One of the greatest image and aural montagists of our time is Walter Murch. What makes films like Apocalypse Now, The English Patient, The Unbearable Lightness of Being, or Julia great, just to name a few of Mr. Murch's masterpieces, is often the mostly invisible flow of time and mood. In this book Murch takes us inside the metaphysics of editing film and sound in a most understandable way. Any lover of film will appreciate the different sensibility and perspective than that we usually get from actors and directors. Any would be film editor better read this book to have any chance of rising above mediocrity.