseller-Rang: Nr. 428.367 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Kurzbeschreibung
The Manual of St-Germain-des-Prés is a “guide” to the legendary creative and intellectual playground of mid-20th-century Paris. With boundless energy and a delicious sense of humor, Boris Vian takes readers on a star-studded romp through the underground culture of jazz clubs, Left Bank cafés, surrealist and existentialist literature, and the various eccentrics and artists that made up this legendary scene.
Paris in the ‘50s was an incredible place and time: With the end of the war, everything seemed possible. The list of luminaries Vian ran with, and who are captured here in previously unpublished photographs, includes Simone de Beauvoir, Albert Camus, Juliette Gréco, Miles Davis, Duke Ellington, Jean-Paul Sartre, Jean Genet, Jacques Prévert, and Jean Cocteau.
“Vian has been canonized by a whole generation of revolutionary young people…this fantasy of perishing purity is an affirmation of youth and innocence, laced with the biting humor of Jacques Prévert and Ionesco.”
― Newsweek
Paris in the ‘50s was an incredible place and time: With the end of the war, everything seemed possible. The list of luminaries Vian ran with, and who are captured here in previously unpublished photographs, includes Simone de Beauvoir, Albert Camus, Juliette Gréco, Miles Davis, Duke Ellington, Jean-Paul Sartre, Jean Genet, Jacques Prévert, and Jean Cocteau.
“Vian has been canonized by a whole generation of revolutionary young people…this fantasy of perishing purity is an affirmation of youth and innocence, laced with the biting humor of Jacques Prévert and Ionesco.”
― Newsweek
Synopsis
Rizzoli is pleased to present the first ever English-language translation of Manuel de St. Germain des Pres by beloved French author Boris Vian. This long-lost "guide" is an important cultural artifact of a poetic Paris that we've only dreamt about. Tour the left bank cafes, galleries, nightclubs, theatres, apartments of Paris. Meet luminaries: Simone de Beauvoir, Albert Camus, Jean Cocteau, Jean Genet, Alberto Giacometti, Juliette Greco, Raymond Queneau, Jacques Prevert, Jean-Paul Sartre and their contemporaries...
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6 von 6 Kunden fanden die folgende Rezension hilfreich
Curious and delightful artifact of postwar bohemian Paris
6. April 2006
Format:Taschenbuch
A silly, very tongue-in-cheek user's guide and hymn to 1940's Paris' ground zero for jazz, artists, existentialists, hipsters, wanna-be's, stars, and hangers-on: the neighborhood of St Germain des Pres. Written by a Germanopratin and one of France's most unique postwar novelists, it's riddled throughout with big, beautiful period photos of locales, principal denizens, and famous slummers (Sidney Bechet, Prevert, Sartre and Beauvoir, Juliette Greco, even Garbo, Faulkner and Orson Welles, to name a few). The real attraction is the photos, but the content is pretty entertaining--part ethnography of a strange nocturnal and extinct species of Parisian scenester (both mocking and affectionate), part screed against the popular press' charicature of the neighborhood's inhabitants and habitues, it's funny, fascinating, and full of curious information. Did you know, for example, that the stereotypical existentialist's uniform included brightly colored Converse allstars and a plaid shirt unbuttoned to the navel?
1 von 1 Kunden fanden die folgende Rezension hilfreich
History as it happened
12. August 2006
Format:Taschenbuch
There is coverage of Paris in the 1890's, and Paris in the 1920's, but coverage of the 40's and 50's, the era of the existentialists, is pretty sparse. To the media, existentialists meant both real philosophers, like Sartre and Camus, and, to make lurid copy, anyone who hung out in the infamous jazz and poetry cellar-clubs of St. Germain. Vian's book, however, is devoid of media-hype. It is, as the editor says, "a snapshot of history as it happens."
I happened to be there for some of it, like hanging at the Cafe de Flore that Sartre and de Beauvoir had established as the current literary scene; while across the street at Le Lipp I found a vestige of an older one: a dude who was still a surrealist. And I hung at Chez Inez, with jazz musicians and ex-pats from Harlem, a club owned by a zanzy black American woman; and at bars with people like Orson Welles' ex-girlfriend, and Juliette Grecko, who played in Cocteau's Orpheus and claimed she almost married Miles Davis.
For me, too naive to realize it, it was a time like none other. Fortunately, Boris Vian nailed it down.
I happened to be there for some of it, like hanging at the Cafe de Flore that Sartre and de Beauvoir had established as the current literary scene; while across the street at Le Lipp I found a vestige of an older one: a dude who was still a surrealist. And I hung at Chez Inez, with jazz musicians and ex-pats from Harlem, a club owned by a zanzy black American woman; and at bars with people like Orson Welles' ex-girlfriend, and Juliette Grecko, who played in Cocteau's Orpheus and claimed she almost married Miles Davis.
For me, too naive to realize it, it was a time like none other. Fortunately, Boris Vian nailed it down.
Groovin' in St Germain
19. März 2007
Format:Taschenbuch
Capturing the verve, vitality and creativity of St Germain at it's richest peak, this book seduces, subjects and forces one to submit to all that St Germain was in its artistic heydey! Take me back, take me back!!!
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