Little Dreamer

Ich frage mich, warum Beth Rowley nicht längst bekannt und in aller Munde ist. Weder stimmlich noch textlich oder kompositorisch muss isch die junge Britin, die in Peru geboren wurde, hinter den Großen Damen der Musik wie Katie Melua oder Norah Jones verstecken. Die Texte der eigen geschriebenen Songs sind toll und die Melodien bleiben fast wie Ohrwürmer im Gedächtnis hängen, vor allem wohl der Song "So sublime". Zwar hat Rowley auch Coversongs auf dieser CD aufgenommen, aber auch die sind klasse und mit eigenem Stil umgestetzt. Die Songs sind eine Mischung aus Jazz, Blues, Gospel, Folk und Reggae. Dies mag zunächst ein wenig bunt gemixt klingen, ist es aber nicht. Es ist durch und durch eine harmonische CD einer jungen Künstlerin mit beeindruckender, klarer Stimme, die bei allen Songs im Vordergrund steht. Auf dieser CD ist nicht ein Song schlecht. Ich denke alle, die Katie Melua, Norah Jones, Melody Gardot, Joss Stone und Joan Osborne mögen, werden Beth Rowley lieben. Ich hoffe, dass sie sich mit ihrem zweiten Album nicht zu lange Zeit lässt.

Though born in Peru, Beth Rowley is of British stock and has lived in Britain since her parents returned home when she was two. Beth grew up listening to many different styles of music thanks to her parents' eclectic musical tastes and this is reflected in her music. As a singer-songwriter, Beth has co-written five of the songs here, often with the help of Ben Castle. Ben (son of Roy Castle) is a jazz saxophonist who has worked with Jamie Cullum. The other six songs are covers but Beth has chosen them well. I'd be very surprised if you've heard more than about four of them by other artists at the very most.

The set opens with a traditional song (Nobody's fault but mine). Beth's bluesy voice is perfectly matched to this bluesy song that sets a high standard for the rest of the album, which maintains that high standard throughout.

The next two tracks (Sweet hours, So sublime) are among the original songs, with the latter being the second single from the album, released just a week before the album itself. The release of the first single (Oh my life, which is track 7 here) preceded the album by a full three months but failed to chart.

The fourth track (I shall be released) might be the most familiar song that Beth covered for this album, it being one of Bob Dylan's classic songs. Beth opted to give it an upbeat reggae treatment that may be slightly at odds with the lyrics but nevertheless works well.

The next three tracks feature two more brilliant original songs (Only one cloud, Oh my life) sandwiching a cover of When the rains came, written and originally recorded by British blues singer Jim Crawford. I confess that I've never heard of him before but if all his songs are this good, one wonders why he isn't better known.

The next two tracks, both covers, are what attracted my attention when I first saw the album and looked at the track listing in my local store. I am familiar with a Willie Nelson song titled Angel flying too close to the ground. I really didn't believe that somebody could come up with a different song with that title. Seeing another familiar country song title (Almost persuaded) as the following title reinforced this belief. I did some research and confirmed that these songs were indeed covers of the songs that I was familiar with and after listening to some of the other songs (but not these two) on MySpace, I knew that I had to buy this album.

Beth chose to bring in guest vocalist Duke Special on Angel flying too close to the ground. It's a long way removed from Willie Nelson's original version, but if the great man hears it, I think he would approve. Almost persuaded (originally recorded by David Houston, who has long since faded into obscurity) has generated a variety of covers including very distinctive versions by Etta James and Hank Williams Junior. Both of those covers are very different from the original and from each other. Tammy Wynette is among those singers who recorded faithful covers of the song. Beth has stamped her own identity on the song so her version is different again from the others I've heard.

Next comes the last of the five excellent original songs here, You never even called me tonight. The final track (Beautiful tomorrow), like the opening track, is a traditional song, but this one is a gospel song that Beth may have learned from Mahalia Jackson's version.

Musically, this is hard to classify but it has elements of pop, jazz, blues and soul in it. Despite including two covers of country songs, I don't detect any country influences in the actual music. Not that I mind, because this is a truly brilliant debut album by a singer who will hopefully be around for a long time.

Eigentlich war ich nach dem ersten Anhören fast ein bisschen enttäuscht gewesen von der CD. Lieder wie "Nobody's fault but mine" und "you never called me tonight" zeigen zwar sofort das Potential von Beth Rowley, aber man muss sich erst mal in die CD reinhören.

Mittlerweile habe ich die CD sicherlich 30x gehört ( liegt auf Arbeit im CD Spieler :-) ), und ich muss sagen es ist sicherlich eines der besten Alben, die ich seit langem gekauft habe. Einziger Kritikpunkt ist die kurze Spieldauer, aber das Problem haben ja fast alle neuen CD's. Dafuer wird aber qualitativ hochwertige, wunderbar entspannende Musik geboten, die einlädt, ein bisschen zu träumen :-).