This review refers to the Penguin Classics edition of Henry Mayhew's 'London Labour and the London Poor' which is an abridged version of the original four volume version published in 1851-52.
Though Henry Mayhew wrote several novels, his name is primarily remembered as the author/complier of this journalistic work 'London Labour and the London Poor.' The present selection gives the best part of the original four volume book, which captures exactly what the title says -- London labour and the poverty-stricken people living there.
The selction includes some figures or statistics about the working class people, such as the estimated amount of money these workers gain every day (and meagre one), but the most interesting part is the first-hand records about the ways of life of various lines of works in London, directly taken from the people engaged in these works.
The jobs (and some of them hardly deserve the name 'jobs') recorded here are, to name a few, street-sellers such as fried fish, watercresses, matches, baked potatoes, etc.; street-buyers such as old clothes or 'dust'; street-performers like 'conjurors,' musicians, or fire-eaters (with his own descriptions about how to eat fire), but the most fascinating is the records about boys (and some girls) who run away from parents, and lives in the street of London, who literally lives by begging or stealing.
Many interesting facts are recorded by Mayhew (or his assistants), directly from the persons the book deals with, and the original words spoken by there labourers are preserved as much as possible. To read, or to listen to them is one of the greatest merits of the book, for the languages of the interviewees retain the peculiar speeches you find in many Dickensian characters, and in fact you will realize that Dickens didn't exaggerate when he created Sam Weller.
And the London you see here is the London Charles Dickens knew. What did Jo in 'Bleak House' was sweeping in the street? Who gave that permission? What is the nature of 'the dust' you hear in 'Our Mutual Friend'? What was the regulations of the 'workhouse'? All these thing are answered in this vividly realized collections of the Victorian working class portraits.
This book is still a valuable source for anyone who is interested in Victorian period, and will be. Buy one now.