Magnificent! An altogether more mature novel than The Last September, leaner and richer at the same time. It is one of those books one wants simultaneously to speed through for the sake of the plot, and to linger over for the elegance and economy of the author's style and acuteness of her psychological insights. The Anchor edition serves it ill, I fear, by printing the revealing but otherwise excellent essay by A.S. Byatt as a preface rather than afterword, and by implying on the back jacket that the narrative is focused on the child Henrietta who, though brought to brilliant life, turns out to be a peripheral character. So one is at first confused by the shifts in viewpoint and authorial tone which are one of Bowen's strengths. And her subtlety in teasing out questions of personal identity between the competing powers of romance and convention is a delight from start to finish.