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The Life of Samuel Johnson (Penguin Classics) (Englisch) Taschenbuch – 23. Mai 2011

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This is a new, complete edition of the seminal modern, and still finest, literary biography. All previous versions have been unsatisfactory and textually inaccurate. This will be the first to return to the manuscript and the first to collate systematically the early printed versions. It is the most correct edition ever published, and a landmark in Boswell and Johnson studies.

Über den Autor und weitere Mitwirkende

James Boswell (1740-1795) was a lawyer, diarist, and author born in Edinburgh. He is best known as the biographer of Samuel Johnson. Boswell is known for taking voracious notes on the grand tour of Europe that he took as a young nobleman and, subsequently, of his tour to Scotland with Johnson. He also recorded meetings and conversations with eminent individuals belonging to 'The Club', including David Garrick, Edmund Burke, Joshua Reynolds and Oliver Goldsmith.Samuel Johnson was born in Lichfield in 1709 and was educated at Lichfield Grammar School and, for a short time, at Pembroke College, Oxford. In 1735 he married Elizabeth Jervis Porter and in 1737 moved to London. There, he became a regular contributor to the Gentleman's Magazine, but struggled to earn a living from writing. His London: A Poem in Imitation of the Third Satire of Juvenal was published anonymously in 1738 and attracted some attention. From 1750 to 1752 he issued the Rambler, a periodical written almost entirely by himself, and consolidated his position as a notable moral essayist with some twenty-five essays in the Adventurer. When his Dictionary of the English Language was published in 1755, Johnson took on the proportions of a literary monarch in the London of his day. In need of money to visit his sick mother, he wrote Rasselas (1759) reportedly in the evenings of one week, finishing a couple of days after his mother's death. In 1763 Boswell became his faithful follower and it is mainly due to him that we owe our intimate knowledge of Johnson. Johnson's last major work was Lives of the Poets. He died in December 1784.David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. He has published widely on English literature from the Renaissance to the early nineteenth century. For Penguin he has edited Gibbon's History of the Decline and Fall of the Roman Empire, Augustan Critical Writing, Burke's Philosophical Enquiry into the Sublime and Beautiful and Other Pre-Revolutionary Writings, and Samuel Johnson's Selected Essays.

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100 von 104 Kunden fanden die folgende Rezension hilfreich
the best paperback edition 29. August 2009
Von VA Book Lover - Veröffentlicht auf
Format: Taschenbuch Verifizierter Kauf
When reading a classic such as Boswell's Life of Johnson, you are mainly looking for two things: good typography and a knowledgeable editor. In this Penguin edition (2008) you get both. With more than 1250 pages of reading, you don't want to be tortured or discouraged by tiny or overstylized type. Here the designer has chosen Adobe Sabon in 9 pt type -- perfect for reading comfortably for long stretches. And you'd be hard pressed to find a better 18th-century scholar than David Womersley (at Oxford). He seems to have a penchant for tackling long and difficult books: Previously, he edited a beautiful edition of Gibbon's Decline and Fall, also published by Penguin. His editorial notes are well supported, unobtrusive, and beautifully written -- a real class act. So if you're looking for the right edition, this is it! Enjoy.
40 von 41 Kunden fanden die folgende Rezension hilfreich
Perhaps the Greatest Biography Ever 28. März 2010
Von Bill R. Moore - Veröffentlicht auf
Format: Taschenbuch
James Boswell's Life of Samuel Johnson is often called the greatest biography of all-time and may well be. Perhaps such a work can get no higher praise, but it is also highly notable as the first true modern biography - the first really resembling what we think of as biography today. Boswell set new standards for thoroughness, accuracy, and research, greatly expanding the very concept of what a biography could be. He was also very far ahead of his time in anticipating what was later called gonzo journalism - writers inserting themselves into real-life stories; it is of course not done in the same way as later writers, but the concept is similar. Most remarkable of all, though, is that the book is immensely readable, entertaining, and edifying over two hundred years later, which can be said of very few biographies. It is absolutely essential for anyone even remotely interested in Johnson, Boswell, or the late eighteenth century European intellectual circle.

Johnson was perhaps England's best known writer during his last several decades and one of the most famous in the world besides being widely known and renowned for lexicographical and other accomplishments. However, this book's greatness and fame are such that he has long been known primarily via it. Many read it who have read very little or none of him, showing that, unlike nearly all biographies, it has earned a life of its own. There are many reasons for this, not least the fine writing. Even more fundamental is that the book vividly brings an exciting, integral, and profoundly influential era to life. It covers the late Enlightenment when many of the most important people to ever live were prominent. In addition to Johnson, we get first-hand glimpses of such illustrious personages as Adam Smith, Oliver Goldsmith, Pasquale Paoli, David Garrick, and many, many others. Numerous other heavyweights - Voltaire, Jean-Jacques Rousseau, King George III, etc. - are only slightly in the background. We also get contemporaneous accounts of major events like the American Revolution and the lead up to the French Revolution. In short, though ostensibly the biography of one person, the book is as vibrant, lifelike, and memorable an account of a supremely important era as any history book.

Yet Johnson is always the focus, shown literally from birth to death. Anyone interested in him will find a wealth of information about all aspects of his life as well as his thoughts, feelings, influences, intellectual background, and far more. There is also a great deal of information about his work. Unlike nearly all biographers, Boswell actually knew Johnson well; he was his friend for many years and spent several months annually in his company, essentially interviewing him and making voluminous notes of his conversation. This last is indeed the book's heart and by far its most famous element. Johnson was perhaps his era's most famous conversationalist, revered for wit and argument; Boswell heard many hours of his conversation and reports faithfully. His style here was again innovative. Rather than sprinkling isolated quotes anecdotally, he went to great pains to reproduce full conversations, not only describing the setting and others present but even using drama-like name headings for full verisimilitude. We thus not only see what Johnson said but where, how, and usually why he said it. Many world famous Johnson sayings that would otherwise be lost - i.e., "Patriotism is the last refuge of a scoundrel" - are immortalized here, as well as some quotes by others. This alone would make the book of great value.

Much has been made of how Boswell's presence affected this; knowing he would write the biography, or at least thinking it possible, he undoubtedly orchestrated much, drawing Johnson out when he might have otherwise been silent. Much of this would have been done in any case as he clearly admired Johnson and loved his talk, but there is no denying the question's importance. Some have condemned Boswell as a shameless celebrity whore or otherwise questioned his motives and veracity, but nearly everyone will consider this nitpicking, fascinating as the question is. For nearly everyone, it makes the book better - far more personal and engaging than biographies are usually even capable of being. Also, for what it is worth, such things mean the book in many ways tells us nearly as much about Boswell as Johnson, making it a sort of hybrid biography/autobiography.

Boswell understandably focuses on the years he knew Johnson, meaning the book is greatly lopsided in favor of the later years after Johnson became famous and nearly all his major work was done. This will annoy those who want a more balanced overview, especially as Boswell makes short shrift of some important early events. Those wanting a more conventional balance should get one of several later biographies, especially as Boswell makes a few errors and, at least according to later sources, leaves out some highly interesting - if not necessarily essential - facts. He openly admits doing so at the start in order to protect Johnson's reputation, though much of what he says elsewhere is unflattering, but some of it may have been unknown to him. For most, though, this is the only Johnson biography that will ever be needed - and its greatness, influence, and importance are such that it is required for all readers with even the slightest interest in English and European literature and history and the art of biography even if they care little or nothing for Johnson or Boswell.
47 von 51 Kunden fanden die folgende Rezension hilfreich
A great read 2. November 2009
Von Amazon Customer - Veröffentlicht auf
Format: Taschenbuch Verifizierter Kauf
James Boswell--to use a contemporary idiom-- had a mancrush on Samuel Johnson. He wrote this lengthy portrait of his hero--and it's magnificent. This is a vastly entertaining read. Full of fascinating, insightful, provocative, fun, sometimes gossipy detail, Boswell's Life of Johnson is a real treat. After ten pages, I was hooked. In writing his Life of Johnson, Boswell showed us all how fascinating a single man can be when studied in detail by a sympathetic reporter. I suspect that Boswell's Johnson is a much more interesting character than Johnson's Johnson, but that doesn't matter: Boswell's book is a separate creation and entity than Johnson the man. Boswell's hero worship and adulation is infectious. it is difficult not to wish Boswell success in pulling off this grand project: a 1,400 page portrait of a brilliant, admirable, great but flawed man. Get this. You are going to be entertained. Despite its enormous size, this is a fun, interesting, stimulating read. This is the perfect vacation book for anyone who prefers something with more intellectual meat than a thriller or mystery. Anglophiles MUST read this. Anyone who cares about great books should read it. And anyone looking for a book that has stood the test of time should read it. Simply because you will be denying yourself a great experience if you don't. I would definitely want this with me during a long convalescence--it would be a great companion.
26 von 28 Kunden fanden die folgende Rezension hilfreich
great bed-time reading 19. August 2010
Von Caraculiambro - Veröffentlicht auf
Format: Taschenbuch
I don't know if this is a good thing to admit or not, but I made it through this entire book reading it about 5-10 minutes per night just before nodding off.

Normally I would never a proceed through such a highly-regarded classic like this, but Boswell jumps from topic to topic so frequently, it's almost like each new paragraph is about an entirely different subject. I suppose this would have irked me had I approached this in a focused, solitary way, but as it was it made it possible get through one nugget at a time.

Maybe you should try it. I know of few who have managed to negotiate this one conventionally.

Anyhow, more to the point. If you're fishing around for a good edition, I would definitely go with this Penguin Classics edition, which has copious footnotes and some other stuff. The other one you see everywhere, the Oxford World's Classics has -- unusually for that series -- zilch for footnotes!
15 von 17 Kunden fanden die folgende Rezension hilfreich
Rating of Kindle edition, not Boswell's excellent book 22. Oktober 2012
Von Jim Coughenour - Veröffentlicht auf
Format: Kindle Edition Verifizierter Kauf
Penguin did a shabby job of converting Boswell's masterpiece to the electronic platform. There are vast spaces between paragraphs and words run together within them. I've had the Everyman hardback for years but it's heavy and hard to read - I bought the Penguin edition because I'm a fan of David Womersley's editions (I have his massive set of Gibbon as well). So I'll learn to overlook, I suppose, the indifferent quality of the ebook. When will Penguin and other publishers learn how to create a book for the 21st century? Fine examples of how it should be done are evident in the apps created by Touchpress, e.g., Eliot's Wasteland; Shakespeare's Sonnets; Leonardo's Notebooks. All of these are excellent, deeply immersive, take full advantage of tablet technology and cost no more than crappy Kindle editions.
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