It would be too easy to say that Ridley puts Jim Thompson's characters in the sub-basement of Raymond Chandler's Los Angeles. There are echoes of both masters in this book, but mostly in the sense that the people and places are made real by Ridley's skill. The pace is brisk, and the dialog sparkles. If there is one quibble, it is with one (unnecessary) sentence that telegraphs the ending, but this doesn't detract from the entertainment the book provides. It may not be great literature, but it is great fun.