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› Besuchen Sie die Seite von Robert Rawlins auf Amazon
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Produktbeschreibungen
Kurzbeschreibung
A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more! Customer reviews on amazon.com for Jazzology average a glowing 5 stars! Here is a typical reader comment: "The book's approach is so intuitive, it almost leads you by the hand into the world of jazz. Certainly jazz is freedom of expression, but you have to know what you're doing and this book is the tool for that ... (it) should be standard in every high school with a jazz program and every college lab band."
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In diesem Buch
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Einleitungssatz
To understand any melodic or harmonic discussion, one must understand intervals. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Rückseite
To understand any melodic or harmonic discussion, one must understand intervals. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Rückseite
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Kundenrezensionen
Die hilfreichsten Kundenrezensionen
Format:Taschenbuch
Good teaching/reference work, but goes from simple to complicated very quickly.Good examples to work through.
Recommended.
Recommended.
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Amazon.com:
12 Rezensionen
23 von 24 Kunden fanden die folgende Rezension hilfreich
A Jazz Theory Book Aimed at the Player
31. Dezember 2006
Format:Taschenbuch
Although it is only one of many jazz theory books on my shelf, I find that this book sticks out for its breadth and applicability to performing and arranging in the jazz idiom. This is accomplished through the sections on piano playing for all jazz instrumentalists where the topics include both voicing and comping rhythms. The latter is usually left out from theory books. There is also a chapter devoted to solo styles where the student can read through analysis of solos with the musical example provided in the book. There is a chapter on arranging for various ensembles as well as a chapter that deals with "Early and Traditional Jazz" a much overlooked area in our jazz history studies. The book even ends with a chapter on practicing that deals not only with what one should practice, but why we practice particular aspects of the music.
Of course there are all of the requisite chapters on scale/chord theory and the ii-V-I progression that you will find in most books, but it is the added material that appleals to the player as much as the theorist. That is what makes this book a superior buy to many others.
Of course there are all of the requisite chapters on scale/chord theory and the ii-V-I progression that you will find in most books, but it is the added material that appleals to the player as much as the theorist. That is what makes this book a superior buy to many others.
22 von 24 Kunden fanden die folgende Rezension hilfreich
Down to earth and practical
20. September 2005
Format:Taschenbuch
this book is very very down to earth. i've seen many theory books and have recieved quite a few desk copies. most theory books give me the hives. they seem very far away from 'the music'. this book is right in there. talks about piano voicings for non-piano players, a section on improv. everything seems like stuff you can teach, students can learn, and everyone can apply directly to the music. which is what most of us want the book for, right?
tony miceli
tony miceli
14 von 16 Kunden fanden die folgende Rezension hilfreich
The perfect jazz book for theory OR practice
4. März 2006
Format:Taschenbuch
The book's approach is so intuitive, it almost leads you by the hand into the world of jazz. Certainly jazz is freedom of expression but you have to know what you're doing and this book is the tool for that. Combine it with some tunes and mix in some listening, and the world of jazz is open to you. This should be a standard in every high school with a jazz program and every college lab band.
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