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Important Artifacts and Personal Property from the Collec...
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“Taken together, the item descriptions provide a running, cumulative portrait of one couple’s glorious rise and deflating fall. . . For people who have ever thought that the little gestures, tokens and inside jokes of their relationships were unique to them, Ms. Shapton’s book comes as a poignant, jarring reminder of the sameness of the steps that so many couples retrace. . . Despite the mist of melancholy that floats amid this photographic record, there is also humor, caprice, knowingness and the implicit suggestion that changing feelings and fading possessions can’t rob a true romance of the value it had at its height. As Lenore and Hal’s remembrances show, a love affair is worth more than its trappings could fetch at a jumble sale.” —Liesl Schillinger, The New York Times
“Important Artifacts . . . from the Collection of Lenore Doolan and Harold Morris may look like an everyday auction catalog. But the auction itself is a literary conceit: What this book-type object really does is show us the trajectory of a failed four-year relationship — by showing us the physical detritus that two (fictional) lovers leaver in their wake.
“Conceived and executed by the art director of the New York Times Op-Ed page, Leanne Shapton, the story concerns Lenore Doolan (a food writer for the Times) and Hal Morris (a photographer). Doolan appears to have been a clever and adoring girlfriend, who showered the often-absent Morris with confetti-packed envelopes (LOT 1126) and lavender pajamas (LOT 1061). Morris, who had commitment issues and a drinking problem, expressed himself via mixtapes (LOTS 1276 and 1044). What finally drove them apart? Each of the 331 lots provides another piece of the puzzle. Yes, breaking up is hard to do, but reading about it has never been so pleasurable.” —Very Short List
“[Shapton's] book tells the story of a hopeful young New York couple and their four-year relationship almost completely through their things, many of which end up unceremoniously, and improbably, under the gavel: books, pajamas, bedside lamps, a stuffed squirrel, an astrakhan coat, the winning half of a wishbone and lots of notes, inscriptions and e-mail messages that start out giddy and become slowly more complicated, angry and sorrowful.
“If there were a real failed-relationship auction house named Strachan & Quinn, where the sale is supposed to take place on Valentine’s Day, the event might actually draw a modest crowd, if only because the fictional Hal Morris, a globe-trotting photographer in his early 40s, and Lenore Doolan, who is presented as a late-20s cake columnist for The Times’s Dining section, are generally more meticulous than conspicuous in their consumption.” — Randy Kennedy, The New York Times
“The task is daunting: How to render the dissolution of a relationship in a new way? Leanne Shapton succeeds against all odds with this wildly romantic and erudite book.” —Dave Eggers, What is the What
“Leanne Shapton’s splendid book is completely sensational and over-the-top great. I am nuts about it. This is the stuff of life, literally. Oh, love. Oh, despair. Oh, stolen salt shakers.”—Maira Kalman, The Principles of Uncertainty
“Whenever I come across something of Leanne Shapton’s—an illustration in The New York Times, or the wooden books she makes—I feel like I have found a hidden treasure. What a great idea—to create a fake auction catalog. It’s so original, and the items are perfect and brilliantly displayed. Shapton thought of every detail. I truly am jealous.”—Amy Sedaris, I Like You: Hospitality Under the Influence
Kurzbeschreibung
Auction catalogs can tell you a lot about a person—their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor. In Leanne Shapton’s marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren’t real people, but might as well be). Through photographs of the couple’s personal effects—the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks)—the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple’s accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate. In an earlier work, Was She Pretty?, Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris—a very different yet equally original book—she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.
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Kundenrezensionen
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4 von 4 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Important Artifacts... ist ein sehr außergewöhnliches Buch. Aufgebaut wie ein Auktionskatalog, dokumentiert es die Beziehung der Protagonisten Lenore Doolan und Harold Morris vom Anfang bis zum schmerzlichen Ende. Die Idee die dahinter steckt ist folgende:
Alle persönlichen Besitztümer, die an die zerbrochene Beziehung erinnern, werden versteigert, um mit der Beziehung abzuschließen.
Ich glaube so hat noch nie jemand einen Schlusstrich unter eine Beziehung gezogen.
Die Bilder und die kurze Beschreibung, der jeweils zu versteigernden Objekten, erzählen eine Geschichte. Bücher, Filme, Briefe, Fotos - wie ein Mosaik ergeben diese einzelnen Teile ein Gesamtbild, einen umfassenden Einblick in das Privat- und Liebesleben zweier fremder Menschen.
Die Hauptakteure leben in New York, sind sehr Kunst und Kultur interessiert. Keine "Schnösel" oder "Juppies", aber dennoch recht gut situierte Leute, stilbewusst und individuell, was sie sich bei jeder sich bietenden Gelegenheit beweisen.
Es muss ewig gedauert haben, all diese Gegenstände zusammen zu tragen, die diese beiden fiktiven Persönlichkeiten so detailiert wiederspiegeln.
Dieses Buch ist Kunst, innovativ und inspirierend. Lassen Sie sich nicht von den hässlichen Porzelan-Pudeln auf dem Cover des Buches abschrecken.
Alle persönlichen Besitztümer, die an die zerbrochene Beziehung erinnern, werden versteigert, um mit der Beziehung abzuschließen.
Ich glaube so hat noch nie jemand einen Schlusstrich unter eine Beziehung gezogen.
Die Bilder und die kurze Beschreibung, der jeweils zu versteigernden Objekten, erzählen eine Geschichte. Bücher, Filme, Briefe, Fotos - wie ein Mosaik ergeben diese einzelnen Teile ein Gesamtbild, einen umfassenden Einblick in das Privat- und Liebesleben zweier fremder Menschen.
Die Hauptakteure leben in New York, sind sehr Kunst und Kultur interessiert. Keine "Schnösel" oder "Juppies", aber dennoch recht gut situierte Leute, stilbewusst und individuell, was sie sich bei jeder sich bietenden Gelegenheit beweisen.
Es muss ewig gedauert haben, all diese Gegenstände zusammen zu tragen, die diese beiden fiktiven Persönlichkeiten so detailiert wiederspiegeln.
Dieses Buch ist Kunst, innovativ und inspirierend. Lassen Sie sich nicht von den hässlichen Porzelan-Pudeln auf dem Cover des Buches abschrecken.
2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
A very down to earth chronicle of a relationship: romantic in the beginning and sad in the end. Marvellous!
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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23 von 26 Kunden fanden die folgende Rezension hilfreich
Too clever by half
8. März 2009
Format:Taschenbuch
At first I was charmed by "Lenore's" penchant for writing down every morsel of food that passed her lips, the flea market knick-knacks and the post-modern paperbacks... but by the time I got to the Paul Smith sock collection and the vintage Kitchen Aid coffee grinder it was just too much, and I began to feel like I was trapped next to the annoyingly hip and brilliant dinner guest who can't stop pointing out just how hip and brilliant she is.
"Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris" may be a satire on modern love, but I think Shapton also meant to write a real romance -- and in that it falls short. "Hal" and "Lenore" are excruciatingly precise shoppers who somehow can't get past the petty-squabbles stage of a thirtysomething relationship. There are moments ("I love his legs... I hate his drinking") that suggest an actual person lurking beneath the things, but these moments, though well observed, don't add up to a full portrait. The stuff -- the vintage hats and Smythson of Bond Street planners, the cake stands and martini sets -- just overwhelms the people, and the people disappear under its weight. Clearly, Shapton meant to do the opposite -- have the stuff subtly illuminate the characters' inner lives -- but the props have drowned out the players.
It doesn't help to have photographs of actors playing the lovers, either; that only made "Lenore" and "Hal" seem even less probable.
It's a neat idea, though. Tried with characters who have lost something more resonant than a teacup or a trip to the Bosporus, it could really be something.
(As a side note: Shapton is a very talented illustrator and her series, "A Month of..." for the New York Times, is worth checking out.)
"Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris" may be a satire on modern love, but I think Shapton also meant to write a real romance -- and in that it falls short. "Hal" and "Lenore" are excruciatingly precise shoppers who somehow can't get past the petty-squabbles stage of a thirtysomething relationship. There are moments ("I love his legs... I hate his drinking") that suggest an actual person lurking beneath the things, but these moments, though well observed, don't add up to a full portrait. The stuff -- the vintage hats and Smythson of Bond Street planners, the cake stands and martini sets -- just overwhelms the people, and the people disappear under its weight. Clearly, Shapton meant to do the opposite -- have the stuff subtly illuminate the characters' inner lives -- but the props have drowned out the players.
It doesn't help to have photographs of actors playing the lovers, either; that only made "Lenore" and "Hal" seem even less probable.
It's a neat idea, though. Tried with characters who have lost something more resonant than a teacup or a trip to the Bosporus, it could really be something.
(As a side note: Shapton is a very talented illustrator and her series, "A Month of..." for the New York Times, is worth checking out.)
12 von 13 Kunden fanden die folgende Rezension hilfreich
Sweet, nostalgic and real
4. März 2009
Format:Taschenbuch
Much has been made of how original and unusual the format of this book is--an auction catalog, selling off the ephemera of a failed relationship--and that's true, but it's also deliciously fun to read and a great love story. The particulars, such as 10 postcards sent by Hal to Lenore during an early business trip, one to "my gray-eyed princess" one reading "Pissing rain here, work boring, missing you and thinking of your face all the time/ all the time /all the time..." feel universal, and will be sort of heartbreaking to anyone familiar with early-stage besotment. About halfway through, I found myself starting to feel sad and worried that they're going to break up (you know it's coming) and wishing that they could just work it out. And not to give anything away, but the breakup is just as caddish and dirty and over-articulated as breakups are in real life. Leanne Shapton has proven herself to be brilliant with the telling, hilarious details of relationships (her last book entitled "Was she pretty?" for the question she asks about a boyfriend's ex-girlfriend) and the items in the catalog (the silver-plated cup the couple kept their toothbrushes in, Valentines Day menus, a collection of hotel key cards) are often as poignant as the words. I loved this book!
8 von 9 Kunden fanden die folgende Rezension hilfreich
A little twee & too clever for it's own good
11. Juni 2009
Format:Taschenbuch|Von Amazon bestätigter Kauf
When I read about this book, I was struck by what an incredible idea it was. It is a good piece of conceptual art, but a little cute with too may name brands, which ultimately make this feel like yuppie porn. Rather than making the characters specific, all of the high end name dropping makes it kind of smarmy and in the end hollow where it should be touching and universal.
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