Hellboy, Volume 2: The Chained Coffin/The Right Hand of Doom (Hellboy (Dark Horse Library)) [Englisch] [Gebundene Ausgabe]

Wow, Dark Horse continues the good work with HELLBOY. This second volume, as with the first book, shows us the way this work of art was meant to be enjoyed. The oversized book is handsome, tightly bound and beautifully printed on heavy-stock paper. Sure, the book is expensive but it really is worth every cent. Dark Horse shame larger companies such as Mravel and DC in the presentation, quality and pricing of their product.

Like other readers I was disappointed with the original HELLBOY softcover editions which would fall apart after a few readings due to poor bindings but these new versions are sturdy and will look amazing on your bookshelf. The mistakes of the past have been rectified and the new editions are so different that even old fans will marvel at the way the HELLBOY tales flow across the canvas. The vast pools of black paint now almost resemble liquid velvet. And the reds erupt like pulsating lava. The book throbs in your hands!

Mike Mignola's art has never looked this gorgeous. Absolutely lovely, rich and gothic. Get this baroque horror book now and while away the dark autumn evenings as we head towards All Hallows Eve.

When Hellboy isn't saving the world from imminent destruction, he's doing a lot of little odd jobs across the world.

And by "odd jobs," I mean brief paranormal cases involving fairies, flying hunters, homunculi, "pamcakes" and disembodied heads. "Hellboy Volume 2: The Chained Coffin and The Right Hand of Doom" collects two volumes' worth of the demon anti-hero's assorted adventures, ranging from a fairy changeling to a devilish plot to conquer the world. All in a day's work.

Assorted short stories take Hellboy all over the world, and confronting many different problems -- a baby kidnapped by the faery folk, underground fiends, the malevolent witch Baba Yaga, a werewolf trapped by a centuries-old curse, the Saint Leonard worm (a dragon), a spectral huntsman followed by berserkers, a Japanese house full of bouncing heads, a seance gone horribly wrong, and the supervampire Varcolac.

And Hellboy heads to the ruined church where he was found -- only to dream of a dying witch, her holy children and a devil that sought the witch's "chained coffin." Turns out it has something to do with Hellboy's own origins. Not to mention an ancient, mysterious drawing provided by a priest of the "right hand of doom" -- which looks suspiciously like Hellboy's own hand.

And two bigger jobs loom over Hellboy -- after losing her fire powers to a strange homunculus, Liz Sherman is slowly dying. To save her, Hellboy sets out to find the homunculus, only to find that his crazed megalomaniac "elder brother" is planning to use Kate to bring a new, vast homuculus body to life.

And a demon (which looks suspiciously like a housefly) sealed into a box is stolen from a secret compartment, and is soon "serving" a human master. Turns out they want to lure Hellboy to that place, in the hopes of stealing the evil, apocalyptic powers that he has already renounced.

Mike Mignola is awesome at full-length graphic novels, but his shorter works are even better -- these are lean, compact little action stories with nothing more or less than they need. And it's sort of nice to see Hellboy's more ordinary cases -- if you can call these ordinary -- with foes like a changeling, a werewolf, the fairies and even a dragon.

Mignola's writing doesn't suffer from the shorter format, especially since he happily adapts some folktales to fit his world (legends, fairy tales, saints). There's wonderfully sick dialogue ("I'VE LOST MY ARRRRRRMMM!" "I'm sorry. Really. But... do you really need it? I mean, you're already dead and we've gotta go...") and some poignant moments (Hellboy musing on his "destiny"). Naturally, also plenty of bloody, horrific moments including a a chapel haunted by werewolves, a vampire that can "eat the moon," and a man turning into a giant lizard.

Hellboy is basically your average investigator in most of these stories -- he goes in, gets the job done and fixes things (occasionally being mistaken for Father Christmas). He's a nice straightforward kind of guy with a gruff manner, but Mignola reminds us at times that he has some unhappier facets ("You know how I live? I never deal with what I am").

And Mignola gives us some glimpses into where the "favorite son" may have come from, and the destiny he is still determined to avoid forever. It's pretty ghastly at times. At the same time, we get the hilarious "Pancakes" story, in which Hellboy's reluctant first bite leads to, ahem, hell-raising results.

"Hellboy Volume 2: The Chained Coffin and The Right Hand of Doom" collects many of Mignola's brilliant briefer stories, with a full range of Hellboy's smaller-scale cases.

The Hellboy Library Edition has been my introduction to the series. The first volume consisted of two long stories, Seed of Destruction and Wake the Devil. This volume consists of several stories, ranging widely in tone. The first, "Pancakes," is a very cute and whimsical two-pager. "The Corpse" is a short story in the most literary sense. All follow Hellboy closely, with the other characters playing minor roles, and contain tight, self-contained plots.

These bite-sized chunks of comic goodness are ultimately more satisfying than the epic Nazi-Rasputin-vampire conspiracies that filled the first volume. This is an outstanding set of fables, by any standard. Those who are unfamiliar with the graphic novel genre may find this to be a superb introduction.