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Loudspeakers: For Music Recording and Reproduction [Englisch] [Gebundene Ausgabe]

Philip Newell , Keith Holland

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Kurzbeschreibung

5. Oktober 2006
Need advice on which type of speaker to use and where? Very often the choice and positioning of loudspeakers is down to intuition, hearsay and chance. This practical guide explores the link between experience and the technology, giving you a better understanding of the tools you are using and why, leading to greatly improved results. Newell and Holland share years of experience in the design, application and use of loudspeakers for recording and reproducing music. Get practical advice on the applications of different loudspeakers to the different phases of the music recording and reproduction chain. If you are using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post production facility, home or musician's studio, or you inspire to improve your music reproduction system this book will help you make the right decisions.

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Synopsis

Need advice on which type of speaker to use and where? Very often the choice and positioning of loudspeakers is down to intuition, hearsay and chance. This practical guide explores the link between experience and the technology, giving you a better understanding of the tools you are using and why, leading to greatly improved results. Newell and Holland share years of experience in the design, application and use of loudspeakers for recording and reproducing music. Get practical advice on the applications of different loudspeakers to the different phases of the music recording and reproduction chain. If you are using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post production facility, home or musicians studio, or you inspire to improve your music reproduction system this book will help you make the right decisions. It is a key resource for anyone installing or upgrading their audio system. Learn how to choose the right speakers and how to evaluate their performance. It contains invaluable information on setting up a surround sound system.

Über den Autor und weitere Mitwirkende

PHILIP NEWELL (Author) International consultant on acoustic design, former technical director of Virgin Records. Has over 30 years experience in the recording industry and has been involved in the design of over 200 studios, including the famous Manor and Townhouse Studios. He is also author of Project Studios, Recording Spaces and Studio Monitoring Design, all published by Focal Press.

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Amazon.com: 4.9 von 5 Sternen  7 Rezensionen
14 von 14 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Review of Loudspeakers For Music Recording and Reproduction 19. Januar 2008
Von Glenn Leembruggen - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
"Loudspeakers For Music Recording and Reproduction" is simply excellent. Philip Newell and Keith Holland have produced a comprehensive book that discusses many issues that are not covered in other books.

Whilst giving insights into the behaviour of loudspeaker transducers and systems, it also gives an understanding of the broader issues that underpin the design of loudspeaker systems and the qualities of the sound that they produce. The book is sufficiently comprehensive and detailed to be deemed a reference text, but it is written in such a readable way that it gives the reader an excellent grasp of the complex processes that govern how electrical energy is converted to sound at the listeners ears.

Newell and Holland deal with parameters that are directly associated with loudspeaker systems; amplifiers, cables, transducers, crossovers, enclosures, location relative to room boundaries, room acoustics and some psycho-acoustics.

This is not a cookbook giving design instructions or equations; this information can be found in many other texts and technical papers. The book's strength is its discussion of the technical factors that affect the quality of sound heard by the listener; this information is not readily found is such depth. It gives the reader a good handle on the things that really matter in the electro-acoustic and acoustic domains of sound reproduction.

Newell and Holland have conducted extensive research over the years into loudspeaker responses and room acoustics and have an excellent ability to bust audio myths with technical arguments that are grounded in real world application. They are regular presenters at academic and professional conferences, and this book contains a great deal of their work.

Noteworthy is the extensive discussion on their recent research on the audibility of phase delay and loss of modulation at low frequencies due to the loudspeaker's low frequency alignment and room acoustic properties.

I whole-heartedly endorse this book, and recommend it both to serious scholars of loudspeaker systems and to others who desire an enjoyable read about state of the art thinking about loudspeaker reproduction.

It is certainly part of my library.

Glenn Leembruggen
Principal
Acoustic Directions
Consultants in Acoustics Australia
10 von 10 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Forget the hype, here are the facts 9. Juni 2008
Von R. G. Harvey - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
The world of loudspeakers is beset by marketing hyperbole and almost religious differences of opinion. Whether in an audiophile or professional context, it is difficult for those not equipped with costly tools for sonic research to make sense of the complexities of sound reproduction. The authors are established professionals with wide experience in both the scientific and theoretic aspects of loudspeakers, and their practical application in the real world. In language which makes the topic widely accessible they debunk many fervently held beliefs held by both recording professionals as well as hi-fi enthusiasts, whilst at the same time not failing to explore the underlying experiences which have led to them. As well as covering the fundamental principles and widely diverse designs involved in loudspeakers, they cover cabinets, horn loading, crossovers, the effects of amplifiers and cables, the intrinsic nature of listening rooms, the subtleties of subjective and objective assessment, and surround sound challenges. Chapters have references and bibliographies appended for further reading. Throughout the book practical examples are given to substantiate their conclusions. Graphs and diagrams illustrate clearly the consequences of any particular engineering or design trade-off. The reader will come away with a clear understanding of what is known, what has been found to work, and what is as yet speculation. In addition he or she will be better able to assess the value of manufacturer's specifications and product claims. High quality sound reproduction is hard to do well; this book carefully maps the territory.
9 von 9 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Essential reading for audio afficionados 10. Mai 2009
Von Alberto Vargas - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Verifizierter Kauf
I approach this book as an audiophile interested in getting more educated about the science and principles of loudspeaker design and behavior. It is truly excellent for that. I have no intent to design my own loudspeakers or become an acoustics expert, and the book is written well for such a non-professional audience.

The book is mostly geared towards recording engineers for whom loudspeakers are essential tools of the trade, but who normally do not have a solid grasp of the physics and engineering of loudspeakers. Unlike many other books and articles on speakers, there are few equations and formulas here. The language is easy to follow, and there are plenty of illustrations and charts to help you understand.

There is sort of a religious debate in the high end audio community between subjectivists (trust only your ears, any part of the sound system matters a lot) and objectivists (everything is measurable, and all competently designed components sound similar). This book sheds light in both directions and shows where they fall short.

Some of the more controversial and interesting bits of the book are about how amplifiers can sound different, and how cables can change the sound depending on amplifier and speaker design. There apparently has been some scientific research on this. The amplifier-cable-crossover-driver system is apparently very complex, and certain designs are much more idiosyncratic to the point where small changes (e.g. different cable) can make an audible and measurable difference.

There are references to a bunch of other books and articles if you want to dig deeper. The authors refer a lot to Floyd Toole's articles and his recent book on acoustics which I recently read and reviewed on Amazon: Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms which is also recommended reading.

I highly recommend this book to all serious audio enthusiasts!
2 von 2 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Lots of good info but a bit too opinionated? 13. Mai 2013
Von John R. Smolley MD - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Verifizierter Kauf
Audio and discussions about the audibility of interconnects tends to generate more heat than light in most cases. I learned quite a bit by reading this book but found the chapter on amps and cabling perhaps a trifle misleading. Herein are a number of measurements from the lab of Gene Czerwinski (founder of Cerwin-Vega) showing measurable and often large differences between different cables when used with a particular amp/speaker combo. Lots of speculation about this and that without any proof except as to cite Martin Colloms views on the subject, and more anecdotal evidence about a digital mixing array and the gremlins therein. Also troubling is that one of the authors seems smitten with active crossovers and includes a long list of pros/cons to both active and passive, but draws a deep line in the sand when it comes to using DSP for loudspeakers--taking objection to the fact that such locks one in with a particular DAC that may be insufficiently revealing or otherwise lacking. Well looking around at the number of studio monitors being sold with DSP a mere 6 years later...

Again a fair amount of solid info but this is a book I wish I had found at the local library.
1 von 1 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Great introduction 4. Januar 2013
Von Christian Hipp - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Verifizierter Kauf
This book greatly boosted my knowledge about loudspeakers, crossovers, amplifiers, cables and room acoustics. The text is well suited for readers new to the subject. Sometimes new terms are being used without explanation which could be improved upon. Overall this is an excellent book though, hence the 5 star rating.
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