- Taschenbuch: 160 Seiten
- Verlag: Chronicle Books (1. August 1993)
- Sprache: Englisch
- ISBN-10: 0811803570
- ISBN-13: 978-0811803571
- Größe und/oder Gewicht: 25,4 x 24,4 x 1,8 cm
- Amazon Bestseller-Rang: Nr. 812.319 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Kurzbeschreibung
From bold, evocative nudes to starkly beautiful still lifes, Imogen Cunningham's pioneering work has garnered worldwide acclaim. One of the first women to make her living as a photographer, Cunningham consistently experimented with a wide range of techniques during her remarkable career. Ideas without End offers the first complete retrospective of 100 of her photographs -- the majority of which have never been published -- from her earliest efforts at the turn of the century to the many now-famous images. A biographical essay by Richard Lorenz, a chronology of Cunningham's life and work, and a bibliography are also included in this superb collection, at once a beautiful portfolio and an enduring tribute to a gifted and compelling artist.
Synopsis
Traces the life and career of one of the first women professional photographers, and offers a sample of her work over a seventy-year period.
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An adventure
13. August 2000
Format:Taschenbuch
Ideas Without End provides a great introduction to Imogen Cunningham's work. It includes a short biography, but focuses mainly on the plethora of beautiful pictures, showing a wide selection of them. Cunningham's photos are the kind that draw you into them, and bring you to the realization that a flower is so much more than just a flower, that there is more to a body than just nudity, and that everyday items possess a beauty of their own. The format is a bit unhandy, but the contents more than make up for that. In short, the book is an experience not to be missed.
7 von 7 Kunden fanden die folgende Rezension hilfreich
Imogen without End--
25. November 2005
Format:Taschenbuch
I can remember shedding some tears when Ms. Cunningham died. She was a hero of mine in the 70's when I was in college studying photography. This is a good overview of her work. Ms. Cunningham was never the greatest photographer of her generation, or any other. However, some of her photography is great. No, what made Ms. Cunningham great was the amazing length of her career and her willingness, until nearly the end of her life, to extend herself and experiment with new things. How many photographers have basically petered out when they have achieved some fame, to spend decades just printing their old work? Not Imogen--she indeed spoke with some bitterness near the end of her life about the unrecognized years in her career. She was unique, particularly for today--a woman who practiced environmental portraiture, going to people's homes and businesses to photograph them. She lived a lifestyle close to penury, yet her life can serve as an illustration to all of us exactly how little having money means to full and rich life. For me growing up, she showed how the love of photography can be separated from the preciousness of 'fine art'--all the while creating fine art. I'd recommend as a companion to this book, the volume "Portrait of Imogen", long out of print. It was compiled by Judy Dater, herself a fine photographer. It is a book of interviews with Imogen's contemporaries and a great insight into this complicated personality. In the end, and particularly after nearly thirty years since her death, Ms. Cunningham still earns notice as one of photography's greatest personalities.
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