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Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds
 
 
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Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds [Englisch] [Gebundene Ausgabe]

Lyndall Gordon

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Produktbeschreibungen

Pressestimmen

"Lives Like Loaded Guns...reads like a fabulous detective story, replete with hidden treasure, diabolical adversaries and a curse from one generation to the next...Gordon is fair to all...revealing their strengths and liabilities, and she corrects some of the inconsistencies of earlier biographies..."Abyss has no biographer," Dickinson warned future readers. But Gordon is not frightened of the pits and traps and the thousand masks that Emily wears. She takes us into undiscovered territory."
-The Washington Post

"Fascinating...[Gordon] shatters the Dickinson myth, revealing for the first time the twisted tale of how Dickinson came to be revered as "a harmless homebody shut off from live to suffer and contemplate a disappointment in love."...Brilliant literary detective work...Uncovering the mystery of why the mischievous, sensible creature who emerges from this biography hid from the world is where Gordon hits her stride...Gordon catches the poet's essence, allowing us the closest, most thrilling insights yet into the volcanic genius of Amherst."
-The Chicago Tribune

"The portrait of Emily Dickinson that emerges from this book is far more intriguing than the one I and no doubt many others have been carrying around in our head. Banished, the wisp of a girl in white flitting through the 19th- century gloom. Gone, the disappointed spinster with some ophthalmic abnormality. Erased, the "harmless homebody...shut off from life." And in their place a strange, seething creature filled with passion whose life was, in some fundamental sense, an exercise in control...It's what Gordon does with the poetry that is most compelling. A sensitive reader and a great admirer of Dickinson's work, Gordon is skillful at harnessing the poet's words in the service of her biography...It's a fascinating exercise in literary detection."
-The Boston Globe

"The tale that Lyndall Gordon unveils in Lives Like Loaded Guns is so lurid, so fraught with forbidden passions, that readers may be disappointed to find that no actual gun goes off in this feverish account of the Dickinson family "feuds." ... Gordon's suggestion that Dickinson may have been epileptic has already inspired debate among scholars...A vivid account."
-The New York Times Book Review

"Emily Dickinson, the seemingly demure and buttoned-up American poet, comes wonderfully to life in Lyndall Gordon's telling biography. In Lives Like Loaded Guns, she entertains fresh interpretations of the poet's life...Viewing the poet through the lens of 19th-century spin doctors is fresh and provocative."
-USA Today

"This astonishing book, written with common sense and compassion, will do nothing less than revolutionise the way in which Dickinson is read for years to come."
-The Economist

"The great virtue of Gordon's biography is that it makes Dickinson the person- sister, friend, seducer, adversary-seem as scary her poems...Gordon is the author of biographies...that are distinguished by their sharpness of focus and economy of scale. Rather than competing for our attention with the author in question, Gordon tells the whole life by concentrating on what she judges to be the most potent aspect of it."
-The Nation

"Mesmerizing...You wonder what this woman [Emily Dickinson] might have made of the lawyers and court trials and furor that continued for decades over her poems, found after her death locked in a cherrywood chest in her room. Other truths were locked there, too; Gordon, admiringly and wisely, hands us a key."
-The Seattle Times

"Lives Like Loaded Guns is a remarkable achievement that deconstructs the image of Dickinson so entrenched in literary history. Gordon, a gifted storyteller, charts the ugly family dramas not to exploit them, but to prove how truly damaging they were to the poet's legacy . . . This fascinating biography will inspire readers to return to Dickinson's vastly rich poems and letters - and it's her work for which she should be remembered, after all."
-Newsday

"The story that preoccupies Ms. Gordon, [is] one of illicit love and intellectual property rights... Few portraits of Emily Dickinson are as vivid, few explorations of a family feud more riveting...Through the use of letters, diaries and legal documents, Ms. Gordon sheds light on the Emily Dickinson of public perception ("a harmless homebody") and its fallacies, the secret she most likely carried and the costs of families split over possession."
-The Washington Times

"Lives Like Loaded Guns reads like page-turning fiction, but is grounded in Gordon's masterful use of historical archives. It utterly revises our notion of dour 19th century New Englanders, turning them into flesh and blood people driven by the same urges as us. Gordon is one of the best biographers writing today, and this volume a superlative example of how the genre can both entertain and instruct."
-Sacramento Book Review

"Gordon's thoroughly absorbing new biography gives one of the fullest accounts yet of both Emily Dickinsons-the woman herself and the poet, a creation fought over by warring factions in a literary struggle that lasted through two generations and continues to influence the way we understand this elusive poet. Ms. Gordon's extensively researched account synthesizes a century of scholarship and adds a stunning revelation or two for those who think they already know the story...Lives Like Loaded Guns is a fascinating book on so many different levels. If you thought you knew the whole story of Emily Dickinson, you probably don't. And if you don't, you really should. In all its twists and turns through generations spanning an American century, it remains an explosive story."
-Pittsburgh Post-Gazette

"A very different take on Emily Dickinson...Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds will keep Dickinson devotees busy for decades... Gordon sets Emily Dickinson's life and legacy in the context of an adulterous affair that split her family -- and offers a splendidly speculative challenge to portraits of the poet as a withdrawn eccentric."
-Minneapolis Star Tribune

"A fascinating account of [Mabel] Todd's contentious role in Dickinson's afterlife...[Gordon] puts forward one major new claim: based on medical records and family history, and...on the evidence of the poems themselves, she suggests that Dickinson was epileptic...Innovative."
-Slate Magazine

"Lyndall Gordon's new biography of Emily Dickinson's family, Lives Like Loaded Guns, is a tour de force. Meticulously researched and keenly argued, it transforms the conventional image of Dickinson-and reveals how that image came to be."
-Bookpage (Top Pick)

"There is more than enough drama to go around in Gordon's book-jealousies, deceit, the agonized shredding of wallpaper, even evidence of a ménage à trios- and she often renders it in the plush detail of a pot-boiler. But beneath the operatic swell is an admirable amount of new information about Dickinson's world and the choices she made in the service of what she recognized as her magnificent gift. She was far more fierce than we've been led to believe, which makes perfect sense given the work she left behind."
-The Barnes & Noble Review, reprinted in Salon.com

Kurzbeschreibung

A startling portrayal of one of America's most significant literary figures that will change the way we view her life and legacy

In 1882, Emily Dickinson's brother Austin began a passionate love affair with Mabel Todd, a young Amherst faculty wife, setting in motion a series of events that would forever change the lives of the Dickinson family. The feud that erupted as a result has continued for over a century. Lyndall Gordon, an award-winning biographer, tells the riveting story of the Dickinsons, and reveals Emily as a very different woman from the pale, lovelorn recluse that exists in the popular imagination. Thanks to unprecedented use of letters, diaries, and legal documents, Gordon digs deep into the life and work of Emily Dickinson, to reveal the secret behind the poet's insistent seclusion, and presents a woman beyond her time who found love, spiritual sustenance, and immortality all on her own terms. An enthralling story of creative genius, filled with illicit passion and betrayal, Lives Like Loaded Guns is sure to cause a stir among Dickinson's many devoted readers and scholars.

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86 von 98 Kunden fanden die folgende Rezension hilfreich
Wild Nights; Wild Fights. 24. Juni 2010
Von rctnyc - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
Reading the reviews below reminds me that there are no feuds as acrimonious and petty as academic ones. Apparently, a disagreement between Lyndall Gordon and other Dickinson biographers regarding whether Dickinson had epilepsy has inspired those dissenting biographers to trash her book on Amazon.com. Did Gordon have the temerity to disregard their advice? Well, we'll have none of that; in the interests of scholarship (yeah, sure) we'll make sure that the world knows how right we were, and how wrong she was to ignore our criticism.

Now -- the book. Lyndall Gordon has written a fascinating account of the feud between the Dickinsons and Mabel Loomis Todd, the extramarital lover of Dickinson's brother, that delayed the publication of much of Dickinson's work for over 50 years. Extending through two generations, and possibly a contributing factor in the deaths of some of the players, the feud began when Dickinson's brother, Austin, embarked on a mid-life, adulterous romance with Todd, the young wife of an Amherst science professor. As Dickinson's poems and letters lay hidden away in the pages of books, locked trunks, and dust-filled boxes, the protagonists of this extraordinary tale battled for recognition and vindication and -- not incidentally -- to destroy one another's claims to Emily Dickinson's affections

Gordon describes, not merely the feud, but also the way in which the competing narratives spun by the adversaries -- including the putative "editors" of Dickinson's work, her betrayed sister-in-law, Susan and her sister, Lavinia, and the actual editor, Mabel Todd -- misrepresented their own characters and motives, and also those of the poet herself, who had an emotional vitality and network of relationship that belied the myth of the frail recluse of Amherst. Public attitudes, Gordon demonstrates, played an active role in such dramas, eagerly embracing the myth of the "frail" and emotionally chaste Dickinson and, during a trial in Amherst in the years after Dickinson's death, thwarting the adulterous Mabel Todd's attempts to have her rights to a portion of Dickinson land validated. Gordon shows that, in life as in literature, there is no "binary right or wrong, guilty or not guilty," (p. 312), and that truth is elusive and must be approached inclusively, taking into account the stories that individuals tell, and often believe, about themselves and one another.

Perhaps that is the lesson that those who criticize Gordon's scholarship might learn. True, Dickinson may not have been an epileptic. Taking all the factors that Gordon describes into account, however, some sort of seizure disorder might have been included among her ailments. Certainly, the theory is plausible, and provides readers (including this one) with an additional, intriguing interpretation of Dickinson's poems. Yet the nature of Dickinson's illness is not what this book is about. Instead, the book is about the enduring power of art, emotion, and need: a great poet's work is nearly swallowed up by, but survives, a love that is so powerful that it gives rise to an everlasting hatred -- a hatred so powerful that it creates a perverse kind of art -- narratives -- of its own.

As a college instructor and a practicing attorney, I found this work on Dickinson enjoyable on many levels, and give it "five stars." How ironic that a book about a feud should spark antagonisms that, in their own way, prove the author's points.
61 von 73 Kunden fanden die folgende Rezension hilfreich
More on Epilepsy 16. Juni 2010
Von Polly Longsworth - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
As a Dickinson biographer of fifty years, one oft parahrased in Lyndall Gordon's sensational take on Dickinson's life, I would add to Hirschhorn's authoritative report on epilepsy that Gordon misrepresents another "epileptic" in her book. Identifying the illness in Zebina Montague, second cousin to Dickinson's father, strengthens her argument that the disease ran in the Dickinson family. However, Montague was a paralytic, not an epileptic. Having suffered a crippling stroke in his early thirties, he remained partially paralyzed the rest of his long, far-from-reclusive, life. In nineteenth century Amherst epilepsy wasn't the dread secret Ms Gordon would have us believe. Dickinson family records mention that Emily's nephew Ned suffered from the disease, as did another child in town, yet nowhere is there evidence the poet was afflicted until this new biography, where the condition serves to reinterpret poems and explain why Emily Dickinson never married. Gordon has written a number of fine biographies, but may have overexerted herself in this one.
74 von 91 Kunden fanden die folgende Rezension hilfreich
Epilepsy diagnosis based on misunderstanding of pharmacology 15. Juni 2010
Von Norbert Hirschhorn - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Lyndall Gordon's biography of Emily Dickinson is operatic in scope (John Adams, take note). But equally dramatic is her diagnosis of epilepsy, based almost entirely on a misunderstanding of Nineteenth Century pharmacotherapy -- a subject I am well versed in. Gordon found an 1874 formula for epilepsy that contained chloral hydrate, glycerine and peppermint. Since Dickinson took glycerine in 1851-54, Gordon assumed that glycerine was the active ingredient, and used the diagnosis to `explain' Dickinson's reclusion, and to reinterpret many of Dickinson's poems and relationships.

In fact, the active ingredient in the formula was chloral hydrate, an anti-convulsant first used in 1870, which Dickinson, to anyone's knowledge, never took. In no pharmacopoeia, textbook of medicine or specialty text on epilepsy written in the 19th century was glycerine ever mentioned for epilepsy; neither in a book by the physician who treated her. Glycerine was used externally as a lotion; internally to disguise the taste of acrid drugs (like chloral hydrate); and -- in Dickinson's case -- as a supposed nutritive against tuberculosis (consumption), which Dickinson's doctor may have suspected (see my website for the essay, "Was it Tuberculosis?"). Dickinson even recommended the medicine to her brother for his cough.

I shared my new research on this matter with Lyndall Gordon, which she acknowledged receiving, when the book first came out in Great Britain; I hoped she would correct the error in time for the US edition. I regret to say she hasn't. There have been too many potted theories about Dickinson that trivialize the poet and her remarkable -- if still mysterious -- persona to allow this one to go by without complaint.

Norbert Hirschhorn MD
[...]

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