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Produktbeschreibungen
Kurzbeschreibung
Transcribed for voice and guitar and edited by David Nadal. Unsurpassed in his day as a lute virtuoso, John Dowland (1563-1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar--all in an affordable, handsomely engraved edition that is both practical and scholarly.<BR>
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1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
David Nadal hat mit seinen Werken (Lute Songs of John Dowland: The Original First and Second Books Including Dowland's Original Lute Tablature) und (John Dowland's Lute Songs: Third and Fourth Books with Original Tablature) ein fantastisches Werk geschaffen! Dowlands Lieder für Gitarre und Stimme in erstaunlicher Qualität und zu einem ansprechendem Preis. Viele Verlage geben Dowlands Bücher einzeln für einen unverschämt teuren Preis heraus, und hier sind jeweils zwei Bücher zusammengefasst. Es finden sich hier nicht nur einfache Lieder für Gitarre und Stimme, sondern auch Stücke für zwei Gitarren und zwei Stimmen, Gitarre + Melodieinstrument + Bass + Stimme bzw. für Gitarre und Chor. Allein das Lied "Flow, my tears" ist ein Schatz, den es hier zu heben gilt! Die technischen Anforderungen für Gitarristen sind allerdings schon recht hoch und verlangen den Umgang mit Lautenstimmung (zumeist: g = fis, manchmal: E = D) und Capodaster sowie ein gutes Mittelstufen- bis eindeutig Oberstufenniveau.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Amazon.com:
6 Rezensionen
3 von 3 Kunden fanden die folgende Rezension hilfreich
Complete, accurate, and inexpensive
14. Juli 2008
Format:Taschenbuch|Von Amazon bestätigter Kauf
These Dowland books are ideal: complete, accurate, and inexpensive.
The only problem is a random editorial decison by which a few of the songs are notated "at pitch", which means the editor has arranged the music for guitar rather than writing it as it would lie on lute. This means a guitarist interested in maintaining Dowland's fingerings would have to redo the transcriptions. Still, a very valuable resource to own!!!
The only problem is a random editorial decison by which a few of the songs are notated "at pitch", which means the editor has arranged the music for guitar rather than writing it as it would lie on lute. This means a guitarist interested in maintaining Dowland's fingerings would have to redo the transcriptions. Still, a very valuable resource to own!!!
2 von 2 Kunden fanden die folgende Rezension hilfreich
Table of Contents
21. April 2011
Format:Taschenbuch
THE THIRD AND LAST BOOKE
I. Farewell too fair
II. Time stands still
III. Behold a wonder here
IV. Daphne was not so chaste
V. "Me, me and none but me"
VI. When Phoebus first did Daphne love
VII. Say Love if ever thou didst find
VIII. Flow not so fast ye fountains
IX. What if I never speed?
X. Love stood amaz'd
XI. Lend your ears to my sorrow
XII. By a fountain where I lay
XIII. Oh what hath overwrought
XIV. Farewell unkind farewell
XV. "Weep you no more, sad fountains"
XVI. Fie on this feigning
XVII. I must complain
XVIII It was a time when silly bees could speak
XIX. The lowest trees have tops
XX. What poor astronomers are they
XXI. Come when I call (for two voices and two lutes)
A PILGRIMES SOLACE
I. Disdain me still
II. Sweet stay awhile
III. To ask for all thy love
IV. Love those beams
V. "Shall I strive with words to move" ("Mignarda, a galliard" is Dowland's title for the solo lute version of the lyre "Shall I strive with words to move.")
VI. Were every thought an eye
VII. Stay Time awhile thy flying
VIII. Tell me true Love (with chorus)
The next three with treble and bass viols for violin and cello:
IX. Go nightly cares
X. From silent night
XI. Lasso vita mia
XII. In this trembling shadow
XIII. If that a sinner's sighs
A three-part work:
XIV. Thou mighty God
XV. When David's life
XVI. When the poor cripple
XVII. Where sin sore wounding
XVIII. My heart and tongue were twins
The next with chorus:
XIX. Up merry mates
XX. Welcome black night
XXI. Cease these false sports
"THREE AYRES FROM "A MUSICALL BANQUET"
Far from triumphing Court
Lady if you so spite me
In darkness let me dwell
GALLIART TO LACHRIMAE
"A lute solo from A Pilgrimes Solace, transcribed for guitar"
I. Farewell too fair
II. Time stands still
III. Behold a wonder here
IV. Daphne was not so chaste
V. "Me, me and none but me"
VI. When Phoebus first did Daphne love
VII. Say Love if ever thou didst find
VIII. Flow not so fast ye fountains
IX. What if I never speed?
X. Love stood amaz'd
XI. Lend your ears to my sorrow
XII. By a fountain where I lay
XIII. Oh what hath overwrought
XIV. Farewell unkind farewell
XV. "Weep you no more, sad fountains"
XVI. Fie on this feigning
XVII. I must complain
XVIII It was a time when silly bees could speak
XIX. The lowest trees have tops
XX. What poor astronomers are they
XXI. Come when I call (for two voices and two lutes)
A PILGRIMES SOLACE
I. Disdain me still
II. Sweet stay awhile
III. To ask for all thy love
IV. Love those beams
V. "Shall I strive with words to move" ("Mignarda, a galliard" is Dowland's title for the solo lute version of the lyre "Shall I strive with words to move.")
VI. Were every thought an eye
VII. Stay Time awhile thy flying
VIII. Tell me true Love (with chorus)
The next three with treble and bass viols for violin and cello:
IX. Go nightly cares
X. From silent night
XI. Lasso vita mia
XII. In this trembling shadow
XIII. If that a sinner's sighs
A three-part work:
XIV. Thou mighty God
XV. When David's life
XVI. When the poor cripple
XVII. Where sin sore wounding
XVIII. My heart and tongue were twins
The next with chorus:
XIX. Up merry mates
XX. Welcome black night
XXI. Cease these false sports
"THREE AYRES FROM "A MUSICALL BANQUET"
Far from triumphing Court
Lady if you so spite me
In darkness let me dwell
GALLIART TO LACHRIMAE
"A lute solo from A Pilgrimes Solace, transcribed for guitar"
1 von 1 Kunden fanden die folgende Rezension hilfreich
Excellent lute tablature
15. April 2012
Format:Taschenbuch|Von Amazon bestätigter Kauf
Very good book, the symbols for lute tablature are very clear, and of course the music of John Dowland is the most delightful.
It is very easy to read the melody aswell. The guitar musical staff on top of the lute tablature helps a lot when trying to understand the rhythm.
It is very easy to read the melody aswell. The guitar musical staff on top of the lute tablature helps a lot when trying to understand the rhythm.
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