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J.R.R.Tolkien: Artist and Illustrator [Englisch] [Gebundene Ausgabe]

Christina Scull
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Gebundene Ausgabe, 31. Oktober 1995 --  
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31. Oktober 1995
A lavishly-illustrated study of Tolkien's paintings and drawings, set in the context of his writings. J.R.R. Tolkien (1892-1973), renowned author of The Hobbit, The Lord of the Rings and The Silmarillion was an artist in pictures as well as in words. In fact, for him the two were closely linked, and in his paintings and drawings he displayed remarkable powers of invention that equalled his gift for words. His books have been read by many thousands; most of his art, however, has only been seen by a few. This book explores Tolkien's art at length, from his childhood paintings and drawings to his final sketches. At its heart are his illustrations for his books, especially his tales of Middle-earth. Also examined are the pictures Tolkien made for his children (notably in his 'Father Christmas' letters and for the story Mr. Bliss), his expressive calligraphy, his love of decoration, and his contributions to the typography and design of his books. J.R.R. Tolkien, Artist and Illustrator contains 200 reproductions, over half of which are in colour and many published for the first time.

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  • Gebundene Ausgabe: 208 Seiten
  • Verlag: Harper Collins Publishers; Auflage: 2nd Revised edition (31. Oktober 1995)
  • Sprache: Englisch
  • ISBN-10: 0261103229
  • ISBN-13: 978-0261103221
  • Größe und/oder Gewicht: 22,6 x 2,1 x 28,6 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (2 Kundenrezensionen)

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'Tolkien at his relaxed and ingenious best' The Times


Wayne G. Hammond is the author of "The Graphic Art of C.B. Falls" and "J.R.R. Tolkien: a Descriptive Bibliography" and he is a contributor of notes on Tolkien to the journal "Mythlore". Christina Skull is the author of "Soane Hogarths" and she edits the journal, "The Tolkien Collector".

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In Tolkien's story Leaf by Niggle the title character is a painter, but 'not a very successful one, partly because he had many other things to do.' Lesen Sie die erste Seite
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5.0 von 5 Sternen Exquisite, Good Content & Editing, Worth Owning 6. Juni 2005
Format:Gebundene Ausgabe
This book features many of Tolkien's ink, watercolor, pencil, and colored pencil works. The detailed descriptions of each drawing include history, explanations, and dates. Quite a few maps are included, as well as illustrations for The Hobbit and The Lord of the Rings. It is wonderful to see how Tolkien imagined Middle Earth and its inhabitants. The colors he used are very earthy and lovely.
My favorite drawing in this book is "End of the World" done in pencil and colored pencil on a sheet of notebook paper - you can actually see the lines of the paper. It is so simple; yet, the story it tells includes subtle intricacies and complexities similar to those in his writings. I also love the pencil and colored pencil drawing, "The Tree of Amalion," which obviously blooms with the flowers of Tolkien's imagination since they do not resemble traditional flowers. Finally, the hand drawn Christmas cards are beautiful mini-stories with dancing bears and penguins, and Father Christmas making deliveries.
This book is truly exquisite, full of details and surprises for those of us who didn't know Tolkien was an extremely talented artist. It is a worthwhile purchase in my opinion.
J.H. Sweet, author of The Fairy Chronicles
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5.0 von 5 Sternen A Beauty 8. November 2012
Format:Gebundene Ausgabe|Verifizierter Kauf
What can one say about a book of art? You either like it or you don't. In my case - I do. Tolkien's lovely drawings and paintings are presented in an exquisite form here, a treasure in every collection.
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5.0 von 5 Sternen See Middle-earth the way Tolkien saw it 14. Dezember 2000
Von Michael Martinez - Veröffentlicht auf
Wayne Hammond is one of the top Tolkien scholars in the world, and in J.R.R. Tolkien: Artist and Illustrator he and his wife Christina Scull prove why he is so well-regarded. The research and analysis of the many drawings and paintings Tolkien left behind is of the highest quality.
The commentaries on the pictures, the selection of which is the broadest of any publication featuring Tolkien's artwork, provide a clear and thorough explanation of how and when the pictures were created. The context thus provided enables other Tolkien researchers to examine the evolving landscape of Middle-earth as no other source text does.
When fans ask if Tolkien ever envisioned certain things clearly, they need only turn to this book to see that indeed he did. J.R.R. Tolkien was one of the few authors with the talent to actually illusrtrate his own characters and worlds. The experience of seeing all these images in one volume is exhilarating. It's almost like a long lost Tolkien book had been found in some dusty archive.
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5.0 von 5 Sternen A must for fans of Middle-Earth 27. Februar 2003
Von E. A Solinas - Veröffentlicht auf
With the reissue of Tolkien's cover of "The Hobbit" and other original drawings that he did, it seems like an appropriate time to pick up this book. Why? Because for a really complete vision of Tolkien's work (Lord of the Rings, Hobbit, and all the rest) it's probably best to see it as he saw it.
This book contains all the artwork that Tolkien created (NOT all the artwork BASED on his works, just the stuff he did himself!). Some are miscellaneous sketches and doodles, some are watercolors, ink drawings, prints, pencil sketches, and combinations of all of the above. One doodle looks like multicolored snowflakes, some are landscapes or pictures of little houses, teddy bears, owls, and so on. Very cute and cool, especially the illustrations done for "Roverandum."
And many are Middle-Earth related -- different views of the Misty Mountains or the Elvenking's hall, the evolution of what the Shire looked like, different Laketowns, different "Doors of Durin," even drawings of the tattered pages of the Dwarf Book of Moria. Near the end, even Tolkien's design drawings for LOTR book covers are included. And, of course -- MAPS! Maps of Wilderland, as well as the famous map from "Hobbit."
The text accompanying these many pictures carefully dissects all of the drawings and their importance, as well as how they evolved. (It's a bit like looking at concept art) As well as going over only Tolkien's work, Wayne G. Hammond also examines influences on Tolkien's artwork. For example, there is a fairy-tale picture that influenced a "Hobbit" picture, and a scientific drawing of a golden eagle that influenced another "Hobbit" picture with Bilbo.
This is a must-read for fans of J.R.R. Tolkien, a great peek into a great mind. And it emphasizes that Tolkien was not just a brilliant writer, but a brilliant artist as well. Great stuff, definitely a must-see.
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5.0 von 5 Sternen The Middle Earth as Tolkien Envisioned it. 24. Oktober 2000
Von David Wilson - Veröffentlicht auf
This book gives fans of Tolkien and the Middle Earth a look into what Tolkien was envisioning when he wrote his extrodinary works. It also has many drawings from his earlier days. Lots of commentary round out the paintings and drawings. I think it's a must have for the Tolkien fan. It's interesting, after looking through this book, to see just how far some artists have deviated from Tolkiens ideas (not that that's necessarily bad). A good commpanion to this book is "The History of the Lord of the Rings" by his son, Christopher Tolkien. I highly recommend both.
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5.0 von 5 Sternen A truly wonderful book 21. November 1999
Von Paul Van Herterijck - Veröffentlicht auf
In this book you find a complete review of the drawings of J.R.R. Tolkien himself. From early drawings till the drawings he made for the Hobbit and the LOTR as well as a few doodles and other stuff. Really great is that you can find here explanations to the drawings with quotes and why certain adjustments are made to fit the drawing in the storyline of the book. If you like Tolkiens books and if you like his artwork, this book will certainly please you.
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4.0 von 5 Sternen 5 Stars for Tolkien's art, but 4 stars for some niggling layout details 16. Juli 2013
Von Kathy-W - Veröffentlicht auf
What do I really need to say about Tolkien's artwork? There are still entire generations of readers unaware that Tolkien was so interested in visual arts. His early landscapes were capable but looked rather a lot like any average landscape painter. Yet when he drew his own ideas out of his own head, a vibrant and unique style blossomed. Early works like "The Man in the Moon" and "A Merry Christmas" show a willingness to leap headfirst into the rabbit hole of creativity and the unknown. Splendor floods your eyes in pieces like "The Forest of Lothlorien in Spring," "The Misty Mountains" (hidden at the back of the index, but happily in full color), and "Old Man Willow." Your skin might crawl a bit when you look at "Wickedness" and "After," but this was no deranged mind that created them. His creativity trickled on and on throughout his long life, regardless of his mental state.

Tolkien's strengths seem to have been equally divided between watercolors and sketches. He seldom ever drew a human face, but his Middle Earth-related landscapes are marvelous. He was able to stare at a tree and capture every detail, even with one silly lead pencil on mealy yellow paper. His crests are also of important historical note (and could teach graphic designers a thing or two). Some readers will be amused at the randomness of his paper choices but amazed at how serious and detailed his doodles were.

So after saying all that, allow me to explain my "4 star" reasoning before you jump all over me. Yes, Tolkien's art is fascinating and fabulous, and I appreciate the inclusion of so many pieces (even unfinished sketches). What I don't like is the amount of pieces that were included as black-and-white pictures. Some black ink sketches (or black lead pencil sketches) were included in color (this is obvious due to the yellowed nature of the paper, which you wouldn't see if they were B&W images), yet some color sketches - and even some watercolors! - were included as B&W. I realize that this was most likely a budgeting issue, but it's sloppy given the details that Tolkien put into his art. By printing them as B&W, we lose out on a lot of details and moods. Certainly there are color pieces included in this book, and we get to see the really spectacular ones in all their glory, but I feel like we're not getting the 100% complete picture (pun intended) of his visual art.

Another particular complaint of mine is the use of numbering all illustrations but sometimes leaving this numbering to twist anonymously in the wind. Numbering plates is well and good, but there is no master list anywhere plainly describing a timeline or probable year of creation. I searched in vain for such a page and was only met with text endnotes. Some of these endnotes do reveal dates, and the written text does discuss some dates, but this feels partial somehow (I believe the authors even discuss a few drawings that are NOT actually included for viewing in the book). I realize that some dates are uncertain (Tolkien saved almost every scrap he generated, but was not necessarily a good history recorder), but approximations for *all* the works would have been nice. Knowing which order the drawings were made would also be a significant aid to watching the progression of ideas. This book was assembled under the full authorization of the Tolkien Trust/Estate (therefore it would have been proofread or at least glanced at during the editing process by knowledgeable people), and a lack of this detail is disappointing.

What's the difference between this book and the earlier, much-lauded "Pictures by J.R.R. Tolkien"? Well, for one thing, many of the pieces included in "Pictures" are printed in a much larger size, sometimes even taking up a full page. "Pictures" is, shall we say, rather *lean* on written text because the main point there is to show the art off and enjoy it. Readers (or viewers, as the case may be) are encouraged to muse on the meanings for themselves. This means that more of the project budget must have been directed towards both color printing and larger image size. However, the relative rarity and fairly high price of "Pictures" shuts many people out from buying it. In that case, "Artist and Illustrator" (which averages 75% cheaper in price) is a fine alternative. The feel of "Artist and Illustrator" is a bit more academic and attempts to analyze the images (sometimes excessively), whereas "Pictures" is a pure eye candy experience. I'm not going to say that one is necessarily better than the other ("Pictures" does, after all, have much fewer illustrations included), but potential buyers should know that they ARE different entities in some ways. I'm not berating the efforts of Wayne Hammond and Christina Scull - they should be praised for taking such pains to discuss a relatively ignored area of Tolkien's life - nor am I saying it's a waste of time to read this book. This is time well spent to read this book, rest assured! I am merely pointing out that there are differences between this book and other sources. Even if you buy this just for the pictures and ignore the text, it's still well worth the money!

A must for Tolkien fans or aspiring fantasy artists, even with its minor flaws.
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