- Gebundene Ausgabe: 368 Seiten
- Verlag: Hatje Cantz Verlag; Auflage: 1 (November 2000)
- Sprache: Englisch
- ISBN-10: 3775709819
- ISBN-13: 978-3775709811
- Größe und/oder Gewicht: 32,7 x 24,7 x 3,3 cm
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Amazon Bestseller-Rang:
Nr. 679.045 in Englische Bücher (Siehe Top 100 in Englische Bücher)
- Nr. 2 in Englische Bücher > Kunst & Fotografie > Design & Verzierungskunst > Grafikdesign > Lithografie
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Produktinformation |
Produktbeschreibungen
Kurzbeschreibung
This volume presents Picasso's entire lithographic oeuvre, consisting of 855 pieces - for the first time in full color throughout the book.
In the technique of lithography, like in no other medium, Picasso´s creative genius reveals itself after 1945 through its unfailing power of transformation concerning theme, contents and form. This book presents Picasso´s complete lithographic oeuvre consisting of 860 items in full color. The works are mostly taken from the Huizinga collection, the central holdings of the first Picasso museum in Germany, the Graphikmuseum Pablo Picasso in Münster. Assembled in the course of more than three decades, this collection is unmatched, impossible to be repeated or recreated as such. Its uniqueness lies in the rarity of its test and state printings, its numerous single specimens and unpublished sheets. The catalog is the first to list every printed sheet as an individual work and thus constitutes a reliable reference work for Picasso´s lithographic oeuvre. An interview with the printer Henri Deschamps offers an immediate, contemporary account of the process of creation of the sheets, the profound introduction to Picasso´s lithographic oeuvre by Erich Franz sharpens the viewer´s eyes for the innovative diversity of this seminal artist. (German edition available ISBN 3-7757-! 0906-1)
Synopsis
Featuring over 900 colour illustrations, this volume presents Picasso's complete lithographic ouevre of 855 items. The book also includes an interview with the printer Henri Deschamps who offers a contemporary account of the process of creation of the sheets of the catalogue.
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Obscure, Technically Obtuse Reference is a Must Have for Picasso Print Collectors
8. September 2009
Von Amazon bestätigter Kauf
This is an imperfect book but an essential one. It is both a Catalogue Raisonne of the lithographic works of Pablo Picasso, and a catalogue of the prints in the collection of the Graphikmuseum Pablo Picasso Munster which holds the most complete (although not quite complete) collection of Picasso lithographs in the world.
A lot of painstaking work has gone into compiling and documenting these 'leaves' as the editors call them into a unitary source. For the editors not only concerned themselves with cataloging heretofore undocumented images, and correlating Mourlot and Rau numbers to their own numbering system they also assigned prospective numbers to images that are known but not owned by the museum.
In addition the editors included as much relevant information not only about the edition, paper, plate size, etc. but also of characteristics of the individual prints included in the books such as penned notations, etc. even down to locating where it occurs on the sheet.
The folio-sized book in 304 pps with 870 color illustrations was printed and bound in Germany to the highest quality standards so that one feels as though he is holding a work of art in itself when he is leafing through the volume and to say that it is lavishly illustrated would not be exaggeration. This book should be owned by anyone interested in Picasso's prints or who takes an interest in his entire oevre; and it is essential to any collector of his lithographs.
One day this book will be even more scarce than it is today so I recommend owning it now rather than having to pay much more for it in a few years.
Four stars only because I still can't figure out, exactly, the numbering system.
A lot of painstaking work has gone into compiling and documenting these 'leaves' as the editors call them into a unitary source. For the editors not only concerned themselves with cataloging heretofore undocumented images, and correlating Mourlot and Rau numbers to their own numbering system they also assigned prospective numbers to images that are known but not owned by the museum.
In addition the editors included as much relevant information not only about the edition, paper, plate size, etc. but also of characteristics of the individual prints included in the books such as penned notations, etc. even down to locating where it occurs on the sheet.
The folio-sized book in 304 pps with 870 color illustrations was printed and bound in Germany to the highest quality standards so that one feels as though he is holding a work of art in itself when he is leafing through the volume and to say that it is lavishly illustrated would not be exaggeration. This book should be owned by anyone interested in Picasso's prints or who takes an interest in his entire oevre; and it is essential to any collector of his lithographs.
One day this book will be even more scarce than it is today so I recommend owning it now rather than having to pay much more for it in a few years.
Four stars only because I still can't figure out, exactly, the numbering system.
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