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Home to Harlem Home to Harlem Home to Harlem Home to Harlem Home to Harlem (Northeastern Library of Black Literature)
 
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Home to Harlem Home to Harlem Home to Harlem Home to Harlem Home to Harlem (Northeastern Library of Black Literature) [Englisch] [Taschenbuch]

Claude McKay , Wayne M. Cooper
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Produktinformation

  • Taschenbuch: 360 Seiten
  • Verlag: Northeastern Univ Pr; Auflage: Northeastern Un. (31. Dezember 1987)
  • Sprache: Englisch
  • ISBN-10: 1555530249
  • ISBN-13: 978-1555530242
  • Größe und/oder Gewicht: 22,5 x 10,2 x 2,6 cm
  • Durchschnittliche Kundenbewertung: 4.0 von 5 Sternen  Alle Rezensionen anzeigen (2 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 108.177 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Claude McKay
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Produktbeschreibungen

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An enlightening trip through Harlem--from its colorful street life and its incomparable jazz venues to its back rooms, where drinking, drugging, gambling, and women helped some take a load off. Jake Brown is a lover of life and takes in all that Harlem has to offer like a long, cool drink. Though he's subjected to the same oppression as those around him, he chooses to rise above it and delight in the blessings he does have. Ray, on the other hand has been defeated one too many times, and despite, or perhaps because of, having a formal education, he is bent on revolt. First published in 1928, this was Claude McKay's first novel.

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Format:Taschenbuch
Claude McKay's Home to Harlem is, as the title implies, a book that deals with the spiritual center of the African-American artist movement in the 1920s - the Harlem Renaissance. Written in 1928, it can be seen as a representative novel for the time in which African-American's art and literature were for the first time met with great attention by critics. One main problem of this acclaim by whites was that their increased interest in blacks' creative output evolved around primitivism, the idea that blacks were naturally more emotional, spiritual, and sexually uninhibited than whites. A great number of African-American artists of the period participated in this view, trying to focus on those 'strengths' that made them beautiful and thus respectable in the segregated society ruled by racial discrimination. The danger of this was the development of stereotypes expressing a kind of positive racism, which resulted particularly from the white audience's interest in simply enjoying the 'primitive' inhabitants of black Harlem.
At first sight, Home to Harlem affirms these stereotypes. Through the eyes of protagonist Jake Brown, it describes Harlem and those living there as at times ridiculously sensuous creatures whose lives evolve around nightclubs, jazz, and sex. The novel's language offers a rich description of Harlem's nightlife and its women with their "tantalizing brown legs", their faces "rouged and painted like dark pansies", their "brown flesh draped in soft colourful clothes", their "brown lips full and pouted for sweet kissing", and their "brown breasts throbbing with love" (8). These and countless other depictions of Harlem's people clearly link sensuality and naturalness to the black race, this way seemingly affirming whites' stereotypical expectations of the time. A deeper look at the subject, however, reveals that McKay probably has had more in mind.
The author appears very aware of the technique of primitivism he uses. Yet, on the story level, the Harlem community is not all that harmonious. Repeatedly, fights between male rivals occur that nearly end in killings, showing that Harlem is still an ethnic ghetto at the time that had more to it than enjoyable nightlife. Financial problems, unfair working conditions, or the contrast of American racism to Europe's more equal (though not totally equal) treatment of blacks during Jake's stay abroad in World War I allow a look under the surface of the 'Harlemania.' Jake's newly found friend Ray, an assumed alter ego of the author, contributes his intellectual thoughts on the situation of blacks in America to the story, implying that the sole concentration on creative self-expression will not bring about racial equality in America - political engagement is necessary as well. However, none of the novel's characters becomes an active fighter for African-American's civil rights on a wider scale (although Jake carries a moral sense that exceeds his love for the simple pleasures of life).
Instead, the novel expresses, in my opinion, at least two major ideas: on the one hand, there is the most obvious message of black being beautiful, focusing on their proven ability of creative self-expression - although constantly threatening to confirm whites' primitivist preferences of the time and thus orienting themselves along whites' expectations again. On the other hand, however, the novel shows that despite their common pleasures, all blacks are individuals, starting at their different shades of skin color, but going further to their different opinions and problems, plus their hardships of everyday life, which make them nothing less than human beings who want and should have the same rights as any other human being in the country and the world. The novel's weakness is simultaneously its strength, for the play with whites' stereotypes ridicules those to some extend, this way showing that stereotypes are superficial and often racist ideas that can never be found in perfection in any human being, no matter what skin color or lifestyle.
Despite its rather weak plot, the novel puts the rich descriptions of the time's Harlem and its inhabitants above its story of celebrating home, making and losing friends, and finding romantic love. It is an easy read that reveals its deeper meanings on second thought - particularly recommended as material for an academic treatment before the backdrop of the Harlem Renaissance and African-American history.
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After reading an issue of Black Issues Book Review, I decided to give this book a try. It is a great story and perfectly relays all the nuances and moods that are New York. The main character meets a prostitute named Felice his first night in Harlem and his quest for her begins there. Try this one out; you will enjoy
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An important work of the Harlem Renaissance 19. April 2000
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Taschenbuch
In terms of plot and character development, this work is average- perhaps even below average. However, McKay does suceed in creating beautiful imagerary through his prose; especially in terms of the physical descriptions he provides of African Americans and the city of Harlem. Besides language, another reason to consider reading this work is because of its historical role in the Harlem Renaissance. The release of this book caused a great deal of controversy- much of which centered around the manner in which McKay portrayed African Americans. If you do decide to read this book, it is a quick and easy read. The typing and margins are pretty large and the chapters are relatively short.
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I Loved This Controversial Work of Art 23. Februar 2008
Von N. Joli - Veröffentlicht auf Amazon.com
Format:Taschenbuch
Written in 1928, Claude McKay's novel, Home to Harlem was created as an answer to its white counterpart, Ni***r Harlem (not to offend, but it's the real title of the book), written by Carl Van Vechten. Both books feature the booze, drugs, sex and prostitution of the Roaring 20s, especially the clubs and cabarets (among other places) set in Harlem (and McKay includes Clinton Hill, Brooklyn).

In this book, Claude McKay attempts to show the underground and working class life of African Americans in Harlem during the 1920s. And he does so in a brutally honest manner. The novel centers around two black men, Jake, an ex-soldier and working stiff, and Ray, a college man turned working stiff from the Caribbean. Through these characters and other minor characters, McKay shows us life in Harlem for the working class and working rebels (aka criminals) during this time.

Condemned for its blatant focus on sex, drugs, alcohol (this was the Prohibition Era) and prostitution by the elite of Harlem's Renaissance (W.E.B. DuBois included), McKay and others like him was a rebel for this period. And thankfully so!

While the book contains language and literary tools and functions that would seem stilted and perhaps archaic, by today's standards, it is nonetheless a classic.

A word of warning, however: McKay's descriptions of persons of color rely heavily on what modern people would consider very, very color-struck. If you can overlook this, it is a wonderful examination of life in the underground decadent culture of Harlem's Jazz Age.
11 von 13 Kunden fanden die folgende Rezension hilfreich
a classic; McKay is worth your time 19. April 2000
Von leslie o bolden - Veröffentlicht auf Amazon.com
Format:Taschenbuch
After reading an issue of Black Issues Book Review, I decided to give this book a try. It is a great story and perfectly relays all the nuances and moods that are New York. The main character meets a prostitute named Felice his first night in Harlem and his quest for her begins there. Try this one out; you will enjoy
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