Light's on at Signpost [Englisch] [Taschenbuch]

"I write as a convinced Imperialist - which means that I believe that the case for the British Empire as one of the best things that ever happened to an undeserving world is proved, open and shut ... We did what we did, and it was worth doing, and no one could have done it better - or half as well."

Bravo! Well, said.

George MacDonald Fraser, author and film screenwriter, has delighted fans for decades with his Flashman series, his Private McAuslan series (THE GENERAL DANCED AT DAWN, McAUSLAN IN THE ROUGH, THE SHEIKH AND THE DUSTBIN), his history of the Anglo-Scottish border brigands (THE STEEL BONNETS), and his autobiography of his World War Two soldiering with General Slim's 14th Indian Army in Burma (QUARTERED SAFE OUT HERE). For those acquainted with these works, THE LIGHT'S ON AT SIGNPOST presents a Fraser not before seen.

This book's thirty chapters are assorted, ten each, into three categories: "Shooting Script", "Angry Old Man", and "Interludes". In the first, Fraser reminisces about script writing for such films as the Musketeers trilogy, PRINCE AND PAUPER, SUPERMAN 1 and 2, FORCE TEN FROM NAVARONE, OCTOPUSSY, and RED SONJA. In the second, the author is at his outraged and irascible best as he rails against Britain's participation in the post-9/11 Fourth Afghan War, the contemptible incompetence of Members of Parliament in general ("government from the gutter") and the New Labour government in particular, the abolition of the death penalty, political correctness, women in the armed forces, the race relations industry, unrestricted foreign immigration, the dismal state of British print journalism and television, greed and dishonesty in professional sports, and Britain's membership in the European Union. Finally, in chapters headed "Interlude", Fraser ruminates on such diverse topics as the Act of Settlement, which bars Roman Catholics from the throne, boyhood trips to Scotland in the family caravan (trailer), the Anglo-American "special relationship", a trip to Russia, the British Empire, and ...

"... the modern craze for garlic and peppers is symptomatic of Britain's decline. Time was when both were unknown here, and the atmosphere was not rendered hideous by a stench reminiscent of an inferior Paraguayan bordello. (I have never been in Paraguay; I merely surmise.)"

For me, the best parts of THE LIGHT'S ON AT SIGNPOST are Fraser's political and social commentaries. Indeed, he uses such language that would cause Liberals to gnash their teeth and rend their robes. Luckily, I'm not a Liberal, so enjoyed his rants immensely. Less absorbing were his remembrances of the film industry, perhaps because I only saw one of the movies mentioned, although his descriptions of the personalities of Burt Lancaster, Oliver Hardy, Edward Fox, Robert Shaw, Harrison Ford, Steve McQueen, and Arnold Schwarzenegger were enlightening.

The book's title refers to the grandstand scoreboard which monitors the Isle of Man's annual Tourist Trophy cross-country motorcycle race. As each contestant passes Signpost Corner, about a mile from the finish line, a light illuminates next to his slot on the scoreboard. Fraser recognizes that his life is coming to its natural end, and he's perhaps just passed his personal and last milepost.

Fraser's books, particularly the McAuslan trilogy, occupy a place of honor on my mental shelves. He's one of the most enjoyable authors I've ever come across, and I salute him as he approaches his finish line. And it's good to know beforehand what a Paraguayan bordello smells like.

Mr, Fraser has written a really good book, which makes a lot sense and was fun to read. One gets tired of hearing from the P.C. and the "Caring Brigade", so when I started reading this text it really was a joy to these tired old eyes.

Not that I don't agree with everything with the Author. For example his oppostion to the 4th Afghan War. But Mr. Fraser has earned his right to opposed that war. (Anyone who fought under Slim in Burma has my respect) He also put forth ones of the best arguements against the EU that I have ever read.

I also liked reading about Mr. Fraser's movie career especially about the Musketeers series in this tome. All in all it's one of his better books that I have read of his since "Flashman in the Great Game. I am really looking forward to "Flashman on the March" and just hope that he will get Flashy's involvement in the American Civil war edited soon!

The book is in three interwoven threads, Fraser's screenwriting experiences, 'interlude's, and 'angry old man', a series of essays about what's wrong with the world. Much has been made of one of the latter, a short rant by an old soldier opposed to Britain's involvement in the 'Fourth Afghan War,' but these essays cover a range of topics, and there is plenty of scorn to go around. The book should be uniformly interesting for fans of Fraser, but not strongly recommended for others. For me, the revelation that he is not done with Flashman was worth the price of admission.