- Gebundene Ausgabe: 207 Seiten
- Verlag: Die Gestalten Verlag; Auflage: 1 (1. November 2005)
- Sprache: Englisch
- ISBN-10: 3899550846
- ISBN-13: 978-3899550849
- Größe und/oder Gewicht: 28,4 x 24,4 x 2 cm
- Amazon Bestseller-Rang: Nr. 359.843 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Kurzbeschreibung
Hidden Track zeigt, wie die aktuelle visuelle Kultur aus der zweiten Dimension und gedruckten Form ausbricht, um in verschiedenen Räumlichkeiten und Anwendungen erlebbar zu werden. Das Buch stellt dar, wie Räume und Gegenstände heute kreativ besetzt werden und präsentiert die Vielfalt der Möglichkeiten sie zu erfahren. Das Spektrum reicht von Malaktionen über Installationen bis zu 3D-Objekten. Dabei wird ersichtlich, wie sich die öffentliche Ausdrucksform der urban oder street art in letzter Zeit weiter von der Subkultur löst, um weltweit verstärkt in Galerien und Museen vertreten zu sein. Es beleuchtet, wie urban art international im Kunstkontext wahrgenommen wird und erforscht die grundsätzlich andere Art der Inszenierung, die dieser neue Kontext erfordert. Hidden Track stellt auch die Künstler und Ausstellungssorte in Bild und Text vor, die die heutige visuelle Kreativität aus dem Underground in die aktuelle Hochkultur führen.
Synopsis
"Hidden Track" shows how contemporary visual culture is breaking out of the second dimension and printed form and entering into three-dimensional space, where it can be experienced. The book demonstrates how rooms are being occupied creatively and how items are being transformed. It presents the diverse exhibition possibilities that currently exist - a spectrum ranging from live painting to installations and 3D objects. At the same time the book illustrates how urban and street art have recently moved even further out of the subculture and are now being featured more often in galleries and museums worldwide. It analyses how these public art forms are being perceived in an international art context and investigates the fundamentally different forms of presentation that this new context demands. Through abundant images and incisive text "Hidden Track" also introduces the artists and exhibition spaces that are taking current visual culture out of the underground to the level of high culture.
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1 von 2 Kunden fanden die folgende Rezension hilfreich
perfect
9. Januar 2007
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
O livro é ótimo!
Tem referencias ótimas. Do mundo do grafite, stickers e afins!
Tem referencias ótimas. Do mundo do grafite, stickers e afins!
4 von 7 Kunden fanden die folgende Rezension hilfreich
illustrated survey of the influence and diversity of visual culture
10. November 2005
Format:Gebundene Ausgabe
HIDDEN TRACK - How Visual Culture Is Going Places, edited by Robert Klanten and Sven Ehmann. Die Gestalten Verlag, Berlin, Germany; [...]. 2005. 208 pp. xxpricexx 9-3/4" x 11", ISBN 3-89955-084-6. color photographs.
"Hidden Track" demonstrates that "quite often works of extraordinary artistic quality come into existence in the context of design, advertising, and entertainment" by featuring over four pages on average works of 49 contemporary artists and art businesses in these areas. Office reception areas, street corners, lobbies, showrooms and store windows, walls, signs, and in a few cases art galleries are among the many and varied places where the works are seen. Besides briefly showcasing the work of the many contemporary, mostly commercial, artists, the anthology is meant to make the point of how much such art is already a part of public spaces playing a role in generating their ambiance and working toward both social and business purposes. The implication of the title is that this "track" of art has not been given sufficient attention or appreciation. The title can also be taken ironically in that this ubiquitous art making for the visual culture of contemporary life is so taken for granted that it is "hidden," and its influence on noncommercial artists and the public's preferences in art has been only barely explored. With the wide range of imaginative art styles hardly different and in many cases indistinguishable from works exhibited in many galleries and museums, one cannot disagree with the book's central point that the line between art work in design, advertising, and entertainment and art by pure artists outside of these areas has become porous and all-but-eroded. While this is not a new point, "Hidden Track" decisively, informatively, and visually attests to it.
"Hidden Track" demonstrates that "quite often works of extraordinary artistic quality come into existence in the context of design, advertising, and entertainment" by featuring over four pages on average works of 49 contemporary artists and art businesses in these areas. Office reception areas, street corners, lobbies, showrooms and store windows, walls, signs, and in a few cases art galleries are among the many and varied places where the works are seen. Besides briefly showcasing the work of the many contemporary, mostly commercial, artists, the anthology is meant to make the point of how much such art is already a part of public spaces playing a role in generating their ambiance and working toward both social and business purposes. The implication of the title is that this "track" of art has not been given sufficient attention or appreciation. The title can also be taken ironically in that this ubiquitous art making for the visual culture of contemporary life is so taken for granted that it is "hidden," and its influence on noncommercial artists and the public's preferences in art has been only barely explored. With the wide range of imaginative art styles hardly different and in many cases indistinguishable from works exhibited in many galleries and museums, one cannot disagree with the book's central point that the line between art work in design, advertising, and entertainment and art by pure artists outside of these areas has become porous and all-but-eroded. While this is not a new point, "Hidden Track" decisively, informatively, and visually attests to it.
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