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Format:Taschenbuch
Mit diesem Band 5 sind wir also endlich am Ende der Geschichte angelangt, die in der Weissagung der Tarot Karten beschrieben wurde. Naja, nicht ganz, denn die Aussage daß Luzifer den Gefallen, den Elaine Belloc ihm getan hat, auch zurückzahlen muß, wird erst begonnen, indem Luzi nach Jotunheim pilgert um das Schiff Naglfar aus der Versenkung zu holen.
Aber das ist schon die kürzere Geschichte am Ende dieses Bandes, in der auch ein Inspektor kommt, um noch einiges zu klären. (Wer mag das wohl sein, der so mächtige Wesen wie Seraphim, Jin en Mok etc. der Gerechtigkeit zuführen kann?) Der Inspektor hat auch ein Schlußwort, aber das ist nicht das von J.B.Priestly, an das sich manche vielleicht noch aus dem Englischunterricht erinnern.
In der Hauptstory gibt es neben viel Action natürlich auch wieder philosophisch erhellendes, z.B. im voice-over des Duke of Gly, der diesmal den Erzähler gibt. Außerdem eine nette Abwandlung der alten Geschichte des häßlichen Ingenieurs und dessen schöner Frau aus der griechisch-römischen Mythologie. (Venus, Vulcanus und Mars)
Carey zeigt damit schon im dritten Jahr, daß er sowohl gewaltige Geschichten erzählen kann, als auch kleine Facetten, Nebensätze einstreuen, über die man noch lange nachdenken kann. Chapeau!
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Basanos' mega saga is pure genius
15. September 2006
Format:Taschenbuch
With the four part story arc titled Inferno, ends one of the most ambitious and extraordinary dark fantasy sagas of modern fantasy.
Comprising of about thirty two numbers that began on the first trade The Devil in the Gateway, Carey's epic of power and ambition ranks among the best theological/urban/dark fantasies ever written.
Carey is a master of continuity, allusion, indirectness and oblique multilayered narrative, metaphor and arcane religious symbolism.
Like the majority of comic book writers, Carey's visual imagination(sometimes disturbingly surreal) and plotting are strong, unlike them his attention for style, characterization, tone and atmosphere is remarkable.He is a literate who chose the comic book medium to express his vison about power, arrogance and ambition.
It's the many levels of significance that puts Lucifer apart of other comics books.
I wouldn`t do the book justice if I didn`t mention the excellent artwork and coloring of the artistic team.Regular artists Peter Gross (story arcs) and Dean Ormston (single issues)did an excellent job; the equally excellent artist Chris Weston left the book early.
Gross` drawings on the first issues seems to me rather crude and sketchy but in later issues gets much better.Ormston's disturbingly creepy gothic drawings gives the perfect mood for the single issues, I love his work.The colour pallete is rich; sometimes dark and moddy, sometimes bright and colourful.
For the true conoissieurs Lucifer is an indipensable comic book.
Comprising of about thirty two numbers that began on the first trade The Devil in the Gateway, Carey's epic of power and ambition ranks among the best theological/urban/dark fantasies ever written.
Carey is a master of continuity, allusion, indirectness and oblique multilayered narrative, metaphor and arcane religious symbolism.
Like the majority of comic book writers, Carey's visual imagination(sometimes disturbingly surreal) and plotting are strong, unlike them his attention for style, characterization, tone and atmosphere is remarkable.He is a literate who chose the comic book medium to express his vison about power, arrogance and ambition.
It's the many levels of significance that puts Lucifer apart of other comics books.
I wouldn`t do the book justice if I didn`t mention the excellent artwork and coloring of the artistic team.Regular artists Peter Gross (story arcs) and Dean Ormston (single issues)did an excellent job; the equally excellent artist Chris Weston left the book early.
Gross` drawings on the first issues seems to me rather crude and sketchy but in later issues gets much better.Ormston's disturbingly creepy gothic drawings gives the perfect mood for the single issues, I love his work.The colour pallete is rich; sometimes dark and moddy, sometimes bright and colourful.
For the true conoissieurs Lucifer is an indipensable comic book.
4 von 5 Kunden fanden die folgende Rezension hilfreich
The Duel, The Wings, The Loan
17. März 2006
Format:Taschenbuch
Inferno marks the conclusion of a major story arc: whatever happened to those blasted wings of Lucifer? Last seen in the possession of Susano-O-No-Mikoto, they left the battlefields as the Basanos committed suicide, apparently into the mists of time (or whatever passes for cryptic walking- off- into- the- sunset in Lucifer's world anyway.)
Lucifer duels with Amenadiel - that duel promised in Lucifer #2, Children And Monsters (p.196), but sends his deputy to deal with the wings. Along the way, she meets... someone from her past. A Lilum like herself, which would technically make the union incest, but hey, this is 'Lucifer', after all, and there are no taboos.
The duel fought and won (sort of, on a technicality), Lucifer ends the book by taking on a loan from Loki, setting the stage for Lucifer #6: Mansions of the Silence.
As usual, there's a kooky laugh-at-it story within this collection as well: look out in particular for the bizarre-bittersweet "Bearing Gifts", with Dean Ormston's distinctive art.
Lucifer duels with Amenadiel - that duel promised in Lucifer #2, Children And Monsters (p.196), but sends his deputy to deal with the wings. Along the way, she meets... someone from her past. A Lilum like herself, which would technically make the union incest, but hey, this is 'Lucifer', after all, and there are no taboos.
The duel fought and won (sort of, on a technicality), Lucifer ends the book by taking on a loan from Loki, setting the stage for Lucifer #6: Mansions of the Silence.
As usual, there's a kooky laugh-at-it story within this collection as well: look out in particular for the bizarre-bittersweet "Bearing Gifts", with Dean Ormston's distinctive art.
8 von 12 Kunden fanden die folgende Rezension hilfreich
I'm the first to review this? C'mon people!
6. Februar 2004
Format:Taschenbuch
Anyone familiar with Neil Gaiman's legendary "Sandman" books is doing themselves a disservice if they haven't picked up the "Lucifer" story. This ongoing (as of Feb 2004, anyway) series concerns the mechanations of the retired Lord of Hell as he sets his sights ever higher. Remarkable characters, plot twists, literary/historical references, and dialogue are all hallmarks of this series.
Lucifer: Inferno is the fifth trade paperback in the series, and it covers issues #29-#35. Previous titles (in ascending order) are "Sandman Presents: Lucifer," "Children and Monsters," "Daliance with the Damned," and "The Divine Comedy."
My advice? Buy 'em all. Right now. You'll save on the shipping costs.
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