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Kundenrezensionen
Die hilfreichsten Kundenrezensionen
5 von 5 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch|Von Amazon bestätigter Kauf
Bietet viel Inspiration und Material für eigene Beats.
Für diesen Preis ist der Kauf auf jeden Fall zu empfehlen.
Für diesen Preis ist der Kauf auf jeden Fall zu empfehlen.
4 von 4 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Wer bereits "200 Drum Machine Patterns" hat, wird enttäuscht sein weil dieser Titel selbige enthält. Wer jedoch nach einem soliden Katalog von stilistisch sortierten Drumpatterns sucht um sich anregungen für eigene Spielereien mit Drummachines zu holen ist mit diesem Buch gut bedient. Mir persönlich fehlen noch ein wenig Infos zu den einzelnen Stilen. Dies verspricht die Beschreibung zwar auch nicht, andere Bücher, welche mit diesem Titel vergleichbar sind, bieten dies aber.
Fazit: Guter Katalog von Patterns, aber auch nicht mehr.
Fazit: Guter Katalog von Patterns, aber auch nicht mehr.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Amazon.com:
9 Rezensionen
26 von 26 Kunden fanden die folgende Rezension hilfreich
Oldie but Goodie
3. Mai 2008
Format:Taschenbuch
I bought this book years (decades?) ago. The copyright year says 1987; I probably bought it a couple of years later back when I had an Alesis HR-16 drum machine.
I remember programming in a few drum patterns from the book and being pleased with the results, it's just that back then I didn't have the recording equipment, synthesizers and so on to suplement the drums (plus, I wasn't as good of a musican as I am now, at least I like to think I've improved a lot since then). So I put the book on the shelf and forgot about it.
I remembered this book tonight, and on a whim I took it down off of the shelf, dusted it off, and began programming some of the "R&B" patterns into Sonar. Unlike those days in the late 80s, I have the means now to do the drum patterns justice. The advent of today's DAWs make it easy for "bedroom" musicans like me to realize their musical dreams.
Anyway, I've found that these patterns to be really good (so far). I'm hearing them in a way I couldn't originally. I'm looking forward to programming in many of the other patterns, especially the Rock and Funk patterns.
Some tips:
1) When programming in the drum parts, be sure to play around with the dynamics (MIDI note velocity). The book has accent marks for some of the notes, but really to get more realistic results you need to go farther. As a general rule, try emphasizing the downbeats. But let your ears be your guide.
2) The drum patterns use a small subset of the drums found in today's General MIDI drum map. Back then your typical drum machine didn't have a large set of drum samples to choose from. So be sure to take advantage of the GM drum map to add realism to the patterns. For example, if a drum pattern calls for a cymbal crash two notes in a row, use the first cymbal crash (note 49) for the first crash and the second cymbal crash (note 57) for the second crash. That way you're not hearing the same crash sample so close together. Even better if you have a drum machine (something like EZDrummer) that has some kind of humanizing algorithm for mixing up the samples.
3) You may want to play around with the note placements to change the characteristic of the beats. For example, moving the snare drum on beat 2 and 4 slightly ahead of the beat for a more driven feel.
4) Instead of using the same pattern over and over again, alternate between two patterns that complement each other. The book's introduction talks about this. Also, when repeating the same pattern, go in and make a small change so that it has some variation. This will add to the realism of the performance.
That's about it. I'm glad I've rediscovered this book. There are tons of prefab drum MIDI files out there (Groove Monkee comes to mind). These are great, but I gotta say, it's fun traveling a bit back in time and doing things the old fashion way. For one thing you really get inside a pattern by entering it by hand one note at a time. If you have the patience, it's very rewarding.
I remember programming in a few drum patterns from the book and being pleased with the results, it's just that back then I didn't have the recording equipment, synthesizers and so on to suplement the drums (plus, I wasn't as good of a musican as I am now, at least I like to think I've improved a lot since then). So I put the book on the shelf and forgot about it.
I remembered this book tonight, and on a whim I took it down off of the shelf, dusted it off, and began programming some of the "R&B" patterns into Sonar. Unlike those days in the late 80s, I have the means now to do the drum patterns justice. The advent of today's DAWs make it easy for "bedroom" musicans like me to realize their musical dreams.
Anyway, I've found that these patterns to be really good (so far). I'm hearing them in a way I couldn't originally. I'm looking forward to programming in many of the other patterns, especially the Rock and Funk patterns.
Some tips:
1) When programming in the drum parts, be sure to play around with the dynamics (MIDI note velocity). The book has accent marks for some of the notes, but really to get more realistic results you need to go farther. As a general rule, try emphasizing the downbeats. But let your ears be your guide.
2) The drum patterns use a small subset of the drums found in today's General MIDI drum map. Back then your typical drum machine didn't have a large set of drum samples to choose from. So be sure to take advantage of the GM drum map to add realism to the patterns. For example, if a drum pattern calls for a cymbal crash two notes in a row, use the first cymbal crash (note 49) for the first crash and the second cymbal crash (note 57) for the second crash. That way you're not hearing the same crash sample so close together. Even better if you have a drum machine (something like EZDrummer) that has some kind of humanizing algorithm for mixing up the samples.
3) You may want to play around with the note placements to change the characteristic of the beats. For example, moving the snare drum on beat 2 and 4 slightly ahead of the beat for a more driven feel.
4) Instead of using the same pattern over and over again, alternate between two patterns that complement each other. The book's introduction talks about this. Also, when repeating the same pattern, go in and make a small change so that it has some variation. This will add to the realism of the performance.
That's about it. I'm glad I've rediscovered this book. There are tons of prefab drum MIDI files out there (Groove Monkee comes to mind). These are great, but I gotta say, it's fun traveling a bit back in time and doing things the old fashion way. For one thing you really get inside a pattern by entering it by hand one note at a time. If you have the patience, it's very rewarding.
4 von 4 Kunden fanden die folgende Rezension hilfreich
Simple, efficient, does its job
20. Dezember 2008
Format:Taschenbuch
Years ago I was very into electronic music and searched for a book like this. No babble no fruit just drum patterns...recently I found some of my old gear and started setting it up. I searched around on amazon to buy something, well cause i was buying a present for someone and I wanted free shipping. Lame I know. But I found this book (there is an older version with 200 patterns - I think its the same but this one has some added pages, so get this one).
The book does exactly what its supposed to supply basic drum beats, variations, fills and breaks, in a bare bones matrix representation. The beats are good, the patterns are not awesome - this book provides a bases to build from. The breaks are OK but all these patterns start to get great when you tweak them, change to strange samples that fit the niche of whatever basic instrument and start to layer effects. Its not cheating because you programmed it and didn't rip from another song...like some...dj - :-D
if you program beats, buy this book
The book does exactly what its supposed to supply basic drum beats, variations, fills and breaks, in a bare bones matrix representation. The beats are good, the patterns are not awesome - this book provides a bases to build from. The breaks are OK but all these patterns start to get great when you tweak them, change to strange samples that fit the niche of whatever basic instrument and start to layer effects. Its not cheating because you programmed it and didn't rip from another song...like some...dj - :-D
if you program beats, buy this book
3 von 4 Kunden fanden die folgende Rezension hilfreich
Maybe a little dated but still helped me
19. März 2008
Format:Taschenbuch
I am not very musically inclined, but I love making it. I use only a computer, no drums, so these beat patterns have been wonderful. I would never be original enough to come up interesting beats on my own. It's also helped me learn about rhythm.
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