“A lyrical, beautifully crafted debut. I was particularly taken with the beautifully conceived strangeness of Connolly’s fey-touched, just-a-shade-away alternate magical England. A haunting exploration of the true price one must pay for magic, beauty, and love, Ironskin will stay with me for a long time to come.”
—M.K. Hobson, author of The Native Star
“Clever and romantic at the same time—no mean feat. A magical and entertaining waltz across the fairy forests and dark moors just a sideways step or two from Haworth Parsonage.”
—Ian R. MacLeod, author of Wake Up and Dream
“A gothic, eerie, and pitch-perfect retelling of Jane Eyre, in which the moors are haunted by menacing fae and the hero's secrets are steeped in magic. Ironskin kept me up past my bedtime and stayed with me long after the last page has been turned.”
—Leah Cypess, author of Mistwood
Some run deeper than others.
Jane's are impossible to hide.
Jane Eliot wears an iron mask. It's the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain – The Ironskin.
When a post is advertised for a governess to assist with a fey-cursed child, Jane grabs the opportunity and leaves for a new life at Silver Birch Hall.
Teaching the unruly Dorie to suppress her curse is a challenge in itself. But Jane’s also battling with burgeoning feelings for the little girl's father – the enigmatic artist Edward Rochart. Deep down Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things are true? As Jane unlocks the secrets of a new life – she discovers just how far she’s prepared to go to become whole again.