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Love's Labour's Lost: Performed by Derek Jacobi, Geraldine McEwan & Cast
 
 
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Love's Labour's Lost: Performed by Derek Jacobi, Geraldine McEwan & Cast [Audiobook, Ungekürzte Ausgabe] [Englisch] [Hörkassette]

William Shakespeare , Sir Derek Jacobi , Geraldine McEwan
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Produktinformation

  • Hörkassette
  • Verlag: HarperCollins Audio; Auflage: Unabridged (Februar 1996)
  • Sprache: Englisch
  • ISBN-10: 0001050230
  • ISBN-13: 978-0001050235
  • Größe und/oder Gewicht: 14 x 10,7 x 1,8 cm
  • Durchschnittliche Kundenbewertung: 3.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon Bestseller-Rang: Nr. 2.168.471 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Produktbeschreibungen

Amazon.co.uk

Another example of Shakespeare's comic fascination with the battle between and misunderstanding of the sexes, Love's Labour's Lost is a difficult play to read, but one which is extremely effective on stage. The Play opens with King Ferdinand of Navarre and his courtiers taking a vow of study and sexual abstinence for a period of three years. However, their vows are soon placed under strain with the arrival of the Princess of France and her ladies in waiting. The inevitable happens, and the different couples attempt to surreptitiously communicate, causing much hilarious confusion and embarrassment in the process. Shakespeare deploys every farcical element in the book, including impersonation, wrongly delivered letters, outrageous puns and word play, fights, drunkenness and masquerades, as Ferdinand's entourage soon learn that rather than running from women to books, it is in fact the opposite sex that "are the books, the arts, the academes/That show, contain, and nourish all the world". However, one of the most interesting aspects of the play is that it does not end with everyone marrying and living happily ever after. The women give as good as they get from the men, and in the end turn the tables in extremely interesting ways. One of Shakespeare's most linguistically challenging, but also intelligent comedies. --Jerry Brotton -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

Amazon.co.uk

An early romantic comedy of mistaken identities and word play, Love's Labours Lost is a delight to watch performed. The Arden third series offers a distinctive interpretation of this previously neglected play, in particular its innovative linguistic patterning. The story revolves around the king of Navarre and his courtiers, who decide to devote themselves to three years of study and denial of the opposite sex, but reluctantly fall in love with the Princess of France and her three ladies in waiting. From here, the tangles and cross-purposes begin and the men decide to devote themselves to the study of love. Although dense with sophisticated literary techniques, the play is a wonderful satire of romance and aristocratic pretensions. This edition of Loves Labour's Lost is suitable for both drama and literature students of Shakespeare, as it is a practical guide to staging the play, but also an insightful critique into the play's meaning and history. --Simon Priestly -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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The King of Navarre and his friends vow to devote themselves to study for three years-but Biron has doubts! Lesen Sie die erste Seite
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Like most of Shakespeare's comidies, LLL involved a couple of very independent women falling in love with a couple of guys who were in love with them too. It also brought mistaken identities into play and, like A Midsummer Night's Dream, it had a play within the play. The humor was mostly in the form of puns, most of which were hard to understand the first time through. The ending was really bad, though, because the girls didn't get together with the guys like they should have if Shakespeare had planned a happy ending. All-in-all, I would only recommend this play for really serious Shakespearean scholars, as it is almost too dense for us laypeople
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A most helpful edition of a riot of words 2. August 2004
Von Craig Matteson - Veröffentlicht auf Amazon.com
Format:Taschenbuch
This merry play is a delight for its language. It has more a situation than a plot. The King has sworn himself and three attendants to three years of fasting, abstinence from women, study, and little sleep. Immediately a princess arrives with her attendants that cause the men to regret their oaths. Letters are written, delivered incorrectly, and a huge final scene with disguises, masks, and a wonderfully strange presentation of some of the nine worthies. All of this provides a structure for a rich play of language that is full of wit and bawdy.

This edition has a lengthy introductory essay that helps understand the issues of the text, the historical context, and performance practice issues. The notes are wonderfully helpful in understanding the text and what choices the editors had to make in presenting it. After the play is an essay just on the text of the play, appendix 2 has additional lines that this edition leaves out of the play, appendix 3 discusses Moth's name.

The issue around Moth is that in Elizabethan times Moth would likely have been pronounced more like Mott than our soft th. And the word mote and moth were roughly interchangeable. The name of the insect and the word for a small particle meant roughly the same thing. It is a nice issue to be aware of and the essay is helpful.

Appendix 4 lists words that are rhymed in this play - often a revelation to the way words were pronounced 400 years ago. Appendix 5 lists the compound words, many of them minted in this play.

All in all, this edition is a happy experience of a very fun play.
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witty 5. Mai 2003
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Taschenbuch
this is witty play about four guys who vow to sequester themselves for three years in serious study, but who are forced to forswear their vows when four attractive women show up and upset their plans. the humor is mainly in the form of wordplay, as only shakespeare can do, and the verbal jousting between berowne and his lady is especially entertaining, and anticipates the tete-a-tetes between petruchio and katherina in "taming of a shrew" and benedick and beatrice in "much ado about nothing". definitely worth a read, and if you can get it, the bbc television production of LLL is also worth seeing. last of all, i disagree with the other poster who complained of the ending. i thought it was pretty clear that the couples would get together in a year's time. so the ending was implicitly happy. only someone who is accustomed to instant gratification could find fault with it.
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Very Likely inside Jokes 14. Januar 2009
Von Neri - Veröffentlicht auf Amazon.com
Format:Taschenbuch
Love's Labour's Lost by William Shakespeare is in all probability composed of many inside jokes and the cast of characters may have had attributes or characteristics and maybe even been burlesqued in the play as caricatures of the very people who were viewing it. People like the Earl of Southampton and John Florio, among others. The Spaniard's name "Armado" is likely a jest on the recently sunk Spanish "Armada" and Asimov muses that this charactor is like a sketch of the famous Don Quiote with his commoner servant, named "Moth", having much more wit and sense than the padantic Armado which Cervantes may heve copied, however improbable; this play is likely written 6 years before Don Quiote. Asimov's Guide to Shakespeare: A Guide to Understanding and Enjoying the Works of Shakespeare.

The central idea is what is learning? (The Earl of Southampton, who the play was likely intended for was very interested in learning and in education of all England). Is learning meant to produce a man like Holoferness who can barely be understood by the common man? Is learning for learning sake like light shining on light for no real overall gain but to be blind in it, like Holoferness. Or, as suggested, is the man who possesses the learning, and his actions, the measure of the worth of learning. Is learning to be found in doing and in nature and in woo-ing? Indeed, the master of words and word smithery symbolically smashes his guitar, cuts his ear off, throws his paints against the wall in comic anger at the very realization of the limits of words to pierce the soul and the essence of being. Maybe Shakespeare mocks, here, certain types of learn-ed and masters of language bringing to light the need for action to make learning real in the world, which may have been the Earl of Southhampton's educational theme. Shakepeare has a masters ability to paint but a deep appreciation for the simple and straightforward and real. The play also gives much credit to the good common sense of the English language "sans sans" and clothed in good peasant stuff. Only Hamlet possibly gives a more intimate look at Shakespeare.

Goddard warns, however, not to make too much out of the play it is highly elusive and we may never know Shakespeare's intent. He leaves it to you. The Meaning of Shakespeare Vol. 1

The movie with Kenneth Braughnow Love's Labour's Lost was pretty terrible. The BBC production Love's Labour's Lost Plays: Written by William Shakespeare BBC was good, John Well's performance of Holofornes was subtly dignified, yet ridiculous without trying, which was probably Shakespeare intent. Kenneth Broughnow's version was absurd, lacked the subtlety, it tried too hard to make the obvious funny, like some laugh track to tell the audience something is supposed to be funny. Plus it left a lot out. The BBC version is thorough and one could get a clear understanding of the play after watching it.
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