- Gebundene Ausgabe: 38 Seiten
- Verlag: Music Sales Ltd (Juli 1997)
- Sprache: Englisch
- ISBN-10: 9748225143
- ISBN-13: 978-9748225142
- Größe und/oder Gewicht: 26,8 x 19,8 x 1,1 cm
- Amazon Bestseller-Rang: Nr. 2.015.920 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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In diesem Buch
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Einleitungssatz
The early Jazz and Blues musicians were always looking for new sounds and developing new styles; their audiences loved it. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
The early Jazz and Blues musicians were always looking for new sounds and developing new styles; their audiences loved it. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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8 Rezensionen
11 von 11 Kunden fanden die folgende Rezension hilfreich
Hofner Violin Bass
28. Dezember 2000
Format:Gebundene Ausgabe
I was very disappointed in this book. After waiting 26 years for more info on Paul's bass, this edition is pretty thin. The author has many good pictures of vintage instruments, but he could have included so much more. There is no info on current players, construction details, care and maintenance, or tips and techniques. The author is obviously a Paul fan, which is ok, but their are other dimensions to this story. If you are looking for a "owner's manual" for your Hofner, this isn't it. If you want pictures of your bass, you will be happy. Go on and buy it!
10 von 10 Kunden fanden die folgende Rezension hilfreich
Hofner 500/1 by Joe Dunn
27. März 2001
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
This book could have provided the Hofner enthusiast with more. There is just basic information on some of the models and some pictures. It is missing so much on the bass that was made famous by McCartney. It was kind of a let down but if your happy with some basic info and a few pics then this book could be for you.
9 von 9 Kunden fanden die folgende Rezension hilfreich
Modest book with much to be modest about
2. November 2005
Format:Gebundene Ausgabe
There is so much one could say about this guitar. Joe Dunn makes little effort.
Photos obviously cropped from old catalogs (you can see the fold where it was once crumpled up), or distorted because the page it was on was not photographed flat, out-of-focus photos snapped in back yards, abstract paintings by a friend of his of the 500/1 serve to pad out an already very slender volume.
The only reason I kept it was for the photo of Paul's first 61 model in it's refurbished state (new pickup mounts and resprayed). Joe's photo shows Paul playing this instrument, which complements Andy Babiuk's "Beatles Gear" photo showing Paul (from the same Thank Your Lucky Stars broadcast; tuning it. With both these photos together we get to see the entire guitar in its new livery. Andy, however, gives us much more information. Andy also shows it again, "backstage", as a backup guitar to the 62 model whilst the Beatles are playing in the USA.
Several photos of early models merely serve to illustrate the complex history of the instrument which this book could have addressed had it tried. And what about the instrument itself? How about a mention about the very odd wiring of the control panel, the unique (fragile) pickup mounting technique, things like that? H'm.
Nothing here you couldn't find on the internet in better quality.
Photos obviously cropped from old catalogs (you can see the fold where it was once crumpled up), or distorted because the page it was on was not photographed flat, out-of-focus photos snapped in back yards, abstract paintings by a friend of his of the 500/1 serve to pad out an already very slender volume.
The only reason I kept it was for the photo of Paul's first 61 model in it's refurbished state (new pickup mounts and resprayed). Joe's photo shows Paul playing this instrument, which complements Andy Babiuk's "Beatles Gear" photo showing Paul (from the same Thank Your Lucky Stars broadcast; tuning it. With both these photos together we get to see the entire guitar in its new livery. Andy, however, gives us much more information. Andy also shows it again, "backstage", as a backup guitar to the 62 model whilst the Beatles are playing in the USA.
Several photos of early models merely serve to illustrate the complex history of the instrument which this book could have addressed had it tried. And what about the instrument itself? How about a mention about the very odd wiring of the control panel, the unique (fragile) pickup mounting technique, things like that? H'm.
Nothing here you couldn't find on the internet in better quality.
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