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From Booklist
The Russian Andrey Tarkovsky (1932-1986) is one of the greatest directors in film history. Here Italian photographer Chiaramonte and Tarkovsky's son mount a selection of color Polaroids the filmmaker took from 1979 to 1984 of his home, family, and friends in Russia and of places he visited in Italy. His father, Arseny, was a distinguished poet, and judging from the notebook extracts accompanying the pictures, Tarkovsky was no mean poet himself. Like his father, he intuited a holy eternity. Those windows into eternity, the icons of the Orthodox Church, influenced his visual style (his Andrei Rublev commemorates the greatest icon painter), and these photos, suffused by the ochre light of late afternoon and so powerfully composed that they argue that supreme artistic visualization was second nature to Tarkovsky, look so timeless and enduring that they inspire worshipful awe. Like some of the imagery of The Mirror, the Tarkovsky film these pictures most resemble, some of them tax and frustrate legibility. Always, they affirm a line of Arseny Tarkovsky's, "We are all immortal." Ray Olson
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Pressestimmen
"* 'One of the most beautiful books of the year' - Time Out * '[These photos] match the rapturous visuals and spiritual intensity of Tarkovsky's films... [they] capture eternity in a moment' - Vertigo"
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13 von 13 Kunden fanden die folgende Rezension hilfreich
treasure
11. Mai 2006
Format:Taschenbuch
Ingmar Bergman is quoted as saying that '..for me, Tarkovsky is the greatest filmmaker' -- not bad, considering that the source is numbered among the most respected directors in the history of cinema. Tarkovsky made a 'scant' 7 films over the course of his career -- but each one of them is outstanding. His philosophy of art and spirituality pervades all of his work -- including the incredible photographs reproduced in this thoughtfully assembled, lovingly printed volume.
Tarkovsky's son, along with Tonino Guerro (a close friend and collaborator of the filmmaker) and Giovanni Chiaramonte (a wonderful Italian photographer whose comments at the end of the book show that he shared a great deal of Tarkovsky's spirit and concerns) have put together this collection -- and I have no doubt that it will not only be treasured by those who are already admirers of the director, but that it will serve as a fitting introduction to those who have as yet missed out on him.
The strength, depth of spirituality, transcendent beauty and wisdom contained in and conveyed by the images and thoughts here are timeless. One of the driving forces in Tarkovsky's work was to 'stop time' so that the viewer might better understand not only the events depicted in his images, but also, upon reflection, better view his own soul, personality and place in the scheme of things. There are many photographs in this book that have that very time-stopping effect.
This is a collection that I will treasure -- I can't recommend it highly enough.
Tarkovsky's son, along with Tonino Guerro (a close friend and collaborator of the filmmaker) and Giovanni Chiaramonte (a wonderful Italian photographer whose comments at the end of the book show that he shared a great deal of Tarkovsky's spirit and concerns) have put together this collection -- and I have no doubt that it will not only be treasured by those who are already admirers of the director, but that it will serve as a fitting introduction to those who have as yet missed out on him.
The strength, depth of spirituality, transcendent beauty and wisdom contained in and conveyed by the images and thoughts here are timeless. One of the driving forces in Tarkovsky's work was to 'stop time' so that the viewer might better understand not only the events depicted in his images, but also, upon reflection, better view his own soul, personality and place in the scheme of things. There are many photographs in this book that have that very time-stopping effect.
This is a collection that I will treasure -- I can't recommend it highly enough.
9 von 9 Kunden fanden die folgende Rezension hilfreich
Nostalgic, Evocative Images: Tarovsky's Polaroids
27. Juli 2006
Format:Taschenbuch
Tarovsky's polaroid photos, many of them landscapes, are evocative and nostalgic, while exhibiting a style of composition that is fresh, inventive, and thoughtful. He manages all this without the need for costly equipment, using only inexpensive polaroid cameras. The photos made me feel as though I had been there and seen his subjects for myself--although I've never been to Russia. Or perhaps Tarovsky's images simply have the power to evoke nostalgic longings in us, without being able to identify where they come from.
Highly recommended.
Highly recommended.
8 von 8 Kunden fanden die folgende Rezension hilfreich
Polaroids From One Of The Greatest Filmmakers To Have Lived
18. März 2006
Format:Taschenbuch
If anyone remembers polaroid pictures from back in the day, it's truly amazing that Tarkovsky captured the beautiful & haunting images he did. This collection gives the world a postmortem gift from one of the most important filmmakers/artists that has ever graced this earth. We should all give thanks to his son, Andrey A. Tarkovsky, for publishing this collection of pictures and letting us all see these images of mysterious and poetic beauty.
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