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Although more technical than most graphic design books, the book "is intended to make [the data from the science and study of visualization] available to the non-specialist." Each chapter focuses on a different facet of human vision, like "Lightness, Brightness, Contrast, and Constancy" in chapter 3, or "Static and Moving Patterns" in chapter 4.
Although the author tries to put a great deal of scientific research data into pedestrian terms, the nature of the subject matter and the papers from which he culls his information make this task an uphill battle from the start. As a result, the book is full of valuable information, but it may not necessarily be right for the average graphic designer looking for a new inspirational spin. Serious interface designers, presentation designers, data analyzers, or any artist tasked with presenting ideas in a visual format, though, should come away from Information Visualization with a clearer understanding of the inner workings of perception. At the very least, they'll be able to explain why yellow text against blue is a good combination. --Mike Caputo
Because it focuses on the psychological and physiological principles underlying perception, this book transcends the approaches to visual display that have evolved separately in individual disciplines. Information Visualization will interest scientists from many fields and professionals in all areas that rely on graphical representation as a key to successful analysis and communication: computer graphics, user interface design, data mining and many others.
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The only main drawback may be book quality. Only a few color plates in the center make for a visually sparse work, although there are b/w images throughout. Nevertheless, writing makes up for this fact with clear and direct language. Many of us here in the Communication Planning/Information Design grad program like it a lot.
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