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That's the bad news. The good news is that the rest of the collection is a sheer delight. "My Father on the Verge of Disgrace" explores some fascinating Oedipal outskirts, even as the narrator's first cigarette takes on a theological accent: "It was my way of becoming a human being, and part of being human is being on the verge of disgrace." In "How Was It, Really?" Updike unveils the real dirty secret of old age, which is not the persistence of erotic appetite but the inevitable, appalling failure of memory. Best of all, he returns to two of his longest-running franchises, with admirable results in both cases. "His Oeuvre" revives that Semitic doppelgänger Henry Bech for one more lap around the track, and finds the author making intermittent fun of his own fancy prose style. Harry Angstrom is, needless to say, beyond hope of resurrection. But in a 182-page novella, "Rabbit Remembered," Updike brings back his survivors for a superb, surprising curtain call. The author's present-tense notation of American life (whose paradoxical epicenter is, as always, Brewer, Pennsylvania) remains as mesmerizing as ever. And despite his death, the putative hero is everywhere, as his illegitimate daughter returns to the unwilling bosom of the Angstrom clan: "A whiff of Harry, a pale glow, an unsettling drift comes off this girl, this thirty-nine-year-old piece of evidence." Wallowing in this unexpected bonus, Updike fans should steel themselves for a single pang of regret: this is likely to be the last Rabbit he will pull from his hat. --James Marcus -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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It doesn't disappoint. Of course, everybody familiar with the series knows that Rabbit died a long time ago, but contained in here are all of the other familiar faces: Janice, now married to Ronnie Harrison; Nelson, separated; Pru; Billy Fosnacht; and Annabelle Byer, the mover and shaker of the plot this time around. Harry "Rabbit" Angstrom's presence, though, looms over all, figuratively, and eventually as we shall see, literally.
Yes, as the lion is noted for his ferocity, the elephant for his size, and the giraffe for his height, Rabbit is known for, well, what rabbits are known for. I don't believe I've ever seen this pointed out in any reviews of these books that I have read, and am at a loss to explain why. (I apologize if I have missed something.) Even Mr. Updike seems to be curious about this, throwing us a not so subtle hint in this one.
Think about it: in the first book he cheats on Janice, and indirectly causes the death of his daughter. In the second book, he is separated from Janice, but cheats on his girlfriend, and while gone she is killed in a fire. In the third one, he is prevented from consumating his lust (by Nelson, no less, hilariously), and nobody dies. But in the fourth one, after cheating on Janice yet again, and with Nelson's wife this time, he indirectly causes his own death. Yes, boys and girls, the age old theme: sex equals death. Or in this case, illicit sex equals death, sooner or later. Or maybe, everything eventually equals death.
But I am being simplistic. These books encompass way more than this; in fact, one could argue that these books encompass everything that is human about all of us. Yes, Rabbit's life can be read as a tawdry, melodramatic, almost tragic soap-opera, but to do so would be missing the point. These books are also slyly, wickedly funny. How ridiculous, we think. Look at these bumpkins, struggling to find happiness through self-gratification. But how tragic. And how sad. Because we are contained in here too. It is Updike's magnificent intelligence which allows us to see the pathos and humor in all of it.
Is Rabbit Everyman? No, he is not every man. But he is also not uncommon either. We all know people like him. The stumbling good guy, buffeted around by life, taking what comes his way without much thought or introspection or faith. He doesn't really love anybody and is not really sure how to. In Mr. Updike's hands, though, this thoroughly mundane person is fascinating, and probably the most fully-realized character in American literature. We have been following him, and the America he lives in, for four decades now. There is no doubt in my mind that several hundred years from now people will be studying these novels in order to get a complete and thorough picture of American culture in the latter half of the twentieth century.
Is it a pretty picture? No, not really. Is it accurate? Yes, to the degree that it captures the life of one individual--no more, no less--it is. At the end, Harry is in Florida, lost, feeling like he has been swimming underwater. His life has been a void.
This book, Rabbit Remembered, allows us to see his accomplishments, through those he left behind, and ends with the characteristic brilliance typical of the entire series. It is New Years Eve, the end of the century, the end of the millenium. Four well-dressed, clumsy, drug-addicted, divorced, molested, depressed, middle-aged youths--Nelson, Pru, Annabelle, and Billy--are going out for the evening. Janice looks at them, her children--Harry's children--and tears come to her eyes. She is moved, but incapable of understanding why.
It is Harry. He is the father of illegitimate Annabelle and legitimate Nelson, the one-time lover of Pru, his daughter-in-law, and the one-time lover of Billy's mother. This is his connection to them, and what, inexplicably, has moved Janice. These children are his legacy. The legacy of the Rabbit.
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