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Le Carre is the bravest popular novelist around. He panders to no one's politics; he doesn't care how much work a reader might normally choose to invest in a book; and he adheres to no formulae. You either trust him utterly, and let him take you where he's going, or you read Grisham.
"Schoolboy" features a Le Carre regular character, George Smiley, and centers on a bit character from earlier work, Jerry Westerby. In a sense, the novel is a contrast between, on the one hand, the bluff, hearty, athletic, noble, and, well, superficially superficial Westerby; and on the other, the deepest and most complicated character in the genre, George Smiley. But there's so much more here: the contrast between Eastern and Western cultures; between England in its late-twentieth century posture and the then-seeming decline in influence of the U.S.; between the young Turks at the Circus and its old guard.
What unites it all is Le Carre's remarkable gift at storytelling, dialogue, and character development.
I read many authors in the intrigue, mystery, and crime fields. But they're all just faint echoes of Le Carre. If you want real gold, and not just cheap imitation, he's your man.
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