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Kurzbeschreibung
Leonardo da Vinci's reputation as an inventor and scientist, and the complexity of his creativity and personality, have sometimes almost overshadowed the importance of his aims and techniques as a painter. This catalogue focuses on a crucial period in the 1480s and '90s when, as a salaried court artist to Duke Ludovico Sforza in the city-state of Milan, freed from the pressures of making a living in the commercially-minded Florentine republic, Leonardo produced some of the most celebrated - and influential - work of his career. "The Last Supper", his two versions of "The Virgin of the Rocks", and the beautiful portrait of Cecilia Gallerani, Ludovico's mistress ("The Lady with an Ermine") were paintings that set a new standard for his Milanese contemporaries. Leonardo's style was magnified, through collaboration and imitation, to become the visual language of the regime, and by the time of his return to Florence in 1500, his status was utterly transformed. "Works from British, US and European" collections represent the diverse range of Leonardo's artistic output, from drawings in chalk, ink or metalpoint to full-scale oil paintings. Together with the authors' meticulous research and detailed analysis, they demonstrate Leonardo's consummate skill and extraordinary ambition as a painter. This catalogue accompanies the major exhibition 'Leonardo da Vinci: Painter at the Court of Milan' at the National Gallery, London: 9 November 2011 - 5 February 2012.
Über den Autor
Luke Syson is Curator of Italian Paintings before 1500, and Larry Keith is Director of Conservation, at the National Gallery, London.
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10 von 11 Kunden fanden die folgende Rezension hilfreich
Milanese Da Vinci
31. Dezember 2011
Format:Gebundene Ausgabe
This book, the catalog for the current blockbuster show at the National Gallery in London, is a wonderful study of Leonardo's Milanese period spent at the Court of the Sforza family. It is therefore not a complete retrospective of the Florentine master's output (don't expect any Annunciation or Mona Lisa here..) but it is centered on a nevertheless absolutely breathtaking body of works that include the Louvre's Belle Ferronière, the Lady with an Ermine from the Czartoryski Museum in Cracow, and the two versions of the Virgin of the Rock. The illustrations are of a great quality (not only of the works by Da Vinci, but also of paintings and drawings by his pupils and assistants), with a profusion of magnified details and drawn studies for the paintings (studies of hands for example), but above all the book is a great read because of the text and the numerous in-depth studies of the paintings. There is even a rediscovery with the portrait of Christ entitled "Salvator Mundi", whose attribution to Da Vinci is explained at length in the book, even though it still remains debatable. Also noteable are the many reproductions of drawings held in the collection of the Queen of England, which are seldom exhibited and reproduced.
The only qualification I would make is the total absence of provenance history for the works, which, in the case of this late discovery, is a regrettable lack of information.
The only qualification I would make is the total absence of provenance history for the works, which, in the case of this late discovery, is a regrettable lack of information.
7 von 8 Kunden fanden die folgende Rezension hilfreich
Wow
12. Januar 2012
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
If you like quality, then this catalogue is what you are after. The genius of Leonardo has never been better presented than by the National Gallery
and its supporting catalogue. From the conquest of reality, the presentation of the ideal, to perception of the divine, Leonardo can still thrill us
after all these centuries. If you can't see the London exhibition, this publication is the next best thing. Congratulations NG.
and its supporting catalogue. From the conquest of reality, the presentation of the ideal, to perception of the divine, Leonardo can still thrill us
after all these centuries. If you can't see the London exhibition, this publication is the next best thing. Congratulations NG.
3 von 3 Kunden fanden die folgende Rezension hilfreich
Wonderful book
17. Februar 2012
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
A previous reviewer lamented the lack of provenance for each item. Yes, that would have been good. Having said that, the exhibit itself must have been magnificent. The layout of the book is quite good and well-organized, with a separate section for each da Vinci painting and related paintings and sketches. I would have appreciated more on the recently identified Salvator Mundi, which is the last painting listed in the book and seems to be almost an afterthought. A more detailed analysis of the painting, with supporting sketches, copies, and the like would have been of interest.
The photography is well done. Although this does not cover the whole of da Vinci's long career, it covers a central part of his life. A must-have for da Vinci fans.
The photography is well done. Although this does not cover the whole of da Vinci's long career, it covers a central part of his life. A must-have for da Vinci fans.
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