From Publishers Weekly
In Walton's fine conclusion to her alternative-history trilogy (after Ha'penny), former Scotland Yarder Peter Carmichael, now head of the secret police organization known as the Watch, must prepare for a peace conference to be held in London two decades after Britain reached an accommodation with Hitler's Germany in the early 1940s. Carmichael also has to worry about his sexual relationship with his valet, Jack, and the covert unit within the Watch he's created to smuggle British Jews out of the country. Then his naïve 18-year-old ward, Elvira Royston, who's about to be presented to the queen, overhears a conversation that could compromise her protector. Elvira, who winds up in police custody after attending a political rally that turns violent, accepts her authoritarian society with a casualness that's truly chilling. Walton's understated prose and deft characterizations elevate this above similar works such as Fatherlandand SS-GB. Some readers, though, may feel let down by an optimistic ending that jars with the series' overall downbeat tone. (Oct.)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Pressestimmen
“Stunningly powerful…. A standout. Mainstream readers should be enthralled as well.”
—Publishers Weekly (Starred Review) on Farthing
“If le Carré scares you, try Jo Walton.”
—Ursula K. LeGuin on Farthing
“A literary Guernica—a top-notch thriller set in a terrified Britain that is all too willing to trade freedom for security, and which gets neither.”
—Cory Doctorow on Ha'Penny
“Haunting…. Like meticulously nested Matroyshka dolls, both Farthing and Ha’penny reveal complex arguments layered in their elegantly structured narratives.”
—Sarah Weinman, Los Angeles Times
