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1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Gott hat sich anscheinend endgültig aus seiner Schöpfung verabschiedet und jetzt hat Luzifer den Salat. Die Kräfte des Chaos wachen auf, und obwohl Luzi zuerst meint, daß die eher den Pausenclown abgeben werden, entpuppen sie sich als verdammt harter Knochen für Luzi und die jetzt vaterlosen Engel.
Allgemein scheint sich dieser Band aber mehr mit dem Blickwinkel der 'einfachen Leute' zu befassen, was Carey in mehreren Einzelgeschichten darlegt, wo Luzi wieder seine Soldaten ausschickt. (Auch die Hauptgeschichte hat aber eine faszinierende Charakterstudie, diesmal mit einer etwas weniger konventionellen Form der Leidenschaft ...)
Am schönsten fand ich die Geschichte vom 'Teatro Crepusculo'. Wie die Größe des Theaters mit der Stimmung der Zuseher zusammenhängt, ist eine geniale Anwendung des Mediums Comic. Ein paar Bilder reichen für eine tiefe Erkenntnis über die menschliche Psyche.
Beste Wortmeldung des Bandes ist der Sager von Gaudium, was ein Universum ohne Gott bedeutet. In seinem Zynismus so genial, daß ich mir beim besten Willen nicht vorstellen kann, wie man das adäquat ins Deutsch übersetzen kann!
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A little uneven but still worthwhile
5. April 2005
Format:Taschenbuch
As a first note, if you haven't read the previous books in this series this is not the place to jump in. The focus of the stories in this book is present more on the supporting characters and provide more in the way of atmosphere to the series than they do to advance the plotline. That said, the stories are well done and enjoyable. You could probably skip this installment completely without losing much plot continuity but I wouldn't recommend it. Particularly as one of the main threads involves ridding Lucifer's domain of any immortals, there are a number of interesting oneshot characters that are presented with the final pages introducing a new major character.
To kill an immortal.
10. Oktober 2008
Format:Taschenbuch
Mike Carey, Lucifer: Exodus (Vertigo, 2005)
God has departed Heaven, and, as Lucifer says, "every god, demon, and tooth fairy will want to step into his shoes." Thus, once again, Lucifer finds himself on the side of the angels as the first usurpers try to attain the throne. Worse, Lucifer's own realm holds thousands of immortals who might be plotting, so Elaine, Mazikeen, and a small handful of assistants, on Lucifer's orders, must banish the immortals-- or kill them if they resist. (Which begs the question of how one kills an immortal.) While Carey's series has never quite gotten to the complexity level of Gaiman's original Sandman, he's always excelled at plotting, character, and writing, and this is no exception. Another strong entry in the series. ****
God has departed Heaven, and, as Lucifer says, "every god, demon, and tooth fairy will want to step into his shoes." Thus, once again, Lucifer finds himself on the side of the angels as the first usurpers try to attain the throne. Worse, Lucifer's own realm holds thousands of immortals who might be plotting, so Elaine, Mazikeen, and a small handful of assistants, on Lucifer's orders, must banish the immortals-- or kill them if they resist. (Which begs the question of how one kills an immortal.) While Carey's series has never quite gotten to the complexity level of Gaiman's original Sandman, he's always excelled at plotting, character, and writing, and this is no exception. Another strong entry in the series. ****
4 von 7 Kunden fanden die folgende Rezension hilfreich
Grand events seen from insignificant people
23. Mai 2005
Format:Taschenbuch
The theme in this volume seems to be how 'lowly workers' percieve the 'grand events'. There is a fascinating character study of Beatrice Wechsler (formerly waitress in Lucifer's piano bar) who just tried to stay out of harm's way so far.
The fallen Cherub Spera has a great line about picking up the slack when a serious flaw in Lucifer's creation becomes apparent.
But my personal favorite is the story of the evil puppet theatre that fist plunges the audience into depression before going for the kill. The size of the Teatro Crepusculo depends on the mood of the audience so when Gaudium defeats it by radiating joy (as is his original nature), it can be swatted like a nasty bug. Besides being a masterful use of the artistic possibilities of the grahic novel this says something quite deep about the human mind, feeling good and feeling bad.
And then Gaudium has a great line about reverting back to his old shape and what he expects when everybody else starts realizing what the absence of God really means.
Therefore still five stars for this volume, although some stuff about time travel and immortal beings producing offspring is hard to swallow from a logical point of view.
The fallen Cherub Spera has a great line about picking up the slack when a serious flaw in Lucifer's creation becomes apparent.
But my personal favorite is the story of the evil puppet theatre that fist plunges the audience into depression before going for the kill. The size of the Teatro Crepusculo depends on the mood of the audience so when Gaudium defeats it by radiating joy (as is his original nature), it can be swatted like a nasty bug. Besides being a masterful use of the artistic possibilities of the grahic novel this says something quite deep about the human mind, feeling good and feeling bad.
And then Gaudium has a great line about reverting back to his old shape and what he expects when everybody else starts realizing what the absence of God really means.
Therefore still five stars for this volume, although some stuff about time travel and immortal beings producing offspring is hard to swallow from a logical point of view.
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