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Indulgence in Death [Englisch] [Taschenbuch]

J. D. Robb
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Kurzbeschreibung

29. März 2011 In Death (Buch 31)

NYPSD Lieutenant Eve Dallas must discover who's preying on those who cater to the rich and famous in the new novel by #1 New York Times bestselling author J.D. Robb.

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Produktinformation

  • Taschenbuch: 384 Seiten
  • Verlag: Berkley; Auflage: Reprint (29. März 2011)
  • Sprache: Englisch
  • ISBN-10: 0425240460
  • ISBN-13: 978-0425240465
  • Größe und/oder Gewicht: 17,1 x 10,7 x 2,7 cm
  • Durchschnittliche Kundenbewertung: 4.3 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 39.821 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Produktbeschreibungen

Über den Autor

J.D. Robb is the pseudonym for a number one New York Times bestselling author of more than 190 novels, including the futuristic suspense In Death series. There are more than 400 million copies of her books in print.

Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.

One

The road was a killer, hardly wider than a decent stream of spit and snaking like a cobra between giant bushes loaded with strange flowers that resembled drops of blood.

She had to remind herself that the trip had been her idea—love was another killer—but how could she have known driving in western Ireland meant risking life and limb at every curve?

Rural Ireland, she thought, holding her breath as they zipped around the next turn on the Journey of Death. Where the towns were barely a hiccup on the landscape, and where she was pretty damn sure the cows outnumbered the people. And the sheep outnumbered the cows.

And why didn't that cause anyone concern? she wondered. Didn't people consider what could happen if armies of farm animals united in revolt?

When Murder Road finally carved its way out of the blood-drop bushes, the world opened up into fields and hills, green, green, eerily green against a sky stacked with clouds that couldn't decide if they wanted to rain or just sit there ominously. And she knew those dots all over the green were sheep and cows.

Probably discussing war strategy.

She'd actually seen them hanging around those weird—and okay, a little bit fascinating—stone ruins. Towering, tumbling places that had maybe been castles or forts. A good place for armies of farm animals to plot their revolt.

Maybe it was beautiful in a hang-the-painting-on-your-wall kind of way, but it just wasn't natural. No, it was too natural, she corrected. That was the deal, too much nature, too much open. Even the houses scattered over the endless landscape insisted on decking themselves out with flowers. Everything blooming, colors smashed against colors, shapes against shapes.

She'd even seen clothes hanging on lines like executed prisoners. It was 2060, for God's sake. Didn't people out here own drying units?

And speaking of that—yeah, speaking of that—where was all the air traffic? She'd barely spotted a handful of airtrams, and not a single ad blimp lumbered overhead blasting out its hype on sales.

No subway, no glide carts, no tourists blissfully providing marks for street thieves, no maxibuses farting, no Rapid Cab drivers cursing.

God, she missed New York.

She couldn't even risk driving to take her mind off it, as for some cruel, inexplicable reason people over here insisted on driving on the wrong side of the road.

Why?

She was a cop, sworn to protect and serve, so she could hardly get behind the wheel on these death-trap roads where she'd probably end up mowing down innocent civilians. And maybe some farm animals while she was at it.

She wondered if they'd ever get where they were going, and what the odds were of getting there in one piece.

Maybe she should run some probabilities.

The road narrowed again, boxed in again, and Lieutenant Eve Dallas, veteran murder cop, pursuer of psychopaths, serial killers, homicidal deviants, fought to hold back a squeal as her side of the car lightly kissed the hedges.

Her husband of two years—and the reason she'd suggested this leg of their vacation—took his hand off the wheel to pat her thigh. "Relax, Lieutenant."

"Watch the road! Don't look at me, look at the road. Except it's not really a road. It's a track. What are these damn bushes, and why are they here?"

"It's fuchsia. Lovely, aren't they?"

They made her think of blood spatter, possibly resulting from a massacre by a battalion of farm animals.

"They ought to move them away from the stupid road."

"I imagine they were here first."

Ireland wound through his voice a lot more appealingly than the road wound through the countryside.

She risked a glance in his direction. He looked happy, she realized. Relaxed, happy, at ease in a thin leather jacket and T-shirt, his black hair swept back from that amazing face (another killer), his eyes so rich a blue it made the heart ache.

She remembered they'd nearly died together a few weeks before, and he'd been badly wounded. She'd thought—she could still remember that breathless instant when she'd thought she'd lost him.

And here he was, alive and whole. So maybe she'd forgive him for being amused at her expense.

Maybe.

Besides, it was her own fault. She'd suggested they take part of their vacation, their anniversary celebration, here so he could visit the family he'd only recently discovered. She'd been here before, after all.

Of course, that trip she'd taken in a jet-copter.

When he slowed as they entered what could very loosely be called a town, she breathed a little easier.

"Nearly there now," he told her. "This is Tulla. Sinead's farm is a few kilometers from the village."

Okay, they'd made it this far. Ordering herself to settle down, she scooped a hand through her choppy cap of brown hair.

"Look there. The sun's breaking through."

She studied the miserly opening in the gray, and the watery beam that struggled through. "Wow, the light. It's blinding."

He laughed, reached out to smooth a hand over the hair she'd just ruffled. "We're out of our element, Lieutenant. Maybe it's good for us to be out of the norm now and again."

She knew her norm. Death, investigation, the insanity of a city that ran instead of walked, the smells of a cop shop, the rush and the burden of command.

Some of that had become Roarke's norm in the last couple years, she mused. He juggled that with his own world, which was buying, selling, owning, creating pretty much every freaking thing in the known universe.

His beginnings had been as dark and ugly as hers. Dublin street rat, she thought, thief, conniver, survivor of a brutal, murderous father. The mother he'd never known hadn't been so lucky.

From that, he'd built an empire—not always on the sunny side of the law.

And she, cop to the bone, had fallen for him despite the shadows—or maybe because of them. But there was more to him than either of them had known, and the more lived on a farm outside of the little village of Tulla in County Clare.

"We could've taken a copter from the hotel," she said to him.

"I like the drive."

"I know you mean that, so it makes me wonder about you, pal."

"We'll take a shuttle when we leave for Florence."

"No argument."

"And we'll have a candlelight dinner in our suite." He glanced toward her with that relaxed, happy smile. "The best pizza in the city."

"Now you're talking."

"It means a lot to them that we'd come like this—together—for a couple of days."

"I like them," she said of his mother's family. "Sinead, the rest. Vacations are good. I just have to work myself into the mode and stop thinking about what's going on back at Central. What do people do here, anyway?"

"They work, farm, run shops, tend homes and families, go to the pub for a pint and community. Simple doesn't mean unfulfilled."

She let out a little snort. "You'd go crazy here."

"Oh, within a week. We're urban creatures, you and I, but I can appreciate those who make this way their own, who value and support community. Comhar," he added, "that's the Irish word for it. It's particular to the west counties."

There were woods now, sort of looming back from the road, and pretty—if you went for that kind of... -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .


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4.0 von 5 Sternen ANOTHER CRACKERJACK THRILLER FROM J. D. ROBB 8. Januar 2011
Format:Audio CD
Susan Ericksen has won not only acclaim but an army of fans with her narrations of J. D. Robb's In Death series. She has become the voice of the
Eve and Roarke adventures, bringing to these stories not only the ultimate in professionalism but added suspense and emotion.

We're usually treated to the stories in this series twice a year, and each time the latest is said to be the best - we'll say it again INDULGENCE IN DEATH is prime Robb and Ericksen.

As many know Eve is a homicide detective who knows no fear and is married to Roarke, one very wealthy guy. Obviously, Eve doesn't have to risk everything to find killers; she could simply relax and enjoy the high life. But trying to keep NYC safe is her calling. And there are times that seems an impossibility - this is one of them.

We find Eve and Roarke on holiday in Ireland, but too soon it's a return to the City and a gruesome series of crimes. The recently deceased seem to have no connection to one another, and they were killed by rather bizarre means - a crossbow, a bayonet. Eve knows the killer will strike again but how to find out where or when?

- Gail Cooke
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4.0 von 5 Sternen Part 38 of the series 30. Juli 2011
Format:Taschenbuch
In the 38th part of the series, Eve Dallas - as always with the help of her billionaire husband Rourke - investigates a series of grisly murders. A limousine driver is shot in his car, a chef is murdered by a crossbow while preparing a romantic dinner for two - It seems that someone is killing the servants of the rich in as unusual a manner as possible. And Eve is on the killer's list, too...

This book is a high-quality suspense novel with a romantic element, as we've come to expect from J. D- Robb's In Death-books. There are better titles (especially at the beginning, when Eve still has to deal with her emotional problems and her relationship with Rourke), but this is still a good and enjoyable read. I would recommend not starting with this, but with Naked in death if you don't know the series yet.
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Dasa Buch ist ein echter J.D. Robb und erfüllt alle Ansprüche, die man als Fan dieser Serie an ein Buch stellt. Prompte Lieferung!
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