Comparisons to Nabokov are both inevitable -- the novel's first line pays homage to Lolita's opening -- and apt, as Jackson shares her predecessor's preoccupation with ambiguities of identity, authority, and signification, as well as all the opportunities for wordplay and symbology that these themes present. But Jackson's voice is also very much her own -- cynical, relentless, and very funny.
It hardly does the novel justice to call it densely layered. It can be read as a satire of identity politics, a meditation on semiotics, a critique of the nuclear age, a murder mystery (of sorts), a love story -- that's just for starters. Readers who have dipped a toe into post-structural theory should put this novel on their desert island reading list -- there's plenty to occupy them here. But the story is so firmly grounded in the visceral and emotional that readers in search of an un-deserted beach read won't be disappointed either.
I've read more Amazon reviews than I can count and have never posted one before now. This novel drove me to it. Heck, I'll probably get on board for her tattoo project too, if its success will spur more writing like this. Jackson deserves a big readership and other good things.