" . . . that through these you may be partakers of the divine nature, having escaped the corruption that is in the world through lust. But also for this very reason, giving all diligence, add to your faith virtue, to virtue knowledge, to knowledge self-control, to self-control perseverance, to perseverance godliness, to godliness brotherly kindness, and to brotherly kindness love." 2 Peter 1:4-7 (NKJV)
Walter Mosley knows how to establish a character with just a few words. Consider these:
"I didn't mind sending an innocent man, or woman, to prison because I didn't believe in innocence--and virtue didn't pay the bills. That was before my past caught up with me and died, spitting blood and curses on the rug. I still had a family that looked to me for their sustenance. My wife didn't love me and two out of three grown and nearly grown children were not of my blood. But none of that mattered. I had a job to do, and more than one debt to pay."
In some ways Leonid McGill is a lot like Easy Rawlins, a black man with the deck stacked against him who must look out for himself . . . and those he cares about. But on closer examination, the differences are much wider than from Watts to Manhattan. Easy has a better sense of who he is, has evolved more as a human being, and is a lot like Don Quixote. Leonid is near the beginning of a journey back from a brink where he didn't want to be.
Leonid is further toward the pit than most fictional detectives, a distinction that makes him more interesting. But there's still a streak of responsibility, of decency, that draws the reader to him.
As the book opens, Leonid knows that he's taken on a fishy assignment, but he finishes it anyway. PIs are used to being lied to, as least in detective fiction. When the lies turn out to have implications beyond his conscience, Leonid jumps back in to see what he can do about it.
While that seems straightforward, the plot twists and turns like the most convoluted of the Raymond Chandler classics. For my taste, it took more than a little too long for the mystery to be solved. As a result, the story bogs down in places and never quite goes at full speed.
If you love character development, you'll be fond of this book. If you want a straightforward mystery, you'll wonder why this one heads off in so many directions (as the consciously and conspicuously story bows to many of the great pioneers of PI fiction writing and their classic tales). If The Big Sleep wasn't one of your favorite novels, this book won't appeal to you as much as it did to me.
I especially appreciated Mr. Mosley's love for the old hard-boiled detective stories, so thoughtfully reflected in this story. It's great when a wonderful genre is expanded into new and interesting directions. I look forward to future books in the series.